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E-grāmata: String Quartets in Beethoven's Europe

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  • Formāts: 276 pages
  • Izdošanas datums: 19-Apr-2022
  • Izdevniecība: Academic Studies Press
  • Valoda: eng
  • ISBN-13: 9781644697894
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String Quartets in Beethoven's EuropePalielināt
  • Formāts: 276 pages
  • Izdošanas datums: 19-Apr-2022
  • Izdevniecība: Academic Studies Press
  • Valoda: eng
  • ISBN-13: 9781644697894
Citas grāmatas par šo tēmu:

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String Quartets in Beethoven’s Europe is the first detailed study of string quartets in late-eighteenth and early-nineteenth century Europe. It brings together the work of nine scholars who explore little-studied aspects of this multi-faceted genre. Together, this book’s chapters deal with compositional responses to Beethoven’s string quartets and the prestige of the genre; varied compositional practices in string quartet writing, with a particular emphasis on texture and performance elements; and the reception of Beethoven’s string quartets ca. 1800. They include discussion of quartets composed for the amateur and connoisseur markets in Beethoven’s Europe; virtuosity, the French Violin School, and the quatuor brillant; the relationship between quartet composers and their audiences during Beethoven’s era; and the cross-pollination of quartet styles in Europe’s musical centers such as Vienna, Paris, and St. Petersburg.



The first detailed study of string quartets in late-eighteenth and early-nineteenth century Europe through the work of nine scholars who explore little-studied aspects of this multi-faceted genre.

Recenzijas

Studies of string quartet compositions have long been skewed toward works by the triumvirate: Haydn, Mozart, and Beethoven. This collection of essays fills in some of the gaps by broadening that scope to consider other leading composers of their time, including members of Beethovens circle (Ferdinand Ries, Louis Spohr, Anton Reicha, Andreas Romberg, Franz Weiss), and the Frenchmen Pierre Rode and Hyacinthe Jadin.



The Beethoven Newsletter (Winter 2023)









The nine essays November has collected provide a broad view of the string quartet in Viennese musical life around 1800. This topic has been insufficiently studied, and the book helps remedy that. Expanding the lens through which to view the period, analyses are in depth and detailed and comprehensive bibliographies and useful footnotes are included. Recommended. 

M. N.-H. Cheng, Colgate University, CHOICE (April 2023: Vol. 60 No. 8) String Quartets in Beethovens Europe seeks to expand the available information about, and intellectual approaches to, chamber music around the turn of the nineteenth century, moving the discourse beyond a focus on Vienna and its most famous triumvirate, Haydn, Mozart, and Beethoven. As an introduction to string quartets by a number of mostly overlooked composers contemporaneous with Beethoven, the book is a success [ T]he book suggests many avenues for future research and opens opportunities for scholars and students to explore music that has until now received less than its due attention, especially in English-language scholarship.

Marie Sumner Lott, Music & Letters

Acknowledgments 6(1)
Introduction 7(7)
1 His Master's Voice? Ries, Reputation, and the String Quartet
14(29)
Allan Badley
2 The "Middle-Period" String Quartets of Spohr and Beethoven
43(23)
Nancy November
3 Counterpoint without Anxiety? Andreas Romberg's String Quartets Op. 2, Dedicated to Haydn
66(42)
W. Dean Sutcliffe
4 On the Fugues in Anton Reicha's Quatuor Scientifique: Between Tradition and Innovation
108(22)
Mai Koshikakezawa
5 The Other "Razumovsky" Quartets: Franz Weiss's Op. 8 and the Formation of Vienna's Kennerpublikum
130(40)
Mark Ferraguto
6 Hyacinthe Jadin and the Sound of Revolution: Recovering French String Quartet Aesthetics in 1790s Paris
170(37)
Callum Blackmore
7 "One for the Rode": The Contribution of Pierre Rode and the Quatuor Brillant to the Early Nineteenth-Century String Quartet
207(21)
Sam Girling
8 A Surprise to the Ears, an Amusement for the Eyes: Compositional Strategy and Audience Response to String Quartets ca. 1800
228(20)
Yoko Maruyama
9 The Canonization of Beethoven's String Quartets in the Musikalisches Taschenbuch aujdas Jahr 1803
248(20)
Christian Speck
Contributors 268(3)
Index 271
Nancy November is currently Associate Professor in musicology at the University of Auckland. Combining interdisciplinarity and cultural history, her research continues to center on chamber music of the late eighteenth and nineteenth centuries, probing questions of historiography, canonization, and genre. Recent publications include Performing History: Approaches to History Across Musicology (Academic Studies Press, 2020); Beethovens Theatrical Quartets: Opp. 59, 74, and 95 (Cambridge University Press, 2013); a three-volume set of fifteen string quartets by Emmanuel Aloys Förster (A-R Editions, 2016); and Cultivating String Quartets in Beethovens Vienna (Boydell Press, 2017). She is the recipient of a Humboldt Fellowship, and three Marsden Grants from the New Zealand Royal Society.
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