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| Introduction |
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1 | (10) |
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PART I Studies In Theatre History |
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Un-Reading Voltaire: The Ghost in the Cupboard of the House of Reason |
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11 | (20) |
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Caricatured, Marginalized, and Erased: African American Artists and Philadelphia's Negro Unit of the FTP, 1936-1939 |
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31 | (19) |
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Stop Your Sobbing: White Fragility, Slippery Empathy, and Historical Consciousness in Branden Jacobs-Jenkins's Appropriate |
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50 | (23) |
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Asia and Alwin Nikolais: Interdisciplinarity, Orientalist Tendencies, and Midcentury American Dance |
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73 | (30) |
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PART II Witch Characters and Witchy Performance |
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Editor's Introduction to the Special Section: Shifting Shapes: Witch Characters and Witchy Performances |
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103 | (7) |
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To Wright the Witch: The Case of Joanna Baillie's Witchcraft |
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110 | (16) |
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Nothing Wicked This Way Comes: Shakespeare's Subversion of Archetypal Witches in The Winter's Tale |
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126 | (15) |
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Of Women and Witches: Performing the Female Body in Caryl Churchill's Vinegar Tom |
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141 | (16) |
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(Un)Limited: The Influence of Mentorship and Father-Daughter Relationships on Elphaba's Heroine Journey in Wicked |
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157 | (15) |
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Immersive Witches: New York City under the Spell of Sleep No More and Then She Fell |
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172 | (17) |
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PART III Essay From The Conference |
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The Robert A. Schanke Award-Winning Essay, MATC 2020 New Conventions for a New Generation: High School Musicals and Broadway in the 2010s |
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189 | (12) |
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Arthur W. Bloom, Edwin Forrest: A Biography and Performance History |
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201 | (2) |
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Liz Tomlin, Political Dramaturgies and Theatre Spectatorship: Provocations for Change |
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203 | (3) |
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David R. M. Beck, Unfair Labor? American Indians and the 1893 World's Columbian Exposition in Chicago |
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206 | (3) |
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Fintan Walsh, ed., Theatres of Contagion: Transmitting Early Modern to Contemporary Performance |
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209 | (2) |
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Bethany Wood, Women Adapting: Bringing Three Serials of the Roaring Twenties to Stage and Screen |
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211 | (3) |
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Patrick Lonergan, Irish Drama and Theatre Since 1950 |
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214 | (2) |
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Musa Gurnis, Mixed Faith and Shared Feeling: Theater in Post-Reformation London |
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216 | (2) |
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Christian DuComb, Haunted City: Three Centuries of Racial Impersonation in Philadelphia |
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218 | (3) |
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Noe Montez, Memory, Transitional Justice, and Theatre in Postdictatorship Argentina |
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221 | (2) |
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Yasmin Arshad, Imagining Cleopatra: Performing Gender and Power in Early Modern England |
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223 | (2) |
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Kate Bredeson, Occupying the Stage: The Theatre of May '68 REVIEWED BY Altcia |
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225 | (3) |
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Meredith Conti, Playing Sick: Performances of Illness in the Age of Victorian Medicine |
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228 | (3) |
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Amanda Weldy Boyd, Staging Memory and Materiality in Eighteenth-Century Theatrical Biography |
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231 | (2) |
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Sharon Marcus, The Drama of Celebrity |
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233 | (4) |
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| Books Received |
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237 | (4) |
| Contributors |
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241 | |
Biežāk uzdotie jautājumi par e-grāmatām