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Sound, Media, Ecology 2019 ed. [Hardback]

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  • Formāts: Hardback, 294 pages, height x width: 210x148 mm, weight: 672 g, 15 Illustrations, color; 2 Illustrations, black and white; XXVI, 294 p. 17 illus., 15 illus. in color., 1 Hardback
  • Sērija : Palgrave Studies in Audio-Visual Culture
  • Izdošanas datums: 16-Jul-2019
  • Izdevniecība: Springer Nature Switzerland AG
  • ISBN-10: 303016568X
  • ISBN-13: 9783030165680
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  • Formāts: Hardback, 294 pages, height x width: 210x148 mm, weight: 672 g, 15 Illustrations, color; 2 Illustrations, black and white; XXVI, 294 p. 17 illus., 15 illus. in color., 1 Hardback
  • Sērija : Palgrave Studies in Audio-Visual Culture
  • Izdošanas datums: 16-Jul-2019
  • Izdevniecība: Springer Nature Switzerland AG
  • ISBN-10: 303016568X
  • ISBN-13: 9783030165680
Citas grāmatas par šo tēmu:
This volume reads the global urban environment through mediated sonic practices to put a contemporary spin on acoustic ecology’s investigations at the intersection of space, cultures, technology, and the senses. Acoustic ecology is an interdisciplinary framework from the 1970s for documenting, analyzing, and transforming sonic environments: an early model of the cross-boundary thinking and multi-modal practices now common across the digital humanities. With the recent emergence of sound studies and the expansion of “ecological” thinking, there is an increased urgency to re-discover and contemporize the acoustic ecology tradition. This book serves as a comprehensive investigation into the ways in which current scholars working with sound are re-inventing acoustic ecology across diverse fields, drawing on acoustic ecology’s focus on sensory experience, place, and applied research, as well as attendance to mediatized practices in sounded space. From sounding out the Anthropocene, to rethinking our auditory media landscapes, to exploring citizenship and community, this volume brings the original acoustic ecology problem set into the contemporary landscape of sound studies. 
1 Sound, Media, Ecology: Introduction in Three Acts
1(18)
Milena Droumeva
Randolph Jordan
Section I Acoustic Ecology: Foundations and Critical Responses
19(92)
2 Acoustic Ecology and the World Soundscape Project
21(24)
Barry Truax
3 The Disruptive Nature of Listening: Today, Yesterday, Tomorrow
45(20)
Hildegard Westerkamp
4 Local Eardonances: Raymond Murray Schafer's Contribution to the History and Present-Day Practice of Noise Abatement
65(20)
Karin Bijsterveld
5 Multimodal Scholarship in World Soundscape Project Composition: Toward a Different Media-Theoretical Legacy (Or: The WSP as OG DH)
85(26)
Jonathan Sterne
Section II Environment and Community
111(86)
6 Nothing Connects Us but Imagined Sound
113(18)
Mitchell Akiyama
7 Havana's Falling Tanks and Flooded Laneways: Examining the Acoustic Community
131(22)
Vincent Andrisani
8 Acoustic Ecology and Ecological Sound Art: Listening to Changing Ecosystems
153(26)
Leah Barclay
9 Listening to Renewable Energy Technologies
179(18)
Linda O. Keeffe
Section III Media and Society
197(88)
10 The Uncanny Soundscapes of the Palestinian Exile: Rethinking Technics, Memory, and Sound
199(18)
Ozgun Eylul Iscen
11 Responsive Listening: Negotiating Cities of Sirens, Smartphones and Sensors
217(16)
Sarah Barns
12 Listening to Traffic with Guts and Antennae
233(10)
Andra McCartney
13 Acouscenic Listening
243(18)
Sean Taylor
Mikael Fernstrom (Softday)
14 Evening of Sounds: Auditory Cultures in Radio Call-in Programmes
261(24)
Heikki Uimonen
Index 285
Milena Droumeva is Assistant Professor in Communication and Glenfraser Endowed Professor in Sound Studies at Simon Fraser University, Vancouver, Canada, specializing in cultural sound studies and sensory ethnography. She works across the fields of urban soundscape research, sonification for public engagement, as well as gender and sound in video games.

Randolph Jordan is Visiting Assistant Professor of Cinema at Concordia University in Montréal, Canada. His research, teaching, and creative practice reside at the intersections of soundscape research, media studies, and critical geography. He has published widely on the ways in which the fields of acoustic ecology and film sound studies can inform each other.