Introduction |
|
10 | (6) |
|
|
|
Antidefinitionalism, 1983 |
|
|
16 | (18) |
|
Theory -- The People's Foe, 1987 |
|
|
34 | (8) |
|
Network Society and Personal Pluralism, 1987 |
|
|
42 | (6) |
|
Dolomite: Having No Trust in Readers, 1988 |
|
|
48 | (8) |
|
Artisanship and Psychedelia, 2010 |
|
|
56 | (8) |
|
More on Beauty, Date unknown |
|
|
64 | (26) |
|
Tony Conrad on The Flicker, 1965 |
|
|
90 | (8) |
|
|
98 | (6) |
|
|
104 | (4) |
|
Some Production Notes on Loose Connection as a Definitional Extension of Documentary Film, 1973 |
|
|
108 | (12) |
|
Artistic Extensions of the Filmic Image, 1974 |
|
|
120 | (16) |
|
Articulation of Boolean Algebra for Film Opticals, 1975 |
|
|
136 | (12) |
|
Non-linguistic Extensions of Film and Video, 1976 |
|
|
148 | (12) |
|
A Few Remarks Before I Begin, 1977 |
|
|
160 | (18) |
|
At Last Real Movies: Super 8 Cinema from New York, 1980 |
|
|
178 | (12) |
|
|
190 | (4) |
|
|
194 | (6) |
|
People Will Come If the Pictures Move: New Opportunities in Video Installation Art, 1997 |
|
|
200 | (12) |
|
Who Will Give Answer to the Call of My Voice? Sound in the Work of Tony Oursler, 2001 |
|
|
212 | (18) |
|
Preparing for the Propaganda War in the Time of Global Culture: Trance, Form, and Persuasion in the Renovation of Western Music (selection), 2004 |
|
|
230 | (16) |
|
Is This Penny Ante or a High Stakes Game?, 2004 |
|
|
246 | (12) |
|
|
258 | (16) |
|
|
274 | (4) |
|
|
278 | (8) |
|
Media Study: Tony Conrad, 2012 |
|
|
286 | (4) |
|
Rectilinearity and Perspective (selection), Date unknown |
|
|
290 | (2) |
|
Theses on Art (selection), Date unknown |
|
|
292 | (6) |
|
Letter to Peter Yates, 1965 |
|
|
298 | (4) |
|
Inside the Dream Syndicate, 1965 |
|
|
302 | (10) |
|
Music and the Mind of the World, 1984 |
|
|
312 | (8) |
|
Slapping Pythagoras, 1995 |
|
|
320 | (18) |
|
nAMIng: April, May, June, 1997 |
|
|
338 | (12) |
|
LYssophobia: on FOUR VIOLINS, 1997 |
|
|
350 | (20) |
|
|
370 | (14) |
|
|
384 | (12) |
|
Sacred Harp Heterophony, 2003 |
|
|
396 | (6) |
|
|
402 | (10) |
|
|
412 | (8) |
|
|
420 | |