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Theatre of Societas Raffaello Sanzio [Mīkstie vāki]

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(Roehampton University), (Societas Raffaello Sanzio, Italy), (Societas Raffaello Sanzio, Italy), (Queen Mary University, London, UK), (Societas Raffaello Sanzio, Italy)
  • Formāts: Paperback / softback, 304 pages, height x width: 246x174 mm, weight: 560 g, 16 Illustrations, color; 56 Illustrations, black and white
  • Izdošanas datums: 06-Nov-2007
  • Izdevniecība: Routledge
  • ISBN-10: 0415354315
  • ISBN-13: 9780415354318
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 52,11 €
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  • Formāts: Paperback / softback, 304 pages, height x width: 246x174 mm, weight: 560 g, 16 Illustrations, color; 56 Illustrations, black and white
  • Izdošanas datums: 06-Nov-2007
  • Izdevniecība: Routledge
  • ISBN-10: 0415354315
  • ISBN-13: 9780415354318
Citas grāmatas par šo tēmu:
The Theatre of Socģetas Raffaello Sanzio chronicles four years in the life of an extraordinary Italian theatre company whose work is widely recognized as some of the most exciting theatre currently being made in Europe.

In the first English-language book to document their work, company founders, Claudia Castellucci, Romeo Castellucci and Chiara Guidi, discuss their approach to theatre making with Joe Kelleher and Nicholas Ridout.

At the centre of the book is a detailed exploration of the company's eleven episode cycle of tragic theatre, Tragedia Endogonida (20022004,) including:





production notes and extensive correspondence giving insights into the creative process essays by and conversations with company members alongside critical responses by their two co-authors seventy-two photographs of the company's work.

This is a significant collection of theoretical and practical reflections on the subject of theatre in the twenty-first century, and an indispensible written and visual document of the company's work.

Recenzijas

'An exemplary study wrought from within Europe's most audacious theatre company.' Alan Read, King's College London, UK

Acknowledgements ix
Introduction: the spectators and the archive 1(22)
Joe Kelleher
Nicholas Ridout
PART ONE Makers and spectators, Tragedia Endogonidia 2002-4
23(178)
Laboratory, 2001
25(9)
Letters to Scott Gibbons
25(2)
Chiara Guidi
Making space
27(3)
Claudia Castellucci
System, functions and workings for a tragedy of gold
30(2)
Romeo Castellucci
On the Earth's stage
32(2)
Romeo Castellucci
C.#01, Cesena
34(12)
Letters to Scott
36(3)
An organism on the run
39(7)
Joe Kelleher
A.#02, Avignon
46(25)
A letter about the goat that gave its name to tragedy
47(1)
Romeo Castellucci
First grammatical exercise with twenty amino acids
48(5)
Chiara Guidi
Letter to Scott
53(1)
From the final script of A.#02
53(4)
Night, writing, gesture
57(4)
Joe Kelleher
The form of a blot
61(10)
Claudia Castellucci
B.#03, Berlin
71(19)
Letters to Scott
72(3)
From the final script of B.#03
75(1)
A play of grief
76(5)
Joe Kelleher
From the final script of B.#03
81(3)
On being there (in the beginning)
84(3)
Nicholas Ridout
On not being there (Berlin)
87(3)
Nicholas Ridout
BR.#04, Brussels
90(22)
Letter to Scott
92(3)
Storytime
95(8)
Joe Kelleher
Out in the open
103(9)
Nicholas Ridout
BN.#05, Bergen
112(6)
Fluid earth
112(6)
P.#06, Paris and R.#07, Rome
118(30)
Letters to Scott and Marco
119(5)
Modern acting
124(3)
Nicholas Ridout
Somebody, anybody
127(5)
Joe Kelleher
Letter to Scott
132(1)
From the final script of R.#07
132(3)
Monkey business
135(2)
Nicholas Ridout
From a conversation about dramaturgy
137(2)
The Italian comedy
139(9)
Joe Kelleher
S.#08, Strasbourg
148(11)
Letters to Scott
149(1)
Earth and glass
150(6)
Joe Kelleher
Nicholas Ridout
A conversation about dramaturgy, contd.
156(3)
L.#09, London
159(12)
A conversation about dramaturgy, contd.
159(2)
From the final script of L.#09
161(1)
On the idea of crescita
161(3)
Romeo Castellucci
Francesca and the machines: on Crescita XIV Prato
164(2)
Joe Kelleher
From the final script of L.#09
166(3)
A theatre dream
169(2)
Joe Kelleher
M.#10, Marseille
171(16)
From Marseille sketch
171(1)
Letter to Lavinia
172(1)
Asking for it
173(4)
Nicholas Ridout
From the final script of M.# 10
177(1)
Beware what you wish for
178(3)
Nicholas Ridout
The picture, the place, the drama, us
181(1)
Claudia Castellucci
To live episodically
182(5)
Claudia Castellucci
C.#11, Cesena
187(14)
From the technical script for C#11
188(1)
On make-believe
188(2)
Nicholas Ridout
From the final script of C.#11
190(2)
The enchantment
192(9)
Joe Kelleher
PART TWO Conversations
201(60)
`The theatre is not our home': a conversation about space, stage and audience
203(10)
A conversation about dramaturgy, contd.
213(7)
A conversation about pretence and illusion
220(7)
A conversation about composition
227(8)
A conversation about rehearsal
235(9)
A conversation about gesture
244(8)
A conversation about the future
252(9)
PART THREE Disjecta Membra
261(9)
Entries from a notebook of Romeo Castellucci
263(7)
Theatography 270(2)
Bibliography 272


Chiara Guidi, Claudia Castellucci and Romeo Castellucci are founding members of Societas Raffaello Sanzio. Romeo is the stage designer and director; Claudia creates the choreographies; Chiara is the dramaturgical and vocal consultant.

Joe Kelleher teaches in the School of Arts at Roehampton University, London. Nicholas Ridout is Lecturer in Performance at Queen Mary University of London. Joe and Nicholas are joint editors of Contemporary Theatres in Europe (2006).