Notes on Contributors
Foreword, James Stredder
Acknowledgements
Note on the Text
Introduction
Part 1: Perspectives from Multidisciplinary Research
Chapter 1: The Pedagogy Question
Chapter 2: The Cultural Capital Question
Chapter 3: The Literature Question
Chapter 4: The Language Question
Part 2: Perspectives from Organizations and Practitioners
Chapter 5: Perspectives from Organizations and Practitioners: Introduction
Chapter 6: Aims, Scope and Areas of Focus
Chapter 7: On Teaching, Schools, and Culture
Chapter 8: Why Shakespeare?
Part 3: Perspectives from the Classroom
Chapter 9: Perspectives from the Classroom: Introduction
Chapter 10: Dirty Shakespeare: Outdoor Learning with Primary Pupils, Mary Carey (Primary School Teacher, Channel Islands)
Chapter 11: How Relevant is Shakespeare in an International School Context?, Judith Berends O'Brien (Secondary School Teacher, international)
Chapter 12: Macbeth: Utilising Students' Code-Switching as a Tool for Engaging with Shakespeare at Secondary Level, Kirsty Emmerson (Secondary School Teacher, UK)
Chapter 13: Salvaging the Bard: A Success Story of Theatre-based Practice for Neurodiverse Learners, Eleni Kmeic (International Theatre & Dance Project, Greece and ICON-School for the Arts, USA)
Chapter 14: Transference and Integration: Using Shakespeare to Teach Composition, Carol Parker (Pikes Peak State College, USA)
Chapter 15: Theatre-based Pedagogy in a 'Knowledge-based' Curriculum: Perspectives from Initial Teacher Education, Karen McGivern (Teacher Educator)
Chapter 16: Much Ado about Decolonizing Shakespeare, Nobulali Dangazeli (ShakeXperience, South Africa)
Epilogue
References
Index