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Stories and Lessons from the Worlds Leading Opera, Orchestra Librarians, and Music Archivists, Volume 1: North and South America [Hardback]

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(University of Tsukuba, Japan), (Naval School of Music, USA), (Metropolitan Opera (retired), USA), (The Hong Kong Academy for Performing Arts, Hong Kong)
  • Formāts: Hardback, 296 pages, height x width x depth: 229x152x21 mm, weight: 549 g
  • Izdošanas datums: 26-Jan-2022
  • Izdevniecība: Emerald Publishing Limited
  • ISBN-10: 1801176531
  • ISBN-13: 9781801176538
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  • Cena: 97,62 €
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Stories and Lessons from the Worlds Leading Opera, Orchestra Librarians, and Music Archivists, Volume 1: North and South AmericaPalielināt
  • Formāts: Hardback, 296 pages, height x width x depth: 229x152x21 mm, weight: 549 g
  • Izdošanas datums: 26-Jan-2022
  • Izdevniecība: Emerald Publishing Limited
  • ISBN-10: 1801176531
  • ISBN-13: 9781801176538
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9781801176538.html
Keywords:
Part of a two-volume series, this book collects interviews with opera, orchestra, and ballet librarians and archivists working for performing arts and educational institutions in North and South America, such as the New York Philharmonic, Metropolitan Opera, Los Angeles Opera, Handel and Haydn Society, United States Marine Band, Juilliard School, Interlochen Center for the Arts, Library of Congress, Canadian Opera Company, and National Symphony Orchestra of Mexico. They detail their practices in music performance librarianship, as well as the organizational structures of institutions and their administrative cultures. Chapters provide interviews with the librarians on topics like emerging trends; the changing professional identity in the field; the audition process for recruiting an orchestra librarian; relationships with conductors, concertmasters, vocal coaches, and others; issues and practices in archival management; and the COVID-19 pandemic and its impact on performing arts. Distributed in North America by Turpin Distribution. Annotation ©2022 Ringgold, Inc., Portland, OR (protoview.com)

Recenzijas

I admire librarians workthey are a group of people who dedicate themselves to this artform. Musicians bring the music alive, but librarians keep the history of the institutions alive for the next generation. -- Maestro Riccardo Muti, Music Director, Chicago Symphony Orchestra This two-volume set is of high value for anyone who is interested in understanding how orchestras work... those who would like a glimpse of how orchestras and opera companies operate and the people who drive their success will glean a tremendous amount of information from this text.  The result is a remarkably global and holistic view of a very specific field... this two-volume set will provide a valuable primer for those who are considering exploring this career path. -- Travis Newton, Department of Music, Le Moyne College [ ...] a rich source of applied theory and practice that goes well beyond the subject specific-case studies in an area which has been under-researched until now. -- David Baker, Plymouth Marjon University, UK Stories and Lessons from the Worlds Leading Opera, Orchestra Librarians, and Music Archivists provides valuable information for those interested in learning more about performance librarianship as well as for those currently well into their career. Through the personal experiences of librarians of some of the worlds leading music ensembles, the reader is able to get a glimpse into the fascinating career of performance li- brarianship and how each librarians experience differs. This publication would be a great resource for any institution of higher education that offers a music program, especially those that have a music library, as well as for any institution that offers a master of library science degree. -- Sarah Mason, Westminster Choir College of Rider University

