Preface |
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ix | |
Editor biographies |
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xi | |
Committee members |
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xiii | |
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The use of textiles in Anne Wilson and Kathrin Stumreich's work |
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3 | (6) |
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Selection and training of a panel of evaluators for sensory analysis of tactile comfort in Brazil |
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9 | (6) |
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The interactivity between sales channels on omni-channel retail |
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15 | (6) |
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Technological evolution in fashion product knitwear companies |
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21 | (8) |
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Pilot study to convert an existing model into a zero waste pattern and cutting system |
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29 | (6) |
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The textile in seismic architecture: A reinforcement solution |
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35 | (6) |
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1.2 Surface, digital and virtual textiles |
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An analysis of 3D printed textile structures |
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41 | (8) |
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Fashion illustration on the surface design products created by designer Ronaldo Fraga |
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49 | (6) |
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When clothing comfort meets aesthetics |
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55 | (6) |
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Sublimation, color and emotion |
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61 | (6) |
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Digital imaging: Textile surfaces and the virtual environment |
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67 | (6) |
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Costume and characters' construction in cinematographic fiction and drama |
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73 | (8) |
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The fabric of belonging: Place-based textile community engagement |
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81 | (8) |
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Telaio 31: A hybridization between creativity, experimental and industrial process |
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89 | (6) |
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A new way for the bobbin lace tradition |
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95 | (4) |
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Comparative study of the main physical properties of denim fabrics used in jeans manufacture |
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99 | (8) |
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Textile elements in a design project of children's furniture |
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107 | (6) |
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Ergonomic clothing design for care-dependent elderly women |
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113 | (6) |
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Textile design experiments for automotive innovation |
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119 | (6) |
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Comparative study of the manufacturing technologies of Sports Bras aiming at adjusting the productive processes of the Brazilian apparel enterprises to the model Industry 4.0 |
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125 | (8) |
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Our past and future relationship with textiles |
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133 | (6) |
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Focus on textiles -- performance studies |
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139 | (6) |
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Brazil's social representation of Dom Joao VI in the literary work of Oliveira Lima: Fashion, habits, customs and urban aspects |
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145 | (8) |
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Textile design in lace: Creative practice based on collections study |
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153 | (8) |
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Fashion: Spokesman of a generation that will not be silent |
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161 | (8) |
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Before textile •et; after wall |
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169 | (4) |
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A woven language: Tais as an expression of Timorese culture identity |
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173 | (6) |
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Textiles as media for visual identity |
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179 | (8) |
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Textile semantics: Perception and memory |
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187 | (8) |
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Multiculturalism in fashion design: A case study of three emergent designers in Macau |
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195 | (6) |
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Textiles as a tool for social cohesion and active aging in social projects: Cases exploring the creative dimension of participants |
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201 | (6) |
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Cultural theory and textile manufacture |
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207 | (8) |
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IN-Between. Designing within complexity |
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215 | (6) |
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Cultural territories: Textile constructions in the work of the stylist Andre Lima |
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221 | (6) |
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Ornamentation of textile surfaces: Proposal of classification and application in fashion events in Minas Gerais, Brazil |
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227 | (6) |
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The charm of nonchalant elegance. Stories of Sicilian tailoring for men |
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233 | (6) |
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Warps and textures in symbology |
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239 | (8) |
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2.3 Marketing and consumption |
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Design Camp LOGO UFSC: A proposition of immersive experience in the textile market for design students |
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247 | (8) |
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Genderless clothing issues in fashion |
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255 | (6) |
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U.MAKE.ID fashion sourcing platform project |
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261 | (6) |
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Making textiles talk: An experimental e-textile workshop |
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267 | (6) |
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Footwear customization: A win-win shared experience |
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273 | (8) |
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Competitiveness in the textile industry due to electronic commerce |
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281 | (6) |
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Charles Frederick Worth and the birth of Haute Couture: Fashion design and textile renewal in the times of conspicuous consumption |
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287 | (10) |
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3.1 Technical and smart textiles |
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Shape memory alloy knitted fabrics: Functional fabrics that work |
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297 | (8) |
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SuPlumLimeBerry, a collaborative textile design and manufacturing illuminated wool carpet project |
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305 | (6) |
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Smart textiles in the performing arts |
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311 | (8) |
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Functional ization of cotton fabric with chitosan microspheres containing triclosan |
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319 | (6) |
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Smart textiles in architecture |
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325 | (6) |
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Technological clothing as an element of innovation: Survey of young Portuguese users |
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331 | (8) |
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Sustainability of textile and fashion supply chain: Case study approach |
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339 | (8) |
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The possible use of the fish leather in a lingerie confection: Approach to the Amazon |
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347 | (6) |
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Traditional techniques of Portuguese tapestry as the basis of a sustainable construction for fashion |
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353 | (6) |
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Sustainable textiles - A review on strategies for product lifetime extension |
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359 | (8) |
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Sustainability through traditional processes: Strategy of "Salva a La Portuguesa" for revival of natural wool |
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367 | (6) |
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Design of sustainable textiles through biological systems and materials - innovative narratives within the circular economy |
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373 | (6) |
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Textile sustainability: Reuse of wastes from the textile and clothing industry in Brazil |
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379 | (6) |
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In direction to sustainable textile roofs in architecture and design |
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385 | (8) |
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3.3 Teaching, research and education |
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The tactual experience of textiles in fashion design education |
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393 | (6) |
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Teaching sustainable fashion and textiles |
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399 | (8) |
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Methodology to study the creativity of Portuguese fashion designers |
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407 | (6) |
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The teaching of materials in fashion design: The importance of holistic platforms |
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413 | (6) |
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Design - Non-fabrics - A practical case for the Castelo Branco Embroidery |
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419 | (6) |
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The relevance of different players on the design project: Garment, identity, motivation and social innovation |
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425 | (8) |
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Graphic design and textiles: Visual appropriations in Sebastiao Rodrigues' work |
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433 | (6) |
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Sustainable fashion design: Social responsibility and cross-pollination! |
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439 | (6) |
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Towards artistic children's education with textiles: A K10 challenge |
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445 | (8) |
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Author Index |
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453 | |