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E-grāmata: Speaking in Tongues and Dancing Diaspora: Black Women Writing and Performing

4.67/5 (6 ratings by Goodreads)
(Professor of English, University of North Carolina at Chapel Hill)
  • Formāts: 304 pages
  • Sērija : Race and American Culture 17
  • Izdošanas datums: 07-May-2014
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780199375202
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Speaking in Tongues and Dancing Diaspora: Black Women Writing and PerformingPalielināt
  • Formāts: 304 pages
  • Sērija : Race and American Culture 17
  • Izdošanas datums: 07-May-2014
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780199375202
Citas grāmatas par šo tēmu:

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Tropes ranging from Houston Baker's "bluesman," to Henry Louis Gates' "signifyin'" to Geneva Smitherman's "talkin' and testifyin'" to bell hooks' "talking back" to Cheryl Wall's "worrying the line" all affirm the power of sonance and sound in the African American literary tradition. The collection of essays in Speaking in Tongues and Dancing Diaspora contributes to this tradition by theorizing the preeminence of voice and narration (and the consequences of their absence) in the literary and cultural performances of black women. Looking to work by such prominent black female authors as Alice Walker, Sherley Anne Williams, Toni Morrison, Zora Neal Hurston, among many others, Mae G. Henderson provides a deeply felt reflection on race and gender and their effects within the discourse of speaker and listener.

Recenzijas

Mae Henderson's always luminous, often foundational work is a gift to all who study women's writing and African American literature. Fusing beautiful theorizing with insightful close readings, Henderson illuminates Josephine Baker's performances and hip-hop videos as brilliantly as she does the fictions of Hurston, Morrison, and Walker. * Cheryl A. Wall, author of Worrying the Line: Black Women Writers, Lineage, and Literary Tradition * Speaking in Tongues is an important volume as a deeper literary-historical view into African-American women's writing * T. Denean Sharpley-Whiting, Cultural Sociology *

Acknowledgments ix
Introduction: Black Women Writers Speaking, Listening, and Witnessing 1(21)
1 Alice Walker S The Color Purple: Revisions and Redefinitions
22(13)
2 (W)Riting The Work and Working the Rites: Sherley Anne Williams's "Meditations on History"
35(24)
3 Speaking in Tongues: Dialectics, Dialogics, and the Black Woman Writer's Literary Tradition
59(17)
4 Toni Morrison's Beloved: Re-Membering the Body as Historical Text
76(21)
5 The Stories of (O)Dessa: Stories of Complicity and Resistance
97(18)
6 "Seen But Not Heard": A Poetics of Afro-American Women's Writing
115(7)
7 Gayl Jones S White Rat: Speaking Silence/Silencing Speech
122(11)
8 The State of Our Art: Black Feminist Theory in the 1990s
133(5)
9 What It Means to Teach the Other When the Other Is the Self
138(7)
10 Authors and Authorities
145(7)
11 Nella Larsen's Passing: Passing, Performance, and (Post)modernism
152(24)
12 Josephine Baker and La Revue Negre: From Ethnography to Performance
176(21)
13 Dancing Diaspora: Colonial, Postcolonial, and Diasporic Readings of Josephine Baker as Dancer and Performance Artist
197(12)
14 About Face, or, What Is This "Back" in B(I)ack Popular Culture?: From Venus Hottentot to Video Hottie
209(20)
IN RETROSPECT
15 Sherley Anne Williams (1944--1999): "Someone Sweet Angel Chile"
229(5)
16 Bebe Moore Campbell (1950--2006): "Literature as Equipment for Living"
234(6)
Coda: Where Toni Morrison Meets Josephine Baker 240(1)
Notes 241(40)
Bibliography 281(20)
Index 301
Mae G. Henderson is Professor of English at the University of North Carolina at Chapel Hill. She is editor of Black Queer Studies: A Critical Anthology (2005), Borders, Boundaries and Frames (1995), and co-editor (with John Blassingame) of the five-volume Antislavery Newspapers and Periodicals: An Annotated Index of Letters, 1817-1871 (1980).
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