Foreword xiii
Maestro Riccardo Muti
Foreword xvii
Patrick McGinn
Foreword xix
F. Paul Driscoll
Acknowledgements xxi
Introduction 1(4)
Opera Ignites: Forging the Union between Librarians, Conductors, Repetiteurs, and Prompters in Arts Wei-En Hsu 5(4)
Chapter 1 Peter Conover, Principal Librarian, Chicago Symphony Orchestra
9(10)
Chapter 2 Lawrence Tarlow, Principal Librarian, New York Philharmonic
19(18)
Chapter 3 Robert Sutherland, Chief Librarian (Retired), The Metropolitan Opera (Post-retirement Interview)
37(12)
Chapter 4 The Metropolitan Opera's 50th Anniversary Gala: A Conversation with Robert Sutherland, Chief Librarian
49(12)
Chapter 5 Peter Clark, Director of Archives, The Metropolitan Opera
61(8)
Chapter 6 Joshua Luty, Music Librarian, Houston Grand Opera
69(12)
Chapter 7 Shelley Friedman, Orchestra Librarian, Washington National Opera
81(10)
Chapter 8 Jay Rozendaal, Coach/Accompanist and Orchestra Librarian, Seattle Opera
91(10)
Chapter 9 Melisandra Dunker, Music Librarian, Los Angeles Opera
101(12)
Chapter 10 Carrie Weick, Orchestra Librarian, San Francisco Opera
113(8)
Chapter 11 Clinton F. Nieweg, Orchestra Repertoire Proofreader/Editor/Researcher, Principal Librarian (Retired), The Philadelphia Orchestra
121(10)
Chapter 12 Karen Schnackenberg, Principal Librarian, Dallas Symphony Orchestra
131(8)
Chapter 13 Jesse Levine, Music Librarian, Personnel Manager, Production Manager, Handel and Haydn Society
139(10)
Chapter 14 Kira Wharton, Chief Librarian and Historian, "The President's Own" United States Marine Band
149(12)
Chapter 15 Kristen Butcher, Orchestra Librarian, The Glimmerglass Festival
161(10)
Chapter 16 Lisa Dempsey Kane, Principal Orchestra Librarian, The Juilliard School
171(8)
Chapter 17 Elaine Li, Orchestra Librarian, Curtis Institute of Music
179(14)
Chapter 18 Mallory Sajewski, Head of the Fennell Music Library, Interlochen Center for the Arts
193(10)
Chapter 19 Nick Jack Agliata III, Bassoonist and National Youth Orchestra of the United States Librarian Apprentice (2018)
203(8)
Chapter 20 Jane Cross, Music Archivist, Music Division, Library of Congress
211(12)
Chapter 21 Wayne Vogan, Music Librarian, Canadian Opera Company
223(8)
Chapter 22 Lucie Brosseau, Music Librarian, Les Violons du Roy (Chamber Orchestra) and La Chapelle de Quebec (Chamber Choir)
231(8)
Chapter 23 Michel Leonard, Principal Librarian, Orchestre symphonique de Montreal
239(8)
Chapter 24 Marcos Escalante, Orchestra Librarian, National Symphony Orchestra (Mexico)
247(8)
Chapter 25 Maria Elisa Pasqualini, Music Library Manager, Municipal Theatre of Sao Paulo
255(12)
Conclusion: Bringing it All Together 267
Patrick Lo is currently serving as the Director, International Library & Cultural Services Consultancy, Ltd. From 2012-2018, he served as Associate Professor at the Faculty of Library, Information & Media Science, the University of Tsukuba in Japan. He earned his Doctor of Education from the University of Bristol (U.K.), and has a Master of Arts in Design Management from the Hong Kong Polytechnic University, a Master of Library & Information Science from McGill University (Canada), and a Bachelor of Fine Arts from Mount Allison University (Canada).



Robert Sutherland recently retired as the Chief Librarian at the Metropolitan Opera where he served from 1993 to 2020. Prior to joining the Metropolitan Opera, he served as the Principal Librarian at Canadian Opera Company and Principal Librarian of the National Arts Centre Orchestra. He has served three terms as President of MOLA: An Association of Music Performance Librarians. In April, 2016 he was a featured speaker at the Music Performance Art and Neuroscience in Dialogue symposium in Tübingen, Germany.



Wei-En Hsu is Associate Professor at the Hong Kong Academy for Performing Arts and was awarded the Associate of the Royal Academy of Music (ARAM) in 2017. In recent years, Mr. Hsu has established himself as an early music specialist in Baroque opera and the art of recitative for pianists.Winner of the 2010 Los Angeles International Liszt Piano Competition, with a Bachelor of Fine Arts from National University of the Arts, and Master of Music from The Julliard School and The Royal Academy of Music.



Russ Girsberger is the Librarian for the Naval School of Music in Virginia Beach, Virginia. He is the author of A Manual for the Performance Library (Music Library Association Basic Manual Series); A Practical Guide to Percussion Terminology; Percussion Assignments for Band and Wind Ensemble; co-author of The Music Performance Library: A Practical Guide for Orchestra, Band, and Opera Librarians; Sourcebook for Wind Band and Instrumental Music; and co-editor of Insights and Essays on the Music Performance Library (all published by Meredith Music Publications). He has worked as a librarian with the United States Marine Band in Washington, D.C., the Percussive Arts Society, the New England Conservatory, and The Juilliard School.