Atjaunināt sīkdatņu piekrišanu

Tapestry Design Basics and Beyond: Planning and Weaving with Confidence [Spiral bound]

4.50/5 (28 ratings by Goodreads)
  • Formāts: Spiral bound, 192 pages, height x width: 254x203 mm, weight: 962 g, 250 color images
  • Izdošanas datums: 29-Jun-2021
  • Izdevniecība: Schiffer Publishing Ltd
  • ISBN-10: 0764361562
  • ISBN-13: 9780764361562
Citas grāmatas par šo tēmu:
  • Spiral bound
  • Cena: 39,10 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Formāts: Spiral bound, 192 pages, height x width: 254x203 mm, weight: 962 g, 250 color images
  • Izdošanas datums: 29-Jun-2021
  • Izdevniecība: Schiffer Publishing Ltd
  • ISBN-10: 0764361562
  • ISBN-13: 9780764361562
Citas grāmatas par šo tēmu:
"Once ideas and images come to mind, the next step in weaving your tapestry--interpreting these into effective compositions--may be challenging. Learn here, in ways that relate specifically to tapestry art, the design basics you need to make your best work. Renowned master weaver Scanlin offers 60 step-by-step "explorations" that lead you from understanding design concepts in your head to using them on your loom. Be inspired to explore "weavable" ways to manage line, shape, color, texture, emphasis, balance, rhythm, and more for results that bring your tapestries to a new level. In Part 1, dive into the fundamentals of design. Parts 2 and 3 hold explorations--exercises with a tapestry twist. Part 4 teaches ways to turn designs into cartoons. A resource treasure trove offers ideas for finishing tapestries (essential to the design's completeness), helpful templates, glossaries, and other core information to carry forward on your creative path."--Publisher's website.

Renowned expert in the field provides how-to and inspiration for designing your own tapestries. More than 60 detailed exercises, plus unique method for analyzing your design.

Once ideas and images come to mind, the next step in weaving your tapestry—interpreting these into effective compositions—may be challenging. Learn here, in ways that relate specifically to tapestry art, the design basics you need to make your best work. Renowned master weaver Scanlin offers more than 60 step-by-step "explorations" that lead you from understanding design concepts in your head to using them on your loom. Be inspired to explore "weavable" ways to manage line, shape, color, texture, emphasis, balance, rhythm, and more for results that bring your tapestries to a new level. In Part 1, dive into the fundamentals of design. Parts 2 and 3 hold explorations—exercises with a tapestry twist. Part 4 teaches ways to turn designs into cartoons. A resource treasure trove offers ideas for finishing tapestries (essential to the design's completeness), helpful templates, glossaries, and other core information to carry forward on your creative path.

Recenzijas

I wish Tommyes book had been available when I was first struggling with creating my own designs . . . There is no person more qualified to teach these ideas than Tommye Scanlin. -- Rebecca Mezoff, from the foreword This beautiful and inspiring new book should be on every weaver's bookshelf . . . With substantial information on the process of building an idea into a finished tapestry, will inspire weavers of all levels to push their ideas further and make their art more visually interesting. -- Handwoven Magazine, review by Susan Iverson, former president, American Tapestry Alliance Clear explanations . . . scores of inspiring tapestries . . . Suggestions for finding design ideas, as well as developing, and assessing them, will be of value to all. Bravo! -- Mary Lane, former executive director, American Tapestry Alliance Illustrated with stunning and varied examples . . . leaving the aspiring tapestry weaver to believe that anything is possible. -- Catharine Ellis, textile artist, coauthor of The Art and Science of Natural Dyes: Principles, Experiments, and Results Terrific . . . full of examples, images, exercises, techniques, resources, quotes. And, perhaps its greatest strength--her trust that readers can make their own choices. -- Micala Sidore, tapestry artist, author of The Art Is the Cloth: How to Look at and Understand Tapestries

Foreword 6(2)
Rebecca Mezoff
Introduction 8(4)
PART ONE Design Fundamentals
12(68)
The Elements of Visual Design
14(46)
Line
14(4)
Shape and Form or Volume
18(12)
Value
30(5)
Texture
35(7)
Space
42(3)
Color
45(15)
The Principles of Visual Design
60(16)
Balance
60(2)
Emphasis
62(4)
Repetition and Rhythm
66(4)
Proportion
70(4)
Variety
74(2)
Tying It All Together into a Unified Composition
76(4)
The Design Format
76(1)
The Rule of Thirds
76(2)
Contrast
78(1)
Dominance and Subordination
79(1)
Open or Closed Composition
79(1)
PART TWO Design Explorations
80(38)
Things to Try
81(1)
Examine the Design Space
82(3)
Delve into the Elements
85(20)
Line
85(3)
Shape
88(5)
Value
93(3)
Texture
96(2)
Space
98(3)
Color
101(4)
Experiment with the Principles
105(4)
Balance
105(1)
Emphasis
106(1)
Rhythm and Repetition
106(2)
Proportion
108(1)
Variety
108(1)
A Tapestry Study Group's Discoveries
109(9)
PART THREE Discover Your Ideas and Expand Them
118(20)
Ideas--Where Do They Come From?
118(5)
Idea Starters--Setting the Stage
123(11)
Design Approaches--a Few Examples
134(4)
PART FOUR Look at What You've Designed--and Move Ahead
138(26)
A Method of Critique
138(6)
Cartoons--Lots of Options
144(10)
Finishing and Presentation Suggestions
154(10)
Conclusion: Looking Ahead--What Comes Next? 164(2)
Acknowledgments 166(2)
Appendixes 168(1)
A Tapestry-Weaving Basics 168(8)
B Simple Pipe Loom to Build 176(1)
C Useful Templates 177(5)
D Glossary: Basic Tapestry and Basic Design Terms 182(2)
E Resources and References 184(3)
Notes 187(2)
Bibliography 189(1)
Contributors 190(1)
Index 190
Renowned tapestry weaver and art educator Tommye McClure Scanlin has dedicated over four decades to teaching, including at the University of North Georgia and at craft schools including Arrowmont, John C. Campbell Folk School, and Penland School of Craft. www.scanlintapestry.com