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Chapter 1 Introduction. Intertextuality, dialogism, and memory: The fabric of linguistic creativity |
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1 | (18) |
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1.1 The usage-oriented model from an intertextual perspective |
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1 | (3) |
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1.2 The notion of texture |
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4 | (6) |
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10 | (4) |
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1.4 Memory and intertextuality |
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14 | (5) |
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Chapter 2 A coat of many colors: Speech as intertextual collage |
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19 | (15) |
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Chapter 3 The principal unit of speech vocabulary: The communicative fragment (CF) |
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34 | (48) |
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3.1 Preliminary definition |
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35 | (4) |
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3.2 Fragmentariness: CFs vs. speech formulas |
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39 | (7) |
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3.3 Anonymity: CFs vs. quotations |
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46 | (4) |
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50 | (5) |
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3.5 Communicative allusiveness: CFs and their contexts |
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55 | (3) |
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3.6 Volatility: CFs vs. words |
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58 | (6) |
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3.7 Accessing the repertory of CFs |
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64 | (13) |
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3.7.1 Speech corpora and dictionary entries |
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65 | (1) |
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3.7.2 Registering speech associations |
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66 | (6) |
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72 | (4) |
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3.7.4 A history of a sentence |
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76 | (1) |
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3.8 Conclusion: approaching a linguistic model based on volatile signs |
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77 | (5) |
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Chapter 4 Integral meaning |
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82 | (31) |
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4.1 Signification and deduction: integral vs. constructed meaning of the word |
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83 | (5) |
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4.2 Signification of CFs: the case of May we come in? revisited |
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88 | (5) |
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4.3 CFs and words: the double vocabulary |
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93 | (5) |
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4.4 Further attributes of the integral meaning: uniqueness and simultaneity |
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98 | (4) |
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4.5 Meaning and the image: the role of visualization in comprehension |
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102 | (11) |
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Part II From the vocabulary to utterances |
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Chapter 5 The axis of selection: From the familiar to the new |
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113 | (36) |
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5.1 How is a new meaning possible? |
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113 | (4) |
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5.2 Familiarization of the unfamiliar: speech artifacts (SA) and speech prototypes (SP) |
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117 | (6) |
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5.3 Creative freedom and contingency of meaning: the role of the motivation |
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123 | (5) |
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5.4 Familiarization and meaning: semantic induction |
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128 | (8) |
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5.5 Devices of semantic induction |
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136 | (13) |
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137 | (2) |
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5.5.2 Mapping: conceptual metaphors or speech prototypes? |
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139 | (6) |
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145 | (2) |
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147 | (2) |
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Chapter 6 The axis of contiguity: Shaping an utterance |
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149 | (36) |
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150 | (1) |
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6.2 Communicative contour (CC): a prefabricated sketch of the utterance |
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151 | (17) |
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6.2.1 Lexical-structural templates |
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158 | (4) |
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6.2.2 Vocalization: prosodic templates |
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162 | (4) |
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6.2.3 The lacunae: allusional areas in an utterance's design |
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166 | (2) |
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168 | (6) |
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6.4 Typical devices of grafting |
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174 | (3) |
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6.4.1 Simple grafting: linear merging and embedding |
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174 | (1) |
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6.4.2 Grafting by adaptation |
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175 | (2) |
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6.5 Semantic responsibilities |
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177 | (4) |
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6.6 Conclusion: speech production as an ad hoc process |
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181 | (4) |
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185 | (31) |
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7.1 Case study: perfect in Old Church Slavonic |
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185 | (17) |
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185 | (3) |
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7.1.2 Metaphysical projection of meaning: jenseits vs. dasein |
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188 | (6) |
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7.1.3 Analogous extensions of the meaning: from transcendental to extraordinary |
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194 | (8) |
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7.2 Discussion: grammatical forms and their meaning |
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202 | (14) |
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7.2.1 Relevance of OCS data |
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202 | (2) |
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7.2.2 The shape of morphological paradigms: asymmetries and transpositions |
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204 | (8) |
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7.2.3 Grammatical meaning: a web of analogies |
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212 | (4) |
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Chapter 8 Conclusion. The joy of speaking: Creativity as the fundamental condition of language |
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216 | (17) |
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8.1 From speech to speech: language as the continuum of individual efforts |
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216 | (5) |
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8.2 Speech production and speech management |
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221 | (5) |
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8.3 On the ladushki and blue cheese and ham: a marginal note on language acquisition |
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226 | (7) |
| Notes |
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233 | (34) |
| References |
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267 | (32) |
| Subject Index |
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299 | (4) |
| Author Index |
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303 | |
