Foreword |
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xi | |
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Acknowledgments |
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xiii | |
Introduction: Singing Sacred Music |
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xv | |
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Online Supplement Note |
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xix | |
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1 | (22) |
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2 | (3) |
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2 | (1) |
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3 | (1) |
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4 | (1) |
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5 | (2) |
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5 | (1) |
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Three Categories of Music |
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5 | (1) |
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Three Major Ethnic Groups |
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6 | (1) |
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7 | (2) |
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The Basics of Cantorial Education |
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7 | (1) |
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Admissions: General Information |
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7 | (1) |
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8 | (1) |
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Seminaries Offering Cantorial Education |
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9 | (7) |
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General Course of Study for Cantorial Education |
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9 | (1) |
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Training Programs for Cantors: The Six Seminaries |
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10 | (6) |
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Non-Cantorial Opportunities to Sing Jewish Music |
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16 | (1) |
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17 | (3) |
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17 | (1) |
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18 | (1) |
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Basic Repertoire Suggestions |
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19 | (1) |
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20 | (3) |
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2 Gregorian Chant and Polyphony |
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23 | (32) |
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24 | (16) |
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Textbox: Key Dates in the Development of the Liturgy and Its Chant |
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25 | (1) |
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Textbox: The Liturgical Calendar |
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26 | (3) |
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Textbox: Some Basic Liturgy Terms |
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29 | (3) |
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Textbox: Names of the Offices |
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32 | (2) |
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Table: Structure of the Mass |
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34 | (6) |
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40 | (6) |
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41 | (4) |
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45 | (1) |
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46 | (5) |
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47 | (1) |
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47 | (1) |
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48 | (1) |
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48 | (1) |
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Tempo, Note Lengthening, and Breathing |
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49 | (1) |
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Men and Women Singing Together |
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50 | (1) |
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50 | (1) |
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51 | (1) |
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Introductory and Scholarly Books about Gregorian Chant |
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52 | (1) |
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52 | (3) |
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3 Contemporary Catholic Directions |
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55 | (36) |
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55 | (6) |
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55 | (1) |
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The Catholic Reformation and the Birth of the Baroque |
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56 | (1) |
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Two Streams of Catholic Sacred Choral Music |
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57 | (2) |
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A Catholic Ethos of Sacred Music? |
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59 | (2) |
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Musical Characteristics and Repertoire |
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61 | (8) |
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Navigating the Choral Repertoire |
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61 | (1) |
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Musical Performance within the Liturgy |
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61 | (1) |
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62 | (1) |
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63 | (1) |
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Liturgy of the Hours (Office) |
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64 | (1) |
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Sacred Choral Music alongside the Liturgy |
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65 | (1) |
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High Mass, Low Mass, and Vernacular Hymnody |
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66 | (1) |
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67 | (2) |
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The Second Vatican Council (1962--1965) |
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69 | (15) |
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The Liturgy Constitution: Sacrosanctum Concilium |
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72 | (2) |
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Chapter VI of the Liturgy Constitution |
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74 | (1) |
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The Liturgy of the Second Vatican Council |
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75 | (2) |
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Sing to the Lord: Basic Orientation |
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77 | (1) |
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Sacred Music, Liturgical Music, or Pastoral Music? |
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77 | (1) |
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Congregation versus Choir? |
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78 | (2) |
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Schools of Thought in Catholic Liturgical Music |
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80 | (3) |
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A Step into the Past: Summorum Pontificum and the "Extraordinary Form" |
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83 | (1) |
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Performance Skills for Music in the Liturgy |
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84 | (2) |
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Structures and Organizations |
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86 | (1) |
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87 | (2) |
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Official Church Documents and Studies of Them |
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87 | (1) |
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History and Theory of Worship Music |
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88 | (1) |
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88 | (1) |
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89 | (2) |
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4 Sacred Choral Traditions |
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91 | (28) |
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Liturgical Origins, Musical Characteristics, and Repertoire |
