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Teaching Literature to Adolescents 2nd New edition [Hardback]

3.41/5 (162 ratings by Goodreads)
(University of Minnesota, USA), (University of Toronto, Canada), (University of Georgia, USA), (Carelon College, USA)
  • Formāts: Hardback, 274 pages, height x width: 254x178 mm, weight: 703 g, Following "Electronic and Experimental Music"
  • Izdošanas datums: 20-Dec-2010
  • Izdevniecība: Routledge
  • ISBN-10: 0415875153
  • ISBN-13: 9780415875158
Citas grāmatas par šo tēmu:
  • Formāts: Hardback, 274 pages, height x width: 254x178 mm, weight: 703 g, Following "Electronic and Experimental Music"
  • Izdošanas datums: 20-Dec-2010
  • Izdevniecība: Routledge
  • ISBN-10: 0415875153
  • ISBN-13: 9780415875158
Citas grāmatas par šo tēmu:
Designed to introduce prospective English teachers to current methods of teaching literature in middle and high school classrooms, this popular textbook explores a variety of innovative approaches that incorporate reading, writing, drama, talk, and media production. Each chapter is organized around specific questions that English educators often hear in working with preservice teachers. The text engages readers in considering the dilemmas and issues facing literature teachers through inquiry-based responses to authentic case narratives. A Companion Website, http://teachingliterature.pbworks.com, provides resources and enrichment activities, inviting teachers to consider important issues in the context of their own current or future classrooms.



New in the second edition:















more attention to the use of digital texts from use of online literature to digital storytelling to uses of online discussion and writing tools incorporated throughout













new chapter on teaching young adult literature













new chapter on teaching reading strategies essential to interpreting literature













more references to examples of teaching multicultural literature.

Recenzijas

"Teaching Literature to Adolescents provides chapter after chapter to help preservice English teachers prepare themselves to be more effective in the classroom...[ It] explains ways to get students fully engaged in the literature classroom--interpreting, discussing, and writing about literature...[ The] authors may say it's for preservice English teachers, but don't kid yourself--new and veteran teachers alike can benefit from the text and its related website."--Journal of Adolescent & Adult Literacy, October 2007



"This book would be extremely useful for secondary English teachers in the field, because it is based on a variety of critical lenses, not just the usual reader-response approach. An additional benefit is that the infusion of multicultural literature with the largely white literature canon fosters a critical analysis of how a writer reveals race, class, and gender in literature. Recommended. General readers, upper-division undergraduates through practitioners."--CHOICE

