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E-grāmata: Theatre and the Macabre

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  • Formāts: 288 pages
  • Sērija : Horror Studies
  • Izdošanas datums: 01-Mar-2022
  • Izdevniecība: University of Wales Press
  • Valoda: eng
  • ISBN-13: 9781786838476
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Theatre and the MacabrePalielināt
  • Formāts: 288 pages
  • Sērija : Horror Studies
  • Izdošanas datums: 01-Mar-2022
  • Izdevniecība: University of Wales Press
  • Valoda: eng
  • ISBN-13: 9781786838476
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The ‘macabre’, as a process and product, has been haunting the theatre – and more broadly, performance – for thousands of years. In its embodied meditations on death and dying, its thematic and aesthetic grotesquerie, and its sensory-rich environments, macabre theatre invites artists and audiences to trace the stranger, darker contours of human existence. In this volume, numerous scholars explore the morbid and gruesome onstage, from freak shows to the French Grand Guignol; from Hell Houses to German Trauerspiel; from immersive theatre to dark tourism, stopping along the way to look at phantoms, severed heads, dark rides, haunted mothers and haunting children, dances of death and dismembered bodies. From Japan to Australia to England to the United States, the global macabre is framed and juxtaposed to understand how the theatre brings us face to face with the deathly and the horrific.



Theatre and the Macabre explores the morbid and gruesome onstage, from freak shows to the French Grand Guignol, from immersive theatre to dark tourism, stopping along the way to look at phantoms, severed heads, dances of death and dismembered bodies.
Acknowledgements
Contributors
Introduction: I Made the Dance of Death - Meredith Conti

Part I. Histories of the Macabre
The Mortification of Harvey Leach: Humour and Horror in Nineteenth-Century
Theatre of Disability - Michael M. Chemers
The Horrors of the Great War on the London Stage: The Grand Guignol Season of
1915 - Helen E.M. Brooks
Phantoms of the Stage: The History and Practice of Uncanny Apparitions -
Richard J. Hand

Part II. Dramaturgies of the Macabre
Time and Punishment: Gothic Maternal Bodies on the Contemporary British Stage
- Kelly Jones
The Body Dismembered: Allegory and Modernity in German Trauerspiel - Magda
Romanska
Macabre Children on the Australian Stage: Angela Betzien's Cycle of Crime
Plays - Chris Hay and Stephen Carleton
Martin McDonagh's Hangmen: Justice and Guilt in Public and Private Acts of
Hanging - Michelle C. Paull
Fear of Death and Lyrical Flight: Mortality Salience Mediation in Fun Home -
Christopher J. Staley

Part III. Staging the Macabre
The Severed Head on Stage - Kevin J. Wetmore, Jr.
Dancing Haunted Legacies: Diana Szeinblum's Alaska - Jeanmarie Higgins
'To Die Over and Over Inside My Body': Three Deaths in Hijikata Tatsumi's
Butoh - J. E. F. Ooi

Part IV. The Immersive Macabre
'Black and Deep Desires': Sleep No More and the Immersive Macabre - Dan
Venning
The Dark Ride Immersive and the Danse Macabre - David Bisaha
Liveness and Aliveness: Chasing the Uncanny in the Contemporary Haunt
Industry - David Norris
American Hells: Hell Houses, Abortion Frames, and Unsexed Women - Robyn Lee
Horn
Haunting the Stage: Macabre Tourism, Lieux de Memoire, and the Immortal Death
of Abraham Lincoln at Ford's Theatre - Meredith Conti
Bibliography
Index
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