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Tadeusz Baird. The Composer, His Work, and Its Reception New edition [Hardback]

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  • Formāts: Hardback, 538 pages, height x width: 210x148 mm, weight: 755 g, 110 Illustrations
  • Sērija : Eastern European Studies in Musicology 17
  • Izdošanas datums: 14-Jan-2020
  • Izdevniecība: Peter Lang AG
  • ISBN-10: 3631802846
  • ISBN-13: 9783631802847
  • Hardback
  • Cena: 90,00 €
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  • Formāts: Hardback, 538 pages, height x width: 210x148 mm, weight: 755 g, 110 Illustrations
  • Sērija : Eastern European Studies in Musicology 17
  • Izdošanas datums: 14-Jan-2020
  • Izdevniecība: Peter Lang AG
  • ISBN-10: 3631802846
  • ISBN-13: 9783631802847
This book is the first monographic study of Tadeusz Baird - one of the greatest Polish composers of the second half of the 20th century, a connoisseur of music tradition and a prophet of the future of music (postmodernity), a composer of worldwide renown, an erudite. Baird was deeply engaged in art, aware of the threats and problems of contemporary world, and endowed with a sense of a mission. His personality was shaped by traumatic experiences during World War II and during the late 1940s and early 1950s. He was very demanding of himself and others. As signaled in the title, the book is an extensive, monographic representation of the composer's work and concepts in their stylistic, cultural, and esthetic contexts.
Introduction 13(2)
1 Methodological Issues
15(6)
1.1 The subject, aim and scope of research
16(1)
1.2 Types of research method
16(2)
1.3 The sources for research
18(1)
1.4 The state of research
19(2)
2 Composer
21(64)
2.1 Family and friends
22(10)
2.2 Life and creative work - calendar
32(34)
2.2.1 Childhood-before the war (1928-1939)
32(1)
2.2.2 Youth-the Second World War (1940-1945)
33(6)
2.2.3 Adulthood - after the Second World War
39(27)
2.3 Tadeusz Baird's artistic worldview
66(11)
2.3.1 Attitude to the past and to the artistic ideas of his times
66(2)
2.3.2 The role of the composer in twentieth-century culture
68(1)
2.3.3 The social role of music
69(1)
2.3.4 Artistic attitude
70(1)
2.3.5 The process of composing
71(2)
2.3.6 Teaching composition
73(1)
2.3.7 The relationship between words and music
74(3)
2.4 Tadeusz Baird's creative personality
77(8)
3 Work
85(90)
3.1 Changes in compositional style
86(2)
3.2 The neoclassical strand (1949-1955)
88(24)
3.2.1 In old style: Colas Breugnon
91(7)
3.2.2 In cheerful mood with folk accent: the Piano Concerto
98(3)
3.2.3 With panegyric elements: Ballada o zolnierskim kubku [ Ballad of the soldier's cup]
101(3)
3.2.4 Of `Romantic' expression: the Sinfonietta
104(8)
3.3 The art of twelve notes (1956-1967): Four Essays
112(16)
3.4 Expressionist drama (1966): Jutro [ Tomorrow]
128(19)
3.5 Sonoristic tendencies (1968-1978) - Sinfonia breve
147(12)
3.6 Towards postmodernism (1980-1981): Glosy z oddali [ Voices from afar]
159(10)
3.7 Summary
169(6)
4 Reception
175(220)
4.1 Methodological strategy
176(3)
4.2 The first period of reception (1949-1981)
179(153)
4.2.1 The purely receptive form of reception
180(18)
4.2.2 The analytical-creative form of reception
198(73)
4.2.3 The creative form of reception
271(26)
4.2.4 The analytical form of reception
297(4)
4.2.5 The diffusive form of reception
301(30)
4.2.6 Summary of reception in the years 1949-1981
331(1)
4.3 The second period of reception - posthumous (1982-2010)
332(63)
4.3.1 The analytical-creative form of reception
332(42)
4.3.2 The creative form of reception
374(15)
4.3.3 The analytical form of reception
389(3)
4.3.4 Summary of reception in the years 1982-2010
392(3)
Summary
395(8)
The oeuvre of Tadeusz Baird - an attempted appraisal
396(7)
Chronological Catalogue of Musical Output 403(60)
List of Abbreviations 463(4)
Appendix 467(8)
List of Tables 475(4)
Bibliography 479(46)
Index of Names 525
Barbara Literska is Dean of the Faculty of Arts and Professor of Musical Education at the University of Zielona Góra. She specializes in the 19th- and 20th-century music history and theory, reception of Chopin's music and the works of the eminent Polish composer Tadeusz Baird.