Introduction |
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13 | (2) |
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15 | (6) |
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1.1 The subject, aim and scope of research |
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16 | (1) |
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1.2 Types of research method |
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16 | (2) |
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1.3 The sources for research |
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18 | (1) |
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1.4 The state of research |
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19 | (2) |
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21 | (64) |
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22 | (10) |
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2.2 Life and creative work - calendar |
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32 | (34) |
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2.2.1 Childhood-before the war (1928-1939) |
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32 | (1) |
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2.2.2 Youth-the Second World War (1940-1945) |
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33 | (6) |
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2.2.3 Adulthood - after the Second World War |
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39 | (27) |
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2.3 Tadeusz Baird's artistic worldview |
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66 | (11) |
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2.3.1 Attitude to the past and to the artistic ideas of his times |
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66 | (2) |
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2.3.2 The role of the composer in twentieth-century culture |
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68 | (1) |
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2.3.3 The social role of music |
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69 | (1) |
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70 | (1) |
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2.3.5 The process of composing |
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71 | (2) |
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2.3.6 Teaching composition |
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73 | (1) |
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2.3.7 The relationship between words and music |
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74 | (3) |
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2.4 Tadeusz Baird's creative personality |
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77 | (8) |
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85 | (90) |
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3.1 Changes in compositional style |
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86 | (2) |
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3.2 The neoclassical strand (1949-1955) |
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88 | (24) |
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3.2.1 In old style: Colas Breugnon |
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91 | (7) |
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3.2.2 In cheerful mood with folk accent: the Piano Concerto |
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98 | (3) |
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3.2.3 With panegyric elements: Ballada o zolnierskim kubku [ Ballad of the soldier's cup] |
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101 | (3) |
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3.2.4 Of `Romantic' expression: the Sinfonietta |
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104 | (8) |
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3.3 The art of twelve notes (1956-1967): Four Essays |
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112 | (16) |
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3.4 Expressionist drama (1966): Jutro [ Tomorrow] |
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128 | (19) |
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3.5 Sonoristic tendencies (1968-1978) - Sinfonia breve |
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147 | (12) |
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3.6 Towards postmodernism (1980-1981): Glosy z oddali [ Voices from afar] |
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159 | (10) |
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169 | (6) |
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175 | (220) |
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4.1 Methodological strategy |
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176 | (3) |
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4.2 The first period of reception (1949-1981) |
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179 | (153) |
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4.2.1 The purely receptive form of reception |
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180 | (18) |
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4.2.2 The analytical-creative form of reception |
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198 | (73) |
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4.2.3 The creative form of reception |
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271 | (26) |
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4.2.4 The analytical form of reception |
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297 | (4) |
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4.2.5 The diffusive form of reception |
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301 | (30) |
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4.2.6 Summary of reception in the years 1949-1981 |
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331 | (1) |
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4.3 The second period of reception - posthumous (1982-2010) |
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332 | (63) |
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4.3.1 The analytical-creative form of reception |
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332 | (42) |
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4.3.2 The creative form of reception |
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374 | (15) |
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4.3.3 The analytical form of reception |
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389 | (3) |
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4.3.4 Summary of reception in the years 1982-2010 |
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392 | (3) |
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395 | (8) |
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The oeuvre of Tadeusz Baird - an attempted appraisal |
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396 | (7) |
Chronological Catalogue of Musical Output |
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403 | (60) |
List of Abbreviations |
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463 | (4) |
Appendix |
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467 | (8) |
List of Tables |
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475 | (4) |
Bibliography |
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479 | (46) |
Index of Names |
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525 | |