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viii | |
| General introduction |
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ix | |
| Introduction to volume IV |
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xxv | |
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I Naturalism and impressionism |
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1 | (213) |
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1 | (54) |
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The foundations of the nineteenth century |
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2 | (6) |
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8 | (2) |
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10 | (2) |
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Journalism and literature |
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12 | (1) |
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13 | (5) |
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18 | (9) |
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Stendhal as spokesman of post-revolutionary youth |
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27 | (2) |
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The idea of the class struggle |
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29 | (9) |
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Classical-romantic and modern psychology |
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38 | (3) |
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41 | (1) |
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The pathology of capitalism |
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42 | (3) |
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The discovery of the ideological determination of thought |
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45 | (3) |
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48 | (2) |
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The renewal of cyclical form |
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50 | (3) |
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The secret of Balzac's art |
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53 | (2) |
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55 | (44) |
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58 | (1) |
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The naturalism of the mid-century |
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59 | (2) |
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61 | (4) |
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65 | (2) |
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The reinterpretation of `l'art pour l'art' |
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67 | (2) |
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Flaubert's wrestling with the spirit of romanticism |
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69 | (5) |
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74 | (1) |
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The struggle for the `mot juste' |
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75 | (1) |
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76 | (2) |
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Flaubert's conception of time |
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78 | (1) |
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79 | (3) |
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The `idealism' of the bourgeoisie |
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82 | (2) |
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84 | (1) |
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The apotheosis of the family in the drama |
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85 | (3) |
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88 | (3) |
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91 | (5) |
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96 | (1) |
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97 | (2) |
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3 The social novel in England and Russia |
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99 | (57) |
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Idealists and utilitarians |
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100 | (2) |
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The second romantic movement |
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102 | (2) |
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104 | (2) |
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106 | (1) |
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107 | (2) |
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The cultural problem of technics |
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109 | (2) |
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The antecedents of the social novel in England |
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111 | (3) |
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The novel in monthly instalments and the new reading public |
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114 | (1) |
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115 | (7) |
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The novel of the mid- Victorian period |
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122 | (2) |
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The bourgeoisie and the intelligentsia |
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124 | (4) |
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The Russian intelligentsia |
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128 | (3) |
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Westernizers and Slavophils |
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131 | (3) |
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The activism of the Russian novel |
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134 | (1) |
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The psychology of self-estrangement |
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135 | (2) |
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137 | (11) |
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148 | (8) |
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156 | (58) |
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The modern dynamic attitude to life |
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158 | (2) |
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Impressionism and naturalism |
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160 | (4) |
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The predominance of painting |
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164 | (3) |
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167 | (3) |
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170 | (2) |
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172 | (3) |
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175 | (2) |
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The artist and the bourgeois outlook on life |
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177 | (1) |
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The escape from civilization |
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178 | (1) |
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The transformation of the boheme |
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179 | (3) |
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182 | (1) |
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183 | (5) |
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188 | (3) |
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191 | (1) |
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192 | (1) |
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193 | (1) |
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International impressionism |
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194 | (2) |
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196 | (2) |
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The problem of the naturalistic drama |
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198 | (3) |
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201 | (3) |
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204 | (2) |
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The psychology of exposure |
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206 | (2) |
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208 | (3) |
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211 | (1) |
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212 | (2) |
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214 | (33) |
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214 | (2) |
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216 | (1) |
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217 | (2) |
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`Terrorists' and `rhetoricians' |
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219 | (1) |
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220 | (5) |
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The crisis of the psychological novel |
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225 | (2) |
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Space and time in the film |
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227 | (4) |
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The experience of simultaneity |
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231 | (3) |
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The problem of collectivism in art production |
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234 | (2) |
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236 | (4) |
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240 | (3) |
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The film as an instrument of propaganda |
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243 | (1) |
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244 | (1) |
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The democratization of art |
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245 | (2) |
| Notes |
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247 | (10) |
| Index |
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257 | |
Biežāk uzdotie jautājumi par e-grāmatām