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E-grāmata: String Quartets of B?la Bart?k: Tradition and Legacy in Analytical Perspective

Edited by (Professor of Music, University of Victoria), Edited by (Associate Professor of Music, University of Victoria)
  • Formāts: 352 pages
  • Izdošanas datums: 25-Apr-2014
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780199936199
  • Formāts - PDF+DRM
  • Cena: 74,51 €*
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    • Oxford Scholarship Online e-books
  • Formāts: 352 pages
  • Izdošanas datums: 25-Apr-2014
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780199936199

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Béla Bartók (1881-1945) was one of the most important composers and musical thinkers of the 20th century. His contributions as a composer, as a performer and as the father of ethnomusicology changed the course of music history and of our contemporary perception of music itself. At the center of Bartók's oeuvre are his string quartets, which are generally acknowledged as some of the most significant pieces of 20th century chamber music. The String Quartets of Béla Bartók brings together innovative new scholarship from 14 internationally recognized music theorists, musicologists, performers, and composers to focus on these remarkable works from a range of theoretical and methodological perspectives. Focusing on a variety of aspects of the string quartets-harmony and tonality, form, rhythm and meter, performance and listening-it considers both the imprint of folk and classical traditions on Bartók's string quartets, and the ways in which they influenced works of the next generation of Hungarian composers. Rich with notated music examples the volume is complemented by an Oxford Web Music companion website offering additional notated as well as recorded examples. The String Quartets of Béla Bartók, reflecting the impact of the composer himself, is an essential resource for scholars and students across a variety of fields from music theory and musicology, to performance practice and ethnomusicology.

Recenzijas

lucidly presented. * Arnold Whittall, The Musical Times *

About the Companion Website ix
Contributors xi
Introduction 3(9)
Daniel Peter Bird
Harald Krebs
1 Sonata Form in the First Movement of Bartok's Fourth String Quartet
12(10)
Paul Wilson
2 Bartok and Traditional Form Description: Some Issues Arising from the Middle and Late String Quartets
22(19)
Jonathan W. Bernard
3 The Structural Role of Formal Contrast in Beethoven's Piano Sonata op. 101 and Bartok's Third String Quartet
41(25)
Jee Yeon Ryu
4 In Beethoven's Footsteps: Metrical Dissonance in Bartok's String Quartets
66(15)
Harald Krebs
5 Bartok's Grooves: Metrical Processes in the Fourth String Quartet
81(27)
John Roeder
6 Between Sound and Structure: Folk Rhythm at the Center of Bartok's Fifth String Quartet
108(26)
Daphne Leong
7 The Romanian "Long Song" as Structural Convergent Point for the Chiasmal Harmonic Design in Bartok's Fourth String Quartet
134(13)
Elliott Antokoletz
8 The Use of Tonal Concepts and their Attendant Modes of Continuity in the Inner Hearing of Bartok's String Quartets
147(23)
William Benjamin
9 Aggregate Structure and Cyclic Design at the Conclusion of Bartok's Second String Quartet
170(15)
Edward Gollin
10 The Realization(s) of Functional Qualities in Bartok's Second String Quartet
185(15)
Charles Morrison
11 How Barbaric Is Bartok's forte? About the Performance of Bartok's Fast Movements for Piano and Strings, with Emphasis on the First Movement of the Fifth String Quartet
200(43)
Judit Frigyesi
12 Bartok's Relics: Nostalgia in Gyorgy Ligeti's Second String Quartet
243(18)
Martin Iddon
13 Bartok's Quartets, Folk Music, and the Anxiety of Influence
261(24)
Daniel Peter Biro
14 Recycled Flowers: Quotation, Paraphrase, and Allusion in Gyorgy Kurtag's Officium breve in memoriam Andrea Szervdnszky op. 28 for String Quartet
285(21)
Friedemann Sallis
Epilogue: Bartok's Present 306(14)
Daniel Peter Biro
Martin Iddon
Bibliography 320(17)
Index Of Musical Works 337(8)
General Index 345
Dįniel Péter Biró is Associate Professor of Composition and Music Theory at the University of Victoria. Dr. Biró completed his PhD in composition at Princeton University in 2004. Awarded the Hungarian Government's Kodįly Award for Hungarian composers and the Gigahertz Prize for Electronic Music, his compositions have been performed around the world. Dįniel Péter Biró is co-editor of Search - Journal for New Music and Culture. Harald Krebs received his Ph.D. in music theory from Yale University in 1980. He is Distinguished Professor and head of the theory program at the School of Music at the University of Victoria, and President of the Society for Music Theory (2011-13). His book Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann, published by Oxford University Press in 1999, won the Society for Music Theory's Wallace Berry Award in 2002.