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92 | (6) |
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92 | (2) |
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94 | (2) |
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Liturgical Considerations |
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96 | (1) |
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96 | (2) |
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Training Requirements and Choral Technique |
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98 | (9) |
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Training to Be a Professional Chorister |
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98 | (2) |
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Technical and Stylistic Differences between Choral and Solo Singing |
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100 | (3) |
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103 | (2) |
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Sight Reading and Musicianship |
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105 | (1) |
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106 | (1) |
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Coping with Vocal Fatigue |
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107 | (1) |
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Church Jobs: Securing Work as a Professional Chorister |
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107 | (7) |
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107 | (2) |
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Practical Skills: It's Not Just about How Well You Sing! |
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109 | (2) |
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111 | (1) |
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Do I Have to Be Religious? |
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112 | (1) |
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Summer Work: Where to Sing (and Make Money) When Choirs Aren't in Session |
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113 | (1) |
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114 | (2) |
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Listening to Church Music |
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114 | (1) |
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Where to Experience Sacred Choral Music |
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115 | (1) |
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Professional Organizations |
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115 | (1) |
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116 | (1) |
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116 | (3) |
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5 Contemporary Christian Music |
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119 | (26) |
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122 | (12) |
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122 | (1) |
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123 | (1) |
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Textbox: Ralph Carmichael |
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124 | (3) |
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127 | (1) |
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128 | (1) |
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129 | (2) |
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131 | (1) |
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Table: American Megachurches |
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131 | (1) |
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132 | (2) |
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134 | (1) |
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134 | (1) |
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135 | (1) |
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Vocal Technique and Contemporary Christian Music |
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136 | (3) |
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139 | (3) |
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142 | (3) |
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6 Singing and Voice Science |
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145 | (18) |
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Pulmonary System: The Power Source of Your Voice |
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146 | (5) |
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Larynx: The Vibrator of Your Voice |
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151 | (5) |
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Vocal Tract: Your Source of Resonance |
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156 | (4) |
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Mouth, Lips, and Tongue: Your Articulators |
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160 | (2) |
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162 | (1) |
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7 Vocal Health and the Singer of Sacred Music |
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163 | (22) |
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General Physical Well-Being |
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163 | (1) |
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Considerations for Whole Body Wellness |
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164 | (10) |
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164 | (1) |
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165 | (3) |
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Tea, Honey, and Gargle to Keep the Throat Healthy |
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168 | (1) |
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Medications and the Voice |
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169 | (1) |
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170 | (1) |
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171 | (1) |
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172 | (2) |
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Vocal Wellness: Injury Prevention |
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174 | (4) |
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Train Like an Athlete for Vocal Longevity |
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174 | (1) |
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175 | (1) |
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176 | (2) |
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Avoid Environmental Irritants: Alcohol, Smoking, Drugs |
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178 | (1) |
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Smart Practice Strategies for Skill Development and Voice Conservation |
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178 | (2) |
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Practice Your Mental Focus |
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179 | (1) |
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Specific Vocal Wellness Concerns for the Sacred Music Vocalist |
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180 | (2) |
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Vocal Wellness Tips for Traditional Worship |
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180 | (1) |
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Contemporary Christian Singers |
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181 | (1) |
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182 | (3) |
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8 Using Audio Enhancement Technology |
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185 | (24) |
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The Fundamentals of Sound |
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186 | (2) |
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186 | (1) |
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186 | (1) |
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187 | (1) |
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187 | (1) |
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188 | (16) |
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189 | (7) |
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196 | (3) |
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199 | (2) |
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201 | (1) |
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202 | (1) |
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203 | (1) |
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204 | (1) |
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The Basics of Live Sound Systems |
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204 | (2) |
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206 | (1) |
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207 | (2) |
Glossary |
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209 | (6) |
Index |
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215 | (14) |
About the Editor and Contributors |
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229 | |