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Tobias Putrih: Perceptron [Hardback]

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  • Formāts: Hardback, 192 pages, height x width: 275x210 mm, weight: 1120 g, 103 Illustrations
  • Izdošanas datums: 09-Mar-2023
  • Izdevniecība: Hatje Cantz
  • ISBN-10: 3775754458
  • ISBN-13: 9783775754453
Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 41,04 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Standarta cena: 54,72 €
  • Ietaupiet 25%
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  • Formāts: Hardback, 192 pages, height x width: 275x210 mm, weight: 1120 g, 103 Illustrations
  • Izdošanas datums: 09-Mar-2023
  • Izdevniecība: Hatje Cantz
  • ISBN-10: 3775754458
  • ISBN-13: 9783775754453
Citas grāmatas par šo tēmu:
Paper, cardboard, plywood, lightdecidedly conceptual and materially ephemeral, Tobias Putrihs projects draw on the visionary concepts of architecture and design and utopian ideas of the 20th century avant-gardes. This book traces Putrihs investigations into the heritage of architectural experiments such as the works of Buckminster Fuller and Friedrich Kiesler.

Perceptron is the first comprehensive survey of Putrihs work that oscillates between architecture, sculpture, and science. Through an encyclopedic array of reference materials and critical texts, it examines Putrihs practice in the context of architectural and design history as well as the history of cybernetics, and offers a richly illustrated study of Putrihs modifications of public spaces, experiments with collective form, as well as his immersive temporary environments created out of everyday materials.
1:1
5(1)
Which Cinema Is Your Cinema? Which Discotheque Is Your Discotheque?
6(1)
Lost Cinema
7(3)
Science vs. Fiction
10(2)
Divide
12(3)
Quasi-Random
15(3)
Soft Screens
18(2)
Projections
20(5)
LEWK
25(4)
ARGOS Cinema & Chorus
29(3)
Apropos Pollymaggoo
32(3)
After Frei Otto
35(2)
Compressions
37(2)
White City & Before, After
39(3)
Revolution Square
42(3)
The Death of Tarelkin
45(4)
A, H, O, I,... & A
49(5)
Solaris
54(2)
SpaceScriptSet
56(2)
Warsaw Auditorium
58(2)
Sequential
60(3)
Apartment
63(5)
LLL Sofa
68(1)
Attitudes Module
69(1)
Connection
70(1)
Harrisburg Module
71(2)
Overhang & Erosion & Evolution
73(3)
Book Tower Studio
76(3)
Mudam Studio
79(5)
Macula
84(5)
Fovea
89(1)
Slight Agitation
90(5)
Baltimore Experiment
95(2)
Color of Data
97(2)
Medemia Argun
99(2)
Spogliando un vicino
101(3)
Einzelhof
104(2)
Group Form
106(2)
Otajima
108(4)
Futurity Island
112(3)
Capella MACBA & Booth FKV
115(3)
Majestic
118(4)
Cinema attitudes
122(2)
Cinema Printemps
124(2)
Alvorada
126(4)
Room for Four Film Projections
130(2)
Space for Total Anastrophes
132(3)
Screening Space for "Empty the Pond to Get the Fish"
135(4)
Double Enclosure for "The Restless Subject"
139(1)
Space for "What Is a Thought Experiment, Anyhow?" & "CINEMATOGRAPHY"
140(4)
Venetian, Atmospheric
144(9)
Siska, International
153(3)
Blackwell
156(2)
Undertrained, Overfitted
158(5)
Atmospheric Screening, Environments of Projection by Giuliana Bruno
163(6)
The Corner Essay by Mark Jarzombek
169(1)
Analogy, Analog, Avatar by Lindsay Caplan
170(4)
Sequential by Mark Nash
174(6)
The Extended Field of Vision, by Barbara Predan
180(4)
Tobias Putrih's Take on the Heritage of Yugoslav Modernism by Igor Spanjol
184(3)
The Formal Approaches and Cultural Contexts of the Art of Tobias Putrih by JeSa Denegri
187(2)
Biography 189(1)
Selected Bibliography 190(2)
Colophon 192
Mark Nash is an independent curator, film historian and filmmaker with a specialisation in contemporary fine art moving image practices, avant-garde and world cinema. He is currently a professor at the University of California, Santa Cruz.