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E-grāmata: Theorising the Artist Interview

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"Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves. Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, 'History and Historiography', 'Subverting the Biographical Model', 'Interviews as Practice' and 'Materiality and Technology', the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favor of valuing dialogue and collaboration. The book will be of interest to scholars working in art history, museum studies, oral history, and historiography"--

Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves.



Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves.

Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, ‘History and Historiography’, ‘Subverting the Biographical Model’, ‘Interviews as Practice’ and ‘Materiality and Technology’, the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favour of valuing dialogue and collaboration.

The book will be of interest to scholars working in art history, museum studies, oral history and historiography.

Recenzijas

In this bold endeavour to theorise the artist interview, Farinati and Thatcher have put together a thought-provoking anthology discussing the artist interview from various perspectives. It is interesting to realise that the interview is a tool for both the artist, art historians, critics, and conservators, and often a collaboration on multiple levels.

-- Sandra Kisters, Director of Collections and Research at Museum Boijmans Van Beuningen

"Vital reading for anyone who conducts or uses quotes from interviews with artists, this anthology asks us to pause and reflect on the interview as a complex mode of cultural production. The essays gathered here do the best kind of interdisciplinary work, modeling how to ask better, more careful questions about how artist interviews are produced and what work they do in the world."

-- Jennifer Sichel, Assistant Professor of Contemporary Art and Theory, University of Louisville

Part 1 History and Historiography of the Artist Interview
1. The History
of the Artist Interview: Conventions, Conditions, Contexts, Collaboration
2.
ReStor(y)ing the Self
3. Articulating Artworks: On the Theory and Practice
of Oral History in Art Conservation Part 2 Subverting the Biographical Model
4. The Voice of the Artists: Notes about Vasaris Lives and Early Modern
Sources
5. As A Possibility of an Encounter: A Performative Reading of
Autoritratto (SelfPortrait) by Carla Lonzi
6. Herstory or Mine? Writing
Feminist Histories of Art with SelfMythologies in Mind Part 3 Interviews as
Art Practice
7. I Prefer Talkers: Andy Warhol and His Philosophy
8. Audio
Arts: A Recorded Space for Contemporary Art and Artists
9. Face to Face:
Interviews as Practice in the Work of Stephen Sutcliffe Part 4 Materiality
and Technology
10. New Ways of Speaking: The First Artist Interviews on BBC
Radio
11. Interview as Action/Archive: The Role of Televised Reportage in
Contemporary Visual Art in the Turkish Cypriot Community
12. The Pleasures of
the Transcript: Why Transcription of Artist Interviews Matters
Lucia Farinati is a writer-researcher, curator and activist. She holds an MA in Curating from Goldsmiths University and a PhD in Critical Studies from Kingston University, London. She is the co-author of The Force of Listening (2017), and Training for Exploitation? Politicising Employability and Reclaiming Education (2017).

Jennifer Thatcher is an art historian, critic and curator. She cocurated Folkestone Book Festival (2023), curated the public programmes for Folkestone Triennial (2014, 2017) and Whitstable Biennale (2016), and was Director of Talks at the ICA (20032010). She is a British Academy Postdoctoral Fellow at the University of Kent, Canterbury.
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Permanent link: https://www.kriso.lv/db/97810401194022e.html
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