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Taste [Hardback]

3.78/5 (143 ratings by Goodreads)
Translated by , (Professor of Philosophy, Universita IUAV di Venezia)
  • Formāts: Hardback, 96 pages, height x width x depth: 21x14x1 mm, weight: 227 g
  • Sērija : The Italian List
  • Izdošanas datums: 17-Nov-2017
  • Izdevniecība: Seagull Books London Ltd
  • ISBN-10: 085742436X
  • ISBN-13: 9780857424365
Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 22,19 €
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  • Formāts: Hardback, 96 pages, height x width x depth: 21x14x1 mm, weight: 227 g
  • Sērija : The Italian List
  • Izdošanas datums: 17-Nov-2017
  • Izdevniecība: Seagull Books London Ltd
  • ISBN-10: 085742436X
  • ISBN-13: 9780857424365
Citas grāmatas par šo tēmu:
Our taste buds are a powerful way for humans to know beauty and experience beautiful things. In Taste, Italian philosopher Giorgio Agamben takes a close look at why the sense of taste has not historically been appreciated as a means to know and experience pleasure or why it has always been considered inferior to actual theoretical knowledge. 

‘Taste,’ Agamben argues, is a category that  has much to reveal to the contemporary world. Taking a step into the history of philosophy and reaching to the very origins of aesthetics, Agamben critically recovers the roots of one of Western culture’s cardinal concepts. Agamben is the rare writer whose ideas and works have a broad appeal across many fields, and with Taste he turns his critical eye to the realm of Western art and aesthetic practice. This volume will not only engage the author’s devoted fans in philosophy, sociology, and literary criticism, but also his growing audience among art theorists and historians.
 
Taste
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Notes 79
Giorgio Agamben is the author of more than fifteen books on topics ranging from aesthetics to poetics, ontology to political philosophy, including The Church and the Kingdom, The Unspeakable Girl, and Nymphs, all three published by Seagull Books. He is best known for his Homo Sacer series. Cooper Francis is a writer, translator, and software developer whose work focuses on the relation between the philosophy of history, technology, and art.