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E-grāmata: Soft Living Architecture: An Alternative View of Bio-Informed Practice

4.20/5 (5 ratings by Goodreads)
(Newcastle University, UK)
  • Formāts: 224 pages
  • Izdošanas datums: 06-Sep-2018
  • Izdevniecība: Bloomsbury Visual Arts
  • ISBN-13: 9781350011342
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Soft Living Architecture: An Alternative View of Bio-Informed PracticePalielināt
  • Formāts: 224 pages
  • Izdošanas datums: 06-Sep-2018
  • Izdevniecība: Bloomsbury Visual Arts
  • ISBN-13: 9781350011342
Citas grāmatas par šo tēmu:

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Soft Living Architecture explores the invention of new architectures based on living processes. It crafts a unique intersection between two fast-developing disciplines: biomimicry and biodesign in architecture, and bioinformatics and natural computing in the natural sciences.

This is the first book to examine both the theory and methodology of architecture and design working directly with the natural world. It explores a range of approaches from the use of life-like systems in building design to the employment of actual growing and living cell and tissue cultures as architectural materials - creating architecture that can change, learn and grow with us. The use of 'living architecture' is cutting-edge and speculative, yet it is also inspiring a growing number of designers worldwide to adopt alternative perspectives on sustainability and environmental design. The book examines the ethical and theoretical issues arising alongside case-studies of experimental practice, to explore what we mean by 'natural' in the Anthropocene, and raise deep questions about the nature of design and the design of nature.

This provocative and at times controversial book shows why it will become ever more necessary to embrace living processes in architecture if we are to thrive in a sustainable future.

Papildus informācija

Exploring the invention of new architectures based on living materials.
List of figures
ix
Preface xii
1 Life As You Don't Know It
1(20)
1.1 Prototyping life
1(1)
1.2 Beyond the bete machine
2(1)
1.3 Replaying the tape of life
2(2)
1.4 Parallel worlds
4(1)
1.5 Nature of matter
5(2)
1.6 Mineral sensibilities
7(1)
1.7 Origin of life
8(3)
1.8 Biogenesis and vivogenesis
11(1)
1.9 Dissipative life
12(2)
1.10 Dissipative adaptation
14(1)
1.11 Phantasmagoria of life
14(2)
1.12 Life as material subversion
16(1)
1.13 Subnatures
17(1)
1.14 Chicken and egg: The paradox of lively matter
17(1)
1.15 Worlding
18(3)
2 Experimental And Soft Living Architecture
21(14)
2.1 Experimental architecture
21(3)
2.1.1 Twenty-first-century experimental architecture
22(2)
2.2 Soft living architecture
24(7)
2.2.1 The character of `life' in soft living architecture
25(1)
2.2.2 Soft living architecture: Examples
26(3)
2.2.3 Soft living architecture: Body
29(2)
2.3 Storytelling
31(1)
2.4 Ambient poetics
32(3)
3 World In Meltdown
35(18)
3.1 End of Utopia
35(1)
3.2 The Tower of Babel
36(1)
3.3 Babelsphere
37(1)
3.4 The changing character of nature
38(1)
3.5 Nature of nature
39(2)
3.6 Venetian nature
41(2)
3.7 The gluttony of death
43(3)
3.8 Breaking up
46(1)
3.9 Design and death
46(2)
3.10 Urban (Terra)toma
48(1)
3.11 Insurrection and death
49(1)
3.12 Sewage
50(3)
4 Synthesis: Entangled Materials, Tools And Methods
53(22)
4.1 Nature as technology
53(2)
4.2 Modes of computation
55(9)
4.2.1 Computing with humans
57(2)
4.2.2 Natural computing
59(1)
4.2.3 Dissipative structures
59(2)
4.2.4 Consciousness and living materials
61(3)
4.3 Softness
64(3)
4.4 Making soils
67(4)
4.5 Liquid soils
71(1)
4.6 Ice computer
72(1)
4.7 Aeroso(i)ls
73(2)
5 Embracing Change
75(16)
5.1 Choreography
75(1)
5.2 Evaluation
76(2)
5.3 Alternative impacts
78(1)
5.4 Alternative methodologies
79(2)
5.5 Alternative experiments
81(1)
5.6 Fertility as value
82(1)
5.7 Alternative architectures
83(2)
5.8 Parallel apparatuses
85(3)
5.9 Alternative roles for architects
88(3)
6 Laboratories And Convergences
91(20)
6.1 Babel fish
91(1)
6.2 The soft city of Venice
92(1)
6.3 Living stones of Venice
93(1)
6.4 Automatic Venetian chess
94(2)
6.5 Invisibility
96(3)
6.6 The invisible laboratory: An alternative synthetic platform
99(1)
6.7 Ectoplasms
99(2)
6.8 Jellyfish
101(1)
6.9 Sensible apparatuses
101(3)
6.10 Lost music: Antonio Vivaldi
104(2)
6.11 Channelling and knotting
106(1)
6.12 Phantasmagorical laboratory
107(2)
6.13 Immersive sensible kaleidoscope
109(2)
7 Prototyping Practices
111(26)
7.1 Parallel beauty
111(2)
7.2 Parallel soils
113(3)
7.3 Golem
116(1)
7.4 Weeki Wachee maids
117(2)
7.5 Witch bottles
119(2)
7.6 Gog and Magog
121(2)
7.7 Sound walk
123(2)
7.8 Land and community
125(3)
7.9 Mirror puddle
128(2)
7.10 Doggerland: Uncertainty, prophecy and the near-shore experience
130(3)
7.11 Babel chandelier
133(1)
7.12 Corresponding with the cosmos
134(3)
8 Projects
137(26)
8.1 Living Architecture
137(3)
8.1.1 Microbial fuel cell
138(1)
8.1.2 Photobioreactor
138(1)
8.1.3 Synthetic bioreactor
138(2)
8.1.4 Integration and uses
140(1)
8.2 Diversifying bricks
140(3)
8.2.1 Soft brick
142(1)
8.2.2 Embryological brick
143(1)
8.2.3 Lamprey shoe: Blood bank
143(1)
8.3 Programmable bricks
143(8)
8.3.1 Living brick for Venice
145(2)
8.3.2 Titrating tensions: Hips and teeth
147(4)
8.4 Transfiguring Venice
151(4)
8.4.1 City of soft living architecture
151(4)
8.5 Future Venice
155(5)
8.5.1 Protocell city
156(1)
8.5.2 Future Venice II
157(2)
8.5.3 Melma Verde: Island of useless things
159(1)
8.6 Living walls
160(3)
9 Performances
163(14)
9.1 Persephone: Constructing the Babelsphere
163(1)
9.2 Persephone: Worlding instrument
164(1)
9.3 Persephone: The Temptations of the Non-linear Ladder
165(3)
9.4 Persephone: The Capsule of Crossed Destinies (the Hanged Man)
168(2)
9.4.1 Introduction
168(1)
9.4.2 Biospherical bottle
168(1)
9.4.3 The Hanged Man
169(1)
9.4.4 Knitted fetish
169(1)
9.4.5 Fibonacci
170(1)
9.5 Babelsphere: Inhabiting a world in meltdown (Radical Circus)
170(7)
Epilogue 177(2)
Glossary 179(10)
References 189(14)
Index 203
Rachel Armstrong is Professor of Experimental Architecture at The Department of Architecture, Planning & Landscape, Newcastle University, UK.
Biežāk uzdotie jautājumi par e-grāmatām Biežāk uzdotie jautājumi par e-grāmatām
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