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Survival Guide for Music Composers: Tools of the Trade to Get Paid! [Mīkstie vāki]

  • Formāts: Paperback / softback, 180 pages, height x width x depth: 235x189x12 mm, weight: 408 g
  • Sērija : Music Pro Guides
  • Izdošanas datums: 01-Sep-2017
  • Izdevniecība: Hal Leonard Corporation
  • ISBN-10: 1495047466
  • ISBN-13: 9781495047466
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  • Mīkstie vāki
  • Cena: 29,37 €
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  • Formāts: Paperback / softback, 180 pages, height x width x depth: 235x189x12 mm, weight: 408 g
  • Sērija : Music Pro Guides
  • Izdošanas datums: 01-Sep-2017
  • Izdevniecība: Hal Leonard Corporation
  • ISBN-10: 1495047466
  • ISBN-13: 9781495047466
Citas grāmatas par šo tēmu:
(Music Pro Guide Books & DVDs). Composing music is a joy and a gift, but making it pay can be a real challenge. The competition is fierce, and talent alone is not enough to make you stand out you also have to know what works and how to operate within the business. Now Brian Tarquin, an Emmy-winning composer-guitarist also experienced in production and engineering, presents the quintessential survival guide for those who want to write music and make a living from it. Survival Guide for Music Composers examines what it takes to succeed in the music industry from many different angles. It takes an in-depth look at how to approach production companies, music supervisors, networks, and beyond, stressing the relationships built with music producers and how to create music appropriate for their projects. It also highlights the most popular musical styles used in productions, getting the best instrument sounds, and how to use the latest technology to make your compositions more effective. Featuring real-life composing scenarios and interviews with established composers, this book will be a crucial resource for composers at all levels who want to write more effectively, outshine the competition, and have the career they deserve.
Foreword xi
Michael Molenda
Introduction xiii
Chapter One Enter, Stage Right!
1(14)
History of the Modern Music Score
1(1)
Classic Film and Television Composers
2(13)
Max Steiner (1888--1971)
2(1)
David Raksin (1912--2004)
3(1)
Alfred Newman (1901--1970)
4(1)
Erich Wolfgang Korngold (1897--1957)
5(1)
Miklos Rozsa (1907--1995)
6(1)
Franz Waxman (1906--1957)
7(1)
Dimitri Tiomkin (1894--1979)
8(1)
Bernard Herrmann (1911--1975)
9(1)
Alex North (1910--1991)
9(1)
Roy Webb (1888--1982)
10(1)
Neal Hefti (1922--2008)
11(1)
Jack Marshall (1921--1973)
11(1)
Hugo Montenegro (1925--1981)
12(3)
Chapter Two Getting Down to Business
15(32)
Performance Rights Societies
15(11)
SESAC
15(3)
ASCAP
18(2)
BMI
20(1)
Sound Exchange
21(1)
Alternative Royalties
21(1)
Neighboring Rights
22(1)
Mechanical License
23(1)
Digital vs. Physical Distribution
24(2)
The Business of Music
26(5)
Back-end Royalties
27(1)
Music Production Libraries
28(2)
Television Music License Committee (TMLC)
30(1)
Works Made for Hire
31(1)
Definition in Law
32(1)
Approaching the Right People
32(5)
Interviews from Industry Insiders
37(10)
Scott Jungmichael, SESAC
37(3)
Will Hoyt, TMLC
40(3)
Terry Walker, Music Supervisor
43(2)
Ryan Parmenter, Telepictures
45(2)
Chapter Three Composer Round Table
47(56)
Confessions of a Music Composer
47(17)
School Daze
48(5)
Record Years
53(2)
Start Me Up
55(3)
Record Career
58(4)
The Real World
62(2)
Interviews with the Pros
64(39)
Didier Lean Rachou
64(4)
Robert Duncan
68(4)
Jeff Rona
72(4)
Christian Henson
76(6)
Carl Thiel
82(5)
Ron Wasserman
87(2)
Gabriel Mann
89(2)
Jay Gruska
91(2)
Mark Sayfritz
93(3)
Patrick Doyle
96(2)
John Sereda
98(5)
Chapter Four Feng Shui in the Studio
103(38)
Studio Setup
106(6)
Get Clean Electricity
106(1)
Lighting
107(1)
Going Mobile Control Room
108(4)
Microphone Techniques
112(10)
Royer R-101
114(1)
sE Voodoo VR1
115(1)
sE RT1 Ribbon Tube
116(1)
AKG D112
116(1)
Beyerdynamics M160
117(1)
Neumann TLM 49
118(1)
Sennheiser MD 421
119(1)
Electro-Voice RE20
120(1)
Shure SM57
120(1)
LR Baggs Microphone System
121(1)
Compression
122(4)
AMS-Neve 33609c Stereo Compressor/Limiter
122(1)
JDK R-22 Stereo Compressor/Limiter
123(1)
Urei LA-4
123(1)
Rupert Neve 5043 Compressor-Limiter
124(1)
Purple Audio MC-77
125(1)
Interviews with Record Producers
126(15)
Andy Wright on Producing Jeff Beck
126(5)
Producer Shel Talmy
131(4)
Guy Charbonneau on Mobile Recording
135(6)
Appendix A Performance Rights Organizations 141(4)
Appendix B Resources 145(2)
Appendix C Agents 147(2)
Appendix D Television Music Departments 149(6)
Glossary 155