As I read Mortons account of his childhood engagement with space flight, I thought of my own, when my personal imaginary met world history, though I certainly didnt think in those terms at the time. In pursuing Mortons childhood, Im not attempting to shoehorn Spacecraft into old-fashioned biographical criticism whereby one seeks to explain a text by finding its secrets in the authors autobiography. Its part of the story hes telling, one common to many children whose imagination has been fired with visions of space travel. Its a story born of a specific cultural imaginary common among children of the last decades of the previous century Spacecraft, then, is a vehicle in which Morton meditates on futurality. The Millennium Falcon, along with hyperspace, is at the center of this meditation. * 3 Quarks Daily * Morton is the punk rock sci-fi geek artist philosopher of Now. In prose as precise and freewheeling as one of their flights-of-fancy spacecraft, this book takes us on a journey of the mind through the hyperspace of pop-culture and high thought, because It Is All Connected Cant You See? I started reading this and lost a day but gained a light year. * Max Borenstein, screenwriter of Godzilla vs. Kong * This is a brilliantly provoking book about why spacecraft are not at all the same as spaceships, and how imaginary objects can transform our thinking. Morton offers an exuberant, acute, compact, and luminously uplifting guide to the ways in which human society might become a whole lot more progressive in the coming centuries. * Nicholas Royle, author of Veering: A Theory of Literature *