Atjaunināt sīkdatņu piekrišanu

Tapestry with Pulled Warp: Inspiration, Technique, and the Creative Process [Hardback]

  • Formāts: Hardback, 176 pages, height x width: 254x203 mm, weight: 907 g, 241 color images
  • Izdošanas datums: 28-Feb-2024
  • Izdevniecība: Schiffer Publishing Ltd
  • ISBN-10: 0764367609
  • ISBN-13: 9780764367601
Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 50,80 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Formāts: Hardback, 176 pages, height x width: 254x203 mm, weight: 907 g, 241 color images
  • Izdošanas datums: 28-Feb-2024
  • Izdevniecība: Schiffer Publishing Ltd
  • ISBN-10: 0764367609
  • ISBN-13: 9780764367601
Citas grāmatas par šo tēmu:
Respected fiber artist Susan Iverson shares a technique that allows weavers to create shaped and three-dimensional tapestries, on any kind of loom.





Designed for adventurous weavers of all skill levels who love a new challenge, this is the first book on the intriguing pulled warp technique. Used through the decades by a handful of weavers to create 3-D tapestries, and also to make flat tapestries that bend and curve, pulled warp helps weavers achieve exciting results. 





Susan Iverson, a professional weaver who has spent years researching and using this technique, is known for her skillful teaching style. This book offers: 

 



Clear, easy-to-follow instructions enable weavers to use pulled warp innovations in their own work





The technical and designing details that creative weavers want





Beautiful examples woven by Susan Iverson demonstrate what pulled warp has to offer





Several ways to use it: as an intensive workshop-like experience, an inspiration for weavers at any level, and a source of technical ideas to try





  Personal insight from Susan on how the technique has had an impact on different phases of her weaving career





This book balances the practical with the vision and creative thought...a must-have. Elizabeth Buckley, The Artists Path

Recenzijas

Makes me want to carve out some time to sample and to explore . . . shares numerous tips, pitfalls, strategies . . . I especially love the section on Deciding When to Use Pulled Warp (An Artists Journey) . . . This book balances the practical with the vision and creative thought . . . a must-have. -- Elizabeth Buckley, The Artists Path "...a love letter to weaving...gives permission to beginner and experienced weavers to choose their own adventure." -- Wanett Clyde, Textile Society of America member "...will delight both new and experienced weavers, and anyone interested in contemporary textile arts...a valuable reference to add to all collection serving textile artists, designers, and historians." -- Patrice George, Associate Professor, Fashion Institute of Technology, NYC "[ Iverson] regularly advises the weaver to relax, to prepare thoroughly, to see the weaving as a process of discovery, to play. Her love and clarity show up in every sentence and tapestry. Her instructive style is clear and accessible...all in all, Iverson's book provides immense satisfaction." -- Micala Sidore "The subtitle of this book says so much to recommend it to anyone: "Inspiration, Technique, and the Creative Process". These are precisely the gifts that Susan Iverson lays out for the reader: she provides initial ideas, clear step by step instructions and opens the doors to what might go beyond the basics, with the simple question "What If" after providing the basics." -- Michael Rohde

Susan Iverson began weaving in college. She has an MFA from Tyler School of Art at Temple University and a BFA from Colorado State University. She was a professor at Virginia Commonwealth University in the Department of Craft/Material Studies for 40 years and has taught all levels of textile classes. She has held workshops on the pulled-warp technique, including at Penland School of Craft, and has used it widely in her work as a studio artist. Her art has been exhibited widely throughout the United States and in Canada, Italy, Poland, Australia, and Uzbekistan. Her tapestries are in many collections, including the Art in Embassies Program, Capital One, the Avenir Museum (CO), and the Renwick Gallery at the Smithsonian American Art Museum in Washington, DC. Iverson lives and works in rural Virginia.