About the Authors xi
Preface xii
Part I Why Teach Literature?
1(36)
1 What Does it Mean to Teach Literature to Adolescents?
3(15)
Chapter Overview
Case Narrative: Molly's Beliefs about Teaching Literature
Different Theories of Teaching Literature
The Why Teach Literature Shapes the What and the How
Practices Constituting a Literature Curriculum
Tools for Use in Literature Learning
Molly's Literature Instruction: Issues Related to Teaching Literature to Adolescents
Portfolio Reflection
2 Teaching Literature With Adolescents In Mind: Who Are My Students?
18(19)
Chapter Overview
Case Narrative: Lily's Identity as a Millennial Adolescent
Meet the Millennials
Getting Past the "Reading Sucks" Syndrome: Developing Motivation and Interest for Reading
The Search for Self: Young Adult Literature and Identity Development
Race, Identity, and Representation in the Literature Classroom
The Multiple Identities of Adolescents/ce
Exploding the Monocultural Mindset: Cultural Modeling in the Literature Classroom
Taking Inventory: Funds of Knowledge in the Literature Classroom
Creating a Classroom Environment: Making Room for Reading
Multitextured Teaching: Organizing the Literature Curriculum in an Age of Multiliteracies
Putting It All Together: Coming of Age in a New Age
Portfolio Reflection
Part II What Literatures Are We Teaching?
37(78)
3 Planning and Organizing Literature Instruction: How Do I Decide What to Teach?
39(22)
Chapter Overview
Case Narrative: Considering Different Factors in Planning Lessons
Curriculum Goals for Teaching Literature
The Planning Model (Questions for Planning Instruction)
Designing Units
Creating Units of Instruction: Melissa's 9th Grade Unit on The House on Mango Street
Portfolio Reflection
4 Teaching the Classics: Do I Have to Teach the Canon, and If So, How Do I Do It?
61(16)
Chapter Overview
Case Narrative: Teaching a Classic Novel: The Scarlet Letter
The Enduring Nature of the Canon
The Value of the Canon
Approaches and Strategies to Teaching the Classics
Lesson Planning
Assessment
Portfolio Reflection
5 Teaching Contemporary Young Adult Literature: How Do I Teach What My Students Are Reading?
77(19)
Chapter Overview
Case Narrative: Millennial Teens and Contemporary Young Adult Literature
The Recent Rise of Young Adult Literature
What Exactly is Young Adult Literature, and Why isn't it in the Book Room?
On Texts and Teaching: Young Adult Literature as Cultural Ideal or Cultural Access?
Young Adult Literature in the Millennium: What Teens Read, What Teachers Teach
If it's Not in the Book Room, Where Can I find it? Locating Quality Young Adult Literature
How do I Possibly Choose? Developing Selection Criteria
What Can I Do (or Should I Avoid) with the Anthology? Using What's in the Book Room
What if I Get into Trouble? Censorship and the Complications of Choice
Portfolio Reflection
6 Media Makers and Media Readers: Teaching Analysis and Production of Media
96(19)
Chapter Overview
Case Narrative: Justifying Media/Digital Literacy Instruction in a Traditional English Curriculum
Justifying a Media Literacy Curriculum
Accessing and Responding to Online Literature
Responding to and Creating Digital Texts
Studying and Creating Film Adaptations of Literature
Critical Analysis of Media Representations
Studying Film/Television Genres
Studying Audiences' Construction of Media Texts
Portfolio Reflection
Part III How Do We Engage Students With Literature?
115(106)
7 How Do I Help Students Understand What They Are Reading?
117(12)
Chapter Overview
Case Narrative: Getting Started: The Pre-Requisites to Helping Students Navigate Texts: The Case of 9th Grade Teacher Jamie Heans
Helping Students Acquire General Reading and Literary Response Strategies
Working with "Struggling" Readers
Portfolio Reflection
8 Teaching Literary Genres: How Do I Engage Students in Reading Different Kinds of Literature?
129(22)
Chapter Overview
Case Narrative: Creating Facebook Profiles for Scout in To Kill a Mockingbird
Helping Students Acquire Knowledge of Genre Conventions
Responding to Poetry
Responding to Narratives
Responding to Fables/Myths
Responding to Comics/Graphic Novels
Portfolio Reflection
9 Multiple Perspectives to Engage Students in Literature: What Are Different Ways of Seeing?
151(12)
Chapter Overview
Case Narrative: Applying Different Critical Perspectives to To Kill a Mockingbird
Reading Texts, Reading the World
Preparing to Teach Multiple Perspectives
A Brief Synopsis of Some Major Theories
Getting Your Class Started
Lesson Planning
Portfolio Reflection
10 Using Drama Strategies to Foster Interpretation: How Do I Get My Students to Participate in Textual Worlds?
163(21)
Chapter Overview
Case Narrative: How Enactment Teaches Reading Strategies
Drama/Enactment Strategies and Transactional Reading
The Power and Flexibility of Drama
Drama, Values, Feelings, and Cultural Understanding
Implementing Drama Activities
Reflection on Participation in Drama Activities
Portfolio Reflection
11 Leading Discussions of Literature: How Do I Get Students to Talk About Literature?
184(18)
Chapter Overview
Case Narrative: Jessica's Reflection on her Students' Discussion of "The Bear"
Leading Large-Group Discussions
Leading Small Group and Book Club Discussions
Leading Online Discussions
Portfolio Reflection
12 Writing About Literature: How Do I Get Students to Write About Literature?
202(19)
Chapter Overview
Case Narrative: Differences in Kinds of Writing about Literature
Limitations of "List and Gist" Writing about Literature
Informal Writing Tools
Collaboratively Sharing Knowledge about Texts
Formal Writing about Literature
Understanding Texts through Writing Texts
Portfolio Reflection
Part IV Where Do I Go From Here?
221(29)
13 Evaluating and Assessing Students' Learning: How Do You Know What They Have Learned?
223(19)
Chapter Overview
Case Narrative: Coping with Issues of Assessment
Defining What You Value in Literature Instruction
Alternatives to "Correct Answer" Tests
Using Feedback to Foster Student's Revision and Perspective-taking
Providing Students with Criteria in Writing Assignments
Determining Student Learning in your Classroom
Devising Literature Tests and Assessments
Using Portfolios to Evaluate Growth and Reflection
Portfolio Review
14 Reflecting and Developing as a Literature Teacher: How Do I Grow as a Teacher?
242(8)
Chapter Overview
Case Narrative: Chris Johnson's Reflections on Teaching Catcher in the Rye
Teacher Reflection and Action Research
Tools for Reflection
Engaging in Professional Development
Portfolio Reflection
References 250(16)
Index 266
Richard Beach is Professor of English Education, University of Minnesota, Twin Cities.



Deborah Appleman is the Hollis L. Caswell Professor and Chair of Educational Studies and Director of the Summer Writing Program at Carleton College.



Susan Hynds is Professor Emerita of English Education, Syracuse University.



Jeffrey Wilhelm is Professor of English Education, Boise State University.