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E-grāmata: Superhero Multiverse: Readapting Comic Book Icons in Twenty-First-Century Film and Popular Media

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The Superhero Multiverse focuses on the evolving meanings of the superhero icon in 21st-century film and popular media, with an emphasis on re-adaptation, re-imagining, and re-making. With its focus on multimedia and transmedia transformations, The Superhero Multiverse pivots on two important points: firstly, it reflects on the core concerns of the superhero narrativeincluding the relationship between superhero comics and superhero films, the comics roots of superhero media, matters of canon and hybridity, and issues of recycling and stereotyping in superhero films and media texts. Secondly, it considers how these intersecting textual and cultural preoccupations are intrinsic to the process of remaking and re-adapting superheroes, and brings attention to multiple ways of materializing these iconic figures in our contemporary context.
Acknowledgments vii
Introduction 1(14)
Lorna Piatti-Farnell
PART I ACROSS PLATFORMS AND FORMATS
1 From Cinematic to Podcast Universe: Wolverine: The Long Night and the Multiplication of the Marvel Multiverse
15(18)
Cory Barker
2 The Multiverse Paradigm and the Reinvention of Legion
33(14)
Whitney Hardin
Julia Kiernan
3 Frictions, Factions, and Fatalities: Adapting DC Comic Characters into Video Games
47(20)
Carl Wilson
4 "I Feel Like I'm Getting My Wonder Woman back,": Wonder Woman, Lynda Carter, Fans, and Authenticities in the DC Extended Universe
67(20)
Joan Ormrod
5 Postmodern Parody in Animated Superhero Cinema
87(20)
James C. Taylor
PART II TRANSFORMATIVE MEANINGS
6 Reanimating Witchcraft: Creating A Feminist Embodied Experience in Marvel's Scarlet Witch
107(20)
Forrest Johnson
7 Resurrecting the Hero: Disrupted Histories, Ghostly Returns, and Gothic Transformations in MCU's Captain America
127(20)
Lorna Piatti-Farnell
8 Challenging Typical Ideas of Heroism and Toxic Masculinity in Alias and Jessica Jones
147(16)
Matthew Thompson
9 Super-heroine Objectification: The Sexualization of Black Widow Across Comic and Film Adaptations
163(18)
Angelique Nairn
10 An "Extra-Ordinary" Adaptation: Exploring Time and Trauma in The Umbrella Academy
181(18)
Carmel Cedro
Blair Speakman
11 Battle of the Black Superheroes: Or, Why Blade Will Never Live in Wakanda
199(18)
Simon Bacon
PART III TRANSNATIONAL DIALOGUES AND EVOLVING POLITICAL CONTEXTS
12 From "Bat-Manga" to "Attack on Avengers": Transnational Superhero Adaptations Between Japan and America
217(18)
Anne Lee
13 Kamen Rider, Masked and Unmasked: Tales of Transcultural Transformation
235(14)
Sophia Staite
14 Spider-Man, The Panopticon, and The Normalization of Mass Surveillance
249(12)
Demi Schanzel
15 Adapting Judge Dredd: Civic Guardian or Hyperviolent Cop?
261(20)
Justin Matthews
16 All the President's Supermen: Political Appropriations of Superhero Rhetoric
281(22)
Michael Arthur Soares
Index 303(6)
About the Contributors 309
Lorna Piatti-Farnell is professor of popular culture at Auckland University of Technology, where she is also director of the Popular Culture Research Centre.