Acknowledgements |
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vi | |
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1 | (8) |
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1 | (1) |
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The rise and realities of oracy in the classroom |
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2 | (2) |
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Speaking, listening and learning |
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4 | (1) |
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Speaking and listening across the curriculum |
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5 | (2) |
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Speaking, listening and key skills |
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7 | (2) |
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Speaking and listening in English and drama |
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9 | (10) |
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9 | (2) |
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Speaking and listening in drama |
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11 | (4) |
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15 | (4) |
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Speaking and listening in the curriculum |
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19 | (9) |
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Why teach speaking and listening? |
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19 | (2) |
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Speaking and listening in the National Curriculum |
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21 | (1) |
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22 | (1) |
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Speaking and listening at GCSE |
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23 | (1) |
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Speaking and listening in the drama curriculum |
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24 | (4) |
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Understanding spoken English |
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28 | (10) |
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28 | (3) |
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31 | (4) |
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35 | (3) |
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38 | (12) |
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The features of spoken English |
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38 | (1) |
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38 | (2) |
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40 | (1) |
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41 | (2) |
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43 | (3) |
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46 | (1) |
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Purposefully vague language |
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47 | (3) |
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50 | (7) |
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Visual and aural literacy |
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50 | (2) |
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52 | (2) |
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Appropriateness to context |
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54 | (1) |
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55 | (2) |
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Using playscripts as models of speech |
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57 | (13) |
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57 | (1) |
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Instructing: Lives Worth Living by Lawrence Evans and Jane Nash |
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58 | (1) |
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Recounting: Spoonface Steinberg by Lee Hall |
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59 | (1) |
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Narrating: Sparkleshark by Philip Ridley |
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60 | (3) |
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Explaining: The Life of Galileo by Bertolt Brecht |
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63 | (1) |
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Persuading: Oh What a Lovely War by Theatre Workshop |
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64 | (2) |
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Discussing: A Number by Caryl Churchill |
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66 | (2) |
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Analysing and questioning: The Biko Inquest by Jon Blair and Norman Fenton |
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68 | (2) |
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Teaching and assessing speaking and listening |
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70 | (19) |
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70 | (3) |
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73 | (2) |
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Finding and using resources |
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75 | (2) |
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77 | (3) |
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80 | (2) |
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80 | (1) |
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81 | (1) |
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82 | (7) |
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83 | (2) |
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85 | (2) |
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87 | (2) |
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Speaking and listening in classroom practice |
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89 | (20) |
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Warm-ups and starter activities |
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89 | (5) |
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Voice and breathing exercises |
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89 | (1) |
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90 | (3) |
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93 | (1) |
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Whole lessons and sequences |
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94 | (15) |
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94 | (2) |
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96 | (5) |
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101 | (3) |
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104 | (5) |
References |
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109 | (4) |
Index |
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113 | |