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E-grāmata: Theory of the Lyric

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  • Formāts: EPUB+DRM
  • Izdošanas datums: 08-Jun-2015
  • Izdevniecība: Harvard University Press
  • Valoda: eng
  • ISBN-13: 9780674425804
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  • Formāts: EPUB+DRM
  • Izdošanas datums: 08-Jun-2015
  • Izdevniecība: Harvard University Press
  • Valoda: eng
  • ISBN-13: 9780674425804

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What sort of thing is a lyric poem? An intense expression of subjective experience? The fictive speech of a specifiable persona? Theory of the Lyric reveals the limitations of these two conceptions of the lyric—the older Romantic model and the modern conception that has come to dominate the study of poetry—both of which neglect what is most striking and compelling in the lyric and falsify the long and rich tradition of the lyric in the West. Jonathan Culler explores alternative conceptions offered by this tradition, such as public discourse made authoritative by its rhythmical structures, and he constructs a more capacious model of the lyric that will help readers appreciate its range of possibilities.

“Theory of the Lyric brings Culler’s own earlier, more scattered interventions together with an eclectic selection from others’ work in service to what he identifies as a dominant need of the critical and pedagogical present: turning readers’ attention to lyric poems as verbal events, not fictions of impersonated speech. His fine, nuanced readings of particular poems and kinds of poems are crucial to his arguments. His observations on the workings of aspects of lyric across multiple different structures are the real strength of the book. It is a work of practical criticism that opens speculative vistas for poetics but always returns to poems.”
—Elizabeth Helsinger, Critical Theory

Recenzijas

Culler is a veteran of the theory wars of the 1970s and 1980s, when he wrote what remain the clearest sympathetic explications of structuralism and post-structuralism. He has an exceptional ability to see the conceptual shape beneath a critical discourse, even if that shape is clouded by jokes or whiffs of bullshit, and to explain it in plain terms. Theory of the Lyric displays those skills. It begins with compressed but beautifully clear histories of both lyric and thinking about lyric; and, like other indispensable studies of this area such as Barbara Herrnstein Smiths Poetic Closure, it quotes in full a range of particularly well-chosen lyric poems, from Sappho and Goethe to A. A. Milne and A. R. Ammons, in order to establish its claims Cullers view of lyric has a flexibility that enables it to stand up pretty well to lyrics that might fly at it from left-field What the book offers is something more like a study of the generative grammar of lyric poetry and of its practice than an all-encompassing model of what lyric has to be or could become. -- Colin Burrow * London Review of Books * After decades of relative neglect, the last few years have seen a resurgence of interest in the theory of the lyric, and Cullers wide-ranging study is undoubtedly a milestone in this complicated process. -- Francesco Giusti * Los Angeles Review of Books * How interesting, how convincing, and how disturbing to received ideas are the features to which Culler draws our attention? How useful or how provocativefor poetry, for thought, and for Theoryare his speculations on the forms and conditions of poetic meaning to which these observations lead? Theory of the Lyric brings Cullers own earlier, more scattered interventions together with an eclectic selection from others work in service to what he identifies as a dominant need of the critical and pedagogical present: turning readers attention to lyric poems as verbal events, not fictions of impersonated speech. His fine, nuanced readings of particular poems and kinds of poems are crucial to his arguments. His observations on the workings of aspects of lyric across multiple different structures are the real strength of the book. It is a work of practical criticism that opens speculative vistas for poetics but always returns to poems. -- Elizabeth Helsinger * Critical Inquiry * Theory of the Lyric, by Culler, is an excellent source for understanding the academics and history of the lyric poem It will be most appreciated by scholars seeking to understand the structure of this genre of poetry. -- K. Gale * Choice * Jonathan Cullers book is literally long-awaitedit is the culminating work of one of the most important poeticians of the late twentieth and early twenty-first centuries. -- Simon Jarvis, author of Wordsworths Philosophic Song A capacious and important piece of work. We need someone with the courage to take the broad view, across epochs and Western languages, and Culler is that person. Theory of the Lyric is a crucial intervention in restoring the vibrancy and significance of lyric. -- Jahan Ramazani, author of Poetry and Its Others: News, Prayer, Song, and the Dialogue of Genres

Papildus informācija

Nominated for James Russell Lowell Prize 2015 and René Wellek Prize 2016.
Preface vii
Introduction 1(9)
One An Inductive Approach
10(29)
Nine Poems
10(23)
Four Parameters
33(6)
Two Lyric as Genre
39(52)
Notions of Genre
40(9)
Lyric History
49(28)
Lyric Genre
77(14)
Three Theories of the Lyric
91(41)
Hegel
92(17)
Imitation Speech Acts or Epideixis?
109(16)
Performative and Performance
125(7)
Four Rhythm and Repetition
132(54)
Meter
142(19)
Rhythm
161(12)
Sound and Repetition
173(13)
Five Lyric Address
186(58)
Address to Listeners or Readers
191(10)
Addressing Other People
201(10)
Apostrophe
211(33)
Six Lyric Structures
244(52)
Mapping the Lyric
246(12)
Lyric Hyperbole
258(5)
Dramatic Monologue
263(12)
Framing Past Events
275(8)
The Lyric Present
283(13)
Seven Lyric and Society
296(53)
Engagement and Disengagement
297(10)
Three Examples
307(24)
Adorno's Dialectic
331(5)
Tangling with Ideology
336(13)
Conclusion 349(6)
Notes 355(30)
Index 385
Jonathan Culler is Class of 1916 Professor of English and Comparative Literature, Cornell University.