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Staging Haiti in Nineteenth-Century America: Revolution, Race and Popular Performance [Hardback]

(University of Mississippi)
  • Formāts: Hardback, 231 pages, height x width x depth: 235x160x18 mm, weight: 480 g, Worked examples or Exercises
  • Sērija : Cambridge Studies in Modern Theatre
  • Izdošanas datums: 01-Dec-2022
  • Izdevniecība: Cambridge University Press
  • ISBN-10: 1009100521
  • ISBN-13: 9781009100526
Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 104,13 €
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  • Formāts: Hardback, 231 pages, height x width x depth: 235x160x18 mm, weight: 480 g, Worked examples or Exercises
  • Sērija : Cambridge Studies in Modern Theatre
  • Izdošanas datums: 01-Dec-2022
  • Izdevniecība: Cambridge University Press
  • ISBN-10: 1009100521
  • ISBN-13: 9781009100526
Citas grāmatas par šo tēmu:
"American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In this study, Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti's slave revolts in the 1790s, generations of actors, theatre professionals, spectators, and commentators looked to Haiti as a source of both inspiring freedom and vexing disorder. French colonial refugees, university students, Black theatre stars, blackface minstrels, abolitionists, and even writers such as Herman Melville all reinvented and restaged Haiti in distinctive ways. Reed demonstrates how Haiti's example of Black freedom and national independence helped redefine American popular culture, as actors and audiences repeatedly invoked and suppressed Haiti's revolutionary narratives, characters, and themes. Ultimately, Haiti shaped generations of performances, transforming America's understandings of race, power, freedom, and violence in ways that still reverberate today"--

American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In this study, Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti's slave revolts in the 1790s, generations of actors, theatre professionals, spectators, and commentators looked to Haiti as a source of both inspiring freedom and vexing disorder. French colonial refugees, university students, Black theatre stars, blackface minstrels, abolitionists, and even writers such as Herman Melville all reinvented and restaged Haiti in distinctive ways. Reed demonstrates how Haiti's example of Black freedom and national independence helped redefine American popular culture, as actors and audiences repeatedly invoked and suppressed Haiti's revolutionary narratives, characters, and themes. Ultimately, Haiti shaped generations of performances, transforming America's understandings of race, power, freedom, and violence in ways that still reverberate today.

Peter P. Reed examines the meanings of Haiti in America's nineteenth-century popular performance. Plays, social performances, and literary narratives of Haiti's revolutionary slave revolts transformed racial revolution into popular entertainments and diversions, dramatizing themes of race, freedom, and power in ways that remain impactful today.

Papildus informācija

Peter P. Reed reveals how nineteenth-century American theatre and performance reckoned with Haiti's courageous enactments of Black freedom.
Introduction: performing the Haitian revolution;
1. Rebels and refugees: sentimental suffering and antic revolt in the 1790s;
2. The lessons of Haiti: performance, pedagogy, and the politics of Haitian independence;
3. Virtuosity, illegitimacy, and Haitian royalty: Ira Aldridge and Christophe, King of Hayti;
4. Travesty and transformation: Haiti and blackface minstrelsy;
5. Abolitionist acts: Haitian respectability, oratory, and celebrity performance; Conclusion: the pleasures and perils of revolutionary reenactment.
Peter P. Reed is Associate Professor of Early American Literature at the University of Mississippi. He is the author of Rogue Performances (2009) as well as essays on Black Atlantic performance, theatre culture, and Haiti's impact on American culture.