Focusing on Shakespeare and his contemporaries, these original essays by leading scholars explore how theatrical, aesthetic, and linguistic forms engage early modern experiences of temporality.
Encompassing comedy, tragedy, history, and romance, some contributions consider how different models of pastness, presentness, sequentiality, memory, and historical meaning underwrite particular representational practices. Others, conversely, investigate how aesthetic forms afforded diverse ways for early-modern people to understand or experience time - and how this can impact us today.
This original collection of essays provides a comprehensive view of temporality and early modern theatre through the range of its approaches and the texts it covers
Recenzijas
A luminous collection of essays that explore Shakespeares capacity to score time like music. * Studies in English Literature 1500-1900 * Offers a step in a new direction for the analysis of early modern drama. The collection contains strong and rich studies on the topics of reception, experience, and formal considerations ... The work contained in each essay will be valuable both to those interested in themes of time in Shakespeares age, or to scholars looking for insights into the individual plays under discussion. * Early Theatre *
Papildus informācija
This original collection of essays provides a comprehensive view of temporality and early modern theatre through the range of its approaches and the texts it covers
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| Notes on Contributors |
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| Acknowledgements |
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| Note on Texts |
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1 Introduction: Forms of Time |
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1 | (26) |
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2 Shakespeare's Theatre of Comic Time |
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27 | (16) |
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3 Suspense Revisited: The Shared Experience of Time |
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43 | (14) |
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4 `In the Course and Process of Time': Rupture, Reflection and Repetition in Henry VIII |
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57 | (22) |
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5 Is Henry V Still a History Play? |
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79 | (18) |
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6 Allusion, Temporality and Genre in Troilus and Cressida and Pericles |
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97 | (26) |
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7 Love's Labour's Lost and the Layered Temporality of Poetic Reception |
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123 | (18) |
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8 Timing The Knight of the Burning Pestle: Genre, Style and Performance |
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141 | (16) |
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9 Time, Tragedy and the Text of Antony and Cleopatra |
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157 | (16) |
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10 `The Death of Fathers': Succession and Diachronic Time in Shakespearean Tragedy |
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173 | (16) |
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11 Passionate Time in Elizabeth Cary's The Tragedy of Mariam |
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189 | (16) |
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12 Future Histories in King Lear |
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205 | (18) |
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13 From Last Judgement to Leviathan: The Semiotics of Collective Temporality in Early Modern England |
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223 | (24) |
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14 Cymbeline, Janus and Folded Time |
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247 | (14) |
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| Notes |
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261 | (52) |
| Index |
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313 | |
Lauren Shohet is Luckow Family Professor of English at Villanova University, USA and the author of Reading Masques: The English Masque and Public Culture in the Seventeenth Century (2010). Her writing on early modern poetry, drama, and form has focused on Milton, Marvell, Jonson, and Shakespeare, appearing in such journals as Poetics Today, Milton Studies, Shakespeare Studies, the Journal of Early Modern Cultural Studies, and the Yearbook of English Studies. She is coeditor of Gathering Force: British Literature in Transition 1557-1623 and of the first volume of the forthcoming three-volume British Literature in Transition 1557-1680 (general editor Stephen Dobranski, 2017). She has held fellowships and appointments from the National Endowment for the Humanities (USA), the Folger Shakespeare Library, the Huntington Library, and Freiburg Institute of Advanced Studies (Germany).
