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E-grāmata: Storytelling Exhibitions: Identity, Truth and Wonder

  • Formāts: 192 pages
  • Izdošanas datums: 12-Aug-2021
  • Izdevniecība: Bloomsbury Visual Arts
  • Valoda: eng
  • ISBN-13: 9781350105959
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  • Formāts: 192 pages
  • Izdošanas datums: 12-Aug-2021
  • Izdevniecība: Bloomsbury Visual Arts
  • Valoda: eng
  • ISBN-13: 9781350105959
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Storytelling Exhibitions describes the role and practice of modern spatial storytellers and looks at the potential of exhibitions to shape our understanding of the world. It explains how curators, designers, artists and scientists combine to tell powerful stories through exhibition design.

Exhibition designer and educator Philip Hughes shows how contemporary tools and technologies - digital reconstruction, 3D scanning and digital archives interweave with traditional forms of informing, displaying and promoting to create powerful narrative spaces.

Whether telling stories of politics, trends, society, war, science or history, Storytelling Exhibitions provides inspiration and guidance on designing installations which change the way we think.

Examples included from:

Te Papa, Wellington, New Zealand National Museum of African American History and Culture, Washington, USA Weltmuseum Wien, Austria Santa Cruz Museum of Art and History, US Lascaux: Centre International de l'Art Pariétal in Montignac, France Stapferhaus, Lenzburg, Switizerland Micropia, Amsterdam, Netherlands and many more

Recenzijas

A timely and comprehensive publication, replete with ideas and exemplary work. It is timely because it unpacks and explores many of the extraordinary challenges that the 21st century needs to address, such as climate change and social justice. -- Graeme Brooker, Royal College of Art, UK

Papildus informācija

A guide to how storytelling and narratives can be used in exhibition design to create powerful and communicative spaces.
Foreword vi
Introduction viii
1 Story
xvi
2 Authorship
18(14)
3 Exhibits
32(22)
4 Identity
54(22)
5 Wonder
76(28)
6 Truth
104(24)
7 Virtual
128(16)
8 Future
144
Notes 157(4)
Bibliography 161(4)
Acknowledgements 165(1)
Dynamic area of practice
1(1)
Breaking with convention
2(1)
Why story?
3(3)
Developing the story
6(2)
Expressing the `big idea'
8(1)
Who is it for?
9(7)
Can tech provide `superpowers' for the future exhibition?
16(1)
A fundamental part of exhibitions
17(2)
Who can make an exhibition?
19(1)
Is the world of exhibitions changing?
20(1)
Empowering `activist' exhibitions
21(6)
Curation and co-curation
27(1)
Museums working with their communities
28(1)
Contested histories
29(4)
The `ingredients' of exhibitions
33(1)
Contemporary collecting and the `activist' exhibition
34(17)
Using exhibition assets
51(1)
The `stuff of future' exhibitions
52(3)
Museums of identity
55(1)
A new narrative
56(6)
An opportunity
62(4)
The complex legacies of world museums
66(4)
Repatriation
70(4)
A new chapter for the storytelling exhibition
74(3)
The feeling of `awe'
77(21)
Fun
98(7)
A raging dispute
105(1)
Reconstructing events
106(4)
Superpowers
110(10)
Using new techniques to represent people, the possibilities of new technologies
120(3)
Exploring fake news
123(3)
The future of the real
126(3)
Going online
129(2)
Making a virtual exhibition from scratch
131(1)
How artists reach their audiences
132(1)
Translating the viral success of a video into tangible benefits
133(3)
The impact of Covid-19 An online exhibition
136(1)
Virtual tours
137(2)
A `live' platform
139(2)
How museums can use new platforms
141(1)
Standout online exhibitions
142(1)
An `elastic' approach
143(2)
A future story
145(2)
The increased use of digital collections in museums
147(2)
Communication of wonder
149(2)
Museums and truth
151(2)
Balancing physical and online experience
153(1)
Sustainability
154(2)
Exhibition makers of tomorrow
156(10)
Credits 166(3)
Index 169
Philip Hughes is an exhibition designer. Since graduating from the Royal College of Art in London, he has designed exhibitions for museums around the world, most recently for Ralph Appelbaum Associates. He has also taught design at a number of universities in the UK, where he lives and works.