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E-grāmata: So You Want to Sing CCM (Contemporary Commercial Music): A Guide for Performers

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  • Formāts: EPUB+DRM
  • Sērija : So You Want to Sing
  • Izdošanas datums: 03-Apr-2018
  • Izdevniecība: Rowman & Littlefield Publishers
  • Valoda: eng
  • ISBN-13: 9781538103623
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  • Formāts: EPUB+DRM
  • Sērija : So You Want to Sing
  • Izdošanas datums: 03-Apr-2018
  • Izdevniecība: Rowman & Littlefield Publishers
  • Valoda: eng
  • ISBN-13: 9781538103623
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So You Want to Sing CCM (Contemporary Commercial Music) presents a compendium of approaches to non-classical singing with an emphasis on vocal technique and function. Over the past twenty years, approaches to singing CCM have exploded, resulting in many schools of technique. So You Want to Sing CCM is the first book to bring these trademarked methodssuch as Estill Voice Training, Somatic Voicework, Complete Vocal Technique, Voiceworks, and the Vocal Power Methodtogether in a single volume.

So You Want to Sing CCM opens the reader to the vast world of contemporary commercial music through the teachings of the worlds best-known practicing CCM pedagogues. Supplemental chapters by Matthew Edwards, Darren Wicks, and editor Matthew Hoch offer additional commentary on CCM history and pedagogy while chapters by Scott McCoy, Wendy LeBorgne, and Matthew Edwards investigate voice science, vocal health, and audio enhancement technology.

The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing CCM features online supplemental material. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources

Recenzijas

This book is a testament to the pedagogues whose early work and ongoing efforts have made a lasting impact on voice teaching. . . . While every book in the So You Want to Sing series has made an important contribution to the available literature in vocal instruction, So You Want to Sing CCM may be the series most significant volume to date. Hoch is to be credited for compiling a volume that shares and compares information from so many of CCMs most seminal figures. (Brian Manternach, Classical Singer) * Classical Singer Magazine * Step into the studios of twelve fantastic CCM pioneers for a revelation of the most current pedagogy: laryngeal level, resonance strategies, acoustics, vocal tract shape, registration, support, and vocal health. . . an inspiring breadth and depth of knowledge and experience. -- Karen Brunssen, NATS president-elect, Bienen School of Music, Northwestern University Voice teachers and coaches here is a must for your bookshelf. This engaging history of CCM singing and its pedagogical development includes valuable advice and teaching philosophies from passionate, pioneering CCM instructors from around the globe. -- Linda J. Snyder, president, National Association of Teachers of Singing (2016-2018)

Foreword vii
Allen Henderson
Acknowledgments ix
Introduction xi
Matthew Hoch
Online Supplement Note xv
PART I CONTEMPORARY COMMERCIAL MUSIC: AN INTRODUCTION
1 CCM Pedagogy: The Pioneering Generation
3(12)
Matthew Hoch
2 CCM versus Music Theater A Comparison
15(18)
Matthew Edwards
3 Singing and Voice Science
33(18)
Scott McCoy
4 Vocal Health for the Contemporary Commercial Music (CCM) Singer
51(21)
Wendy LeBorgne
5 Using Audio Enhancement Technology
72(25)
Matthew Edwards
PART II PROFILES OF TWELVE CCM PEDAGOGUES
6 Katie Agresta, New York, New York
97(13)
7 Irene Bartlett, Brisbane, Australia
110(14)
8 Robert Edwin, Cinnaminson, New Jersey
124(10)
9 Elisabeth Howard, Chicago, Illinois
134(16)
10 Joan Lader, New York, New York
150(9)
11 Jeannette LoVetri, New York, New York
159(14)
12 Mark Meylan, London, United Kingdom
173(12)
13 Lisa Popeil, Los Angeles, California
185(11)
14 David Sabella, New York, New York
196(15)
15 Cathrine Sadolin, Copenhagen, Denmark
211(11)
16 Mary Saunders Barton, State College, Pennsylvania
222(19)
17 Daniel Zangger Borch, Stockholm, Sweden
241(10)
PART III CONTEMPORARY COMMERCIAL MUSIC: PAST, PRESENT, AND FUTURE
18 Effortless Singing: SLS™ and Its Influence
251(13)
Darren Wicks
19 Why It's Time to Add CCM to Your Studio
264(23)
Matthew Edwards
20 The Future of CCM Pedagogy
287(4)
Matthew Hoch
Glossary 291(6)
Index 297(20)
About the Editor and Contributors 317
Matthew Hoch is associate professor of voice and coordinator of voice studies at Auburn University. He is the author of several books, including A Dictionary for the Modern Singer. He holds the BM from Ithaca College, MM from the Hartt School, and DMA from the New England Conservatory. Dr. Hoch is the 2016 winner of the Van L. Lawrence Fellowship, awarded jointly by the Voice Foundation and NATS. He actively performs art song, opera, chamber music, and in professional choral settings.