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E-grāmata: Textual Layering: Contact, Historicity, Critique

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Textual Layering: Contact, Historicity, Critique sets out to rethink our relation to textual tradition against the background of several contemporary developments, including the emergence of digital culture, the increasing spectacularization of psychic as well as social life, the renegotiation of historical thinking, and the precarious position of the theoretical humanities within academia. To this end, the volume re-invests the concept of layering, a concept currently used in a wide range of fields, including metaphor studies and linguistics, cybernetics, the social sciences, art, and architecture. Drawing on existing definitions of layering, the chapters in this book return to and re-appraise some of the most crucial concerns in the post-1960s theoretical scene: that is, concerns over the strained interplay between writing and the body; textuality and history; critique, différance and the feminine; memory, trace, and the immemorial. The aim of the diverseoften polemicalanalyses carried out in this volume is to reactivate the critical force of textual tradition today through a renewed appreciation of its historical embeddedness, its libidinal sources, as well as its complex economy of separation and contact, diachronicity and synchronicity, (re)layering and de-layering.

This collection will be of interest to scholars of continental philosophy, literary theory, gender studies, architecture, film and visual culture studies, psychoanalysis, postmodernism, post-colonial studies, and political and social theory.
Abbreviations vii
Acknowledgments xv
General Introduction: Textual Tradition, Body-Layering, and Nagiko's Seductions xvii
Maria Margaroni
PART ONE Thinking with/Thinking between
Introduction
3(4)
Apostolos Lampropoulos
1 Profane Mystical Practice: Resisting the Society of the Spectacle or the Society of the "As If
7(16)
Frances Restuccia
2 Thinking the Image, Technics, and Embodiment: Julia Kristeva's Challenge
23(16)
John Lechte
3 The Layered Being of Merleau-Ponty and the Being Layered of Deleuze: A Comparison of Two Conceptions of Immanentism on the Basis of the Notion "Fold"
39(10)
Judith Wambacq
4 The / Turn and the Pause: Agamben, Derrida, and the Stratification of Poetry
49(16)
William Watkin
PART TWO Displaced Pasts, Emerging Topographies
Introduction
65(6)
Apostolos Lampropoulos
5 Layering and Extending: Architecture's Traumatic Work of Mourning
71(10)
Michael Beehler
6 The "Forgotten" as Epic Vorwelt
81(14)
Brendan Moran
7 Halal History and Existential Meaning in Salman Rushdie's Early Fiction
95(14)
Adnan Mahmutovic
8 Tactical Reason: Philosophy and the Colonial Question
109(28)
Marios Constantinou
PART THREE De-Layerings of the Feminine
Introduction
137(6)
Apostolos Lampropoulos
9 Kristeva's Revolt, Illusion, and the Feminine
143(12)
Gertrude Postl
10 The Layering of Abjection in Relation to Fetish: Reading Kristevan Abjection as the Unthought Ground of Fetishism
155(14)
Tina Chanter
11 Reviving Oedipus: Oedipus, Anti-Oedipus, and the Nomadic Body in Kristeva
169(14)
S. K. Keltner
12 Tragedy as De-Layering: The Opaque Immediacy of Antigone
183(12)
Kalliopi Nikolopoulou
13 Metaphysical Tonographies Re-Layered: Critique and the Feminine
195(14)
Elena Tzelepis
Epilogue: Layering Is Not 209(24)
Christakis Chatzichristou
Notes 233(34)
Bibliography 267(18)
Contributors 285(4)
Volume Editors 289(2)
Index of Names 291(4)
Index of Topics 295
Christos Hadjichristos is associate professor of architecture at the University of Cyprus.

Apostolos Lampropoulos is professor of comparative literary and cultural studies at the University Bordeaux Montaigne.

Maria Margaroni is associate professor in literary theory and feminist thought at the University of Cyprus.