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Tallinn '67 Jazz Festival: Myths and Memories [Hardback]

(University of the Arts Helsinki, Finland)
  • Formāts: Hardback, 194 pages, height x width: 229x152 mm, weight: 453 g, 23 Halftones, black and white; 23 Illustrations, black and white
  • Sērija : Transnational Studies in Jazz
  • Izdošanas datums: 17-Sep-2021
  • Izdevniecība: Routledge
  • ISBN-10: 0367415674
  • ISBN-13: 9780367415679
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  • Formāts: Hardback, 194 pages, height x width: 229x152 mm, weight: 453 g, 23 Halftones, black and white; 23 Illustrations, black and white
  • Sērija : Transnational Studies in Jazz
  • Izdošanas datums: 17-Sep-2021
  • Izdevniecība: Routledge
  • ISBN-10: 0367415674
  • ISBN-13: 9780367415679
Citas grāmatas par šo tēmu:
"Tallinn '67 Jazz Festival: Myths and Memories is a study of the legendary 1967 jazz gathering that made Tallinn the jazz capital of the USSR by organising the first grand international jazz festival in the Soviet Union. It offers new insights into what we know about an event in the closed conditions of Soviet society, and how. It applies a new combination of methodologies in answering the question of why it is important to study the event now, and it refers to the global-local dynamics in the Cold War era, and to the great role of the musical identities and commemorative acts in shaping the meaning of the event in trans-local contexts. By using jazz culture as an example, this study poses several broader human, historical and societal questions about the nature of Soviet society, the Cold War and culture of leisure"--

Tallinn ’67 Jazz Festival: Myths and Memories explores the legendary 1967 jazz gathering that centered Tallinn, Estonia as the jazz capital of the USSR and marked both the pinnacle of a Soviet jazz awakening as well as the end of a long series of evolutionary jazz festivals in Estonia.

Tallinn ’67 Jazz Festival: Myths and Memories explores the legendary 1967 jazz gathering that centered Tallinn, Estonia as the jazz capital of the USSR and marked both the pinnacle of a Soviet jazz awakening as well as the end of a long series of evolutionary jazz festivals in Estonia. This study offers new insights into what was the largest Soviet jazz festival of its time through an abundance of collected materials – including thousands of pages of archival documents, more than a hundred hours of interviews and countless media reviews and photographs – while grappling with the constellation of myths integral to jazz discourse in an attempt to illuminate ‘how it really was’. Accounts from musicians, jazz fans, organisers and listeners bring renewed life to this transcultural event from more than half a century ago, framed by scholarly discussions contextualizing the festival within the closed conditions of the Cold War. Tallinn ’67 Jazz Festival details the lasting international importance of this confluence of Estonian, Soviet and American jazz and the ripple effects it spread throughout the world.

List of figures
ix
Series foreword xi
Acknowledgements xii
Abbreviations xiii
Introduction 1(13)
Transnational Trajectories -- Estonian, American and Soviet Jazz
1(5)
Jazz as a Subject of Academic Research
6(2)
About the Book
8(2)
Method and
Chapters
10(4)
1 Setting the Scene: Estonian Jazz Popularisers Uno Naissoo and Valter Ojakaar and Official Organising Procedures of Tallinn '67
14(28)
Uno Naissoo: The Initiator of the Jazz Fcstii'al Tradition
15(4)
Valter Ojakaar: Broadcasting and Writing the History of Jazz
19(4)
The Official Initiation of the Festival
23(3)
Festival Organisers
26(10)
The Festival Schedule
36(6)
2 Individual Memories
42(52)
Leningradcrs Vladimir Fcyertag and Yuri Vikharev
43(13)
Muscovites Boris Frumkin, Anatoly Kroll and German Lukyanov
56(8)
Latvians Valdis EgUtis, Leonid Nidbalsky and Artur Nikitin
64(6)
Lithuanian Representatives Vyacheslav Ganelin and Oleg Molokoyedov
70(4)
Estonian Participants Tiit Paulus and Els Hinima
74(15)
Swedes
89(5)
3 Americans at the Festival
94(38)
George Avakian and the Soviet Union
94(1)
Planning the Soviet Tour in 1966
95(5)
Preparation for the Tour in 1961
100(8)
Festival in Tallinn
108(5)
Epilogue
113(2)
Ron McClure
115(6)
Charles Lloyd
121(3)
Willis Conover
124(8)
4 Post-Festival Reviews: Media and Official Reports
132(50)
TV and Radio
133(7)
Reviews in Estonian Media
140(1)
Vastly Aksyonov and Alexey Batashev
141(6)
Heinz Peter Hofmann, Melodie und Rhythmus
147(3)
Norwegian Randi Hultin
150(2)
Poland: Jozef Balcerak
152(3)
Lloyd's Visit in the American Press
155(3)
Official Reports
158(2)
Neither Allowed nor Forbidden: The Fate of Tallinn's Jazz Festivals
160(5)
Conclusions: Tallinn '67 as an Affective Event
165(1)
Vie `Global Affect' of the 1960s
165(1)
The Willis Conover Sensation
166(2)
American and Soviet Conflicting Realities
168(2)
Myths
170(2)
Soviet Jazz in 1960s and Tallinn '67 Festival
172(6)
Literature
178(4)
Appendix I List of Participants 182(3)
Appendix II The Executive Committee of the Tallinn Council of People's Deputies (CPD) of the ESSR 185(2)
Index 187
Heli Reimann is a postdoctoral researcher at the Sibelius Academy, University of the Arts Helsinki.