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E-grāmata: String Quartet, 1750-1797: Four Types of Musical Conversation

3.50/5 (4 ratings by Goodreads)
(Widener University)
  • Formāts: 336 pages
  • Izdošanas datums: 05-Jul-2017
  • Izdevniecība: Ashgate Publishing Limited
  • Valoda: eng
  • ISBN-13: 9781351540285
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String Quartet, 1750-1797: Four Types of Musical ConversationPalielināt
  • Formāts: 336 pages
  • Izdošanas datums: 05-Jul-2017
  • Izdevniecība: Ashgate Publishing Limited
  • Valoda: eng
  • ISBN-13: 9781351540285
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Looking at a wide variety of string quartets by composers such as Pleyel, Distler and Filtz, in addition to Haydn and Mozart, the book proposes a new way of describing the relationships between the four instruments in different works. Broadly speaking, these relationships follow one of four patterns: the 'lecture', the 'polite conversation', the 'debate', and the 'conversation'. In focusing on these musical discourses, it becomes apparent that each work is the product of its composer's stylistic choices, location, intended performers and intended audience. Instead of evolving in a strict and universal sequence, the string quartet in the latter half of the eighteenth century was a complex genre with composers mixing and matching musical discourses as circumstances and their own creative impulses required.

Parker (musicology and string performance, Widener College) looks at a wide range of string quartets by composers such as Haydn, Mozart, Pleyel, Distler, and Filtz, discussing the relationships between the four instruments in different works. Following chapters on the string quartet as chamber music and its private and public social aspects, she defines the four types of musical discourse as the lecture, the polite conversation, the debate, and the conversation, showing how each work is the result of the composer's stylistic choices, location, and intended performers and audience. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Recenzijas

This book provokes a good deal of thought and is full of excellent musical examples... If you are a performer, professional or amateur, this book will be worth investigating. The Strad '... a bold attempt to challenge a commonplace of the so-called 'Classical style'...' Early Music '[ Mara Parker] has exposed complexities that will repay the further explorations of quartet scholars and performers.' Notes 'Parker's [ ...] quartet sample - over 650 works by sixty-two composers - is impressive, since the majority of the works under scrutiny are not available in reliable modern editions. She is also to be commended for including lengthy music examples; on several occasions entire quartet movements are reproduced... Her diligence in procuring and transcribing large quantities of hitherto obscure eighteenth-century quartets is laudable...' Eighteenth-Century Music

Contents: Preface; The string quartet as chamber music; Social aspects: from private to public; String quartet types: toward a reconsideration; The lecture; The polite conversation; The debate; The conversation; The string quartet during the second half of the 18th century; Personalia; Bibliography; Index.
Mara Parker is Assistant Professor of Musicology and String Performance at Widener University in Chester, PA. In addition to her work on the eighteenth-century string quartet, her research interests include chamber music of all types, cello technique and performers, and early nineteenth-century American music. A founding member of the Del Mar String Quartet and the CSU Faculty Trio, she regularly performs in chamber and solo recitals.
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