Atjaunināt sīkdatņu piekrišanu

E-grāmata: Tony Harrison: Poet of Radical Classicism

(University of Durham, UK)
  • Formāts - EPUB+DRM
  • Cena: 33,80 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

Longlisted for the 2022 Runciman Award

This is the first book-length study of the classicism of Tony Harrison, one of the most important contemporary poets in England and the world. It argues that his unique and politically radical classicism is inextricable from his core notion that poetry should be a public property in which communal problems are shared and crystallised, and that the poet has a responsibility to speak in a public voice about collective and political concerns. Enriched by Edith Halls longstanding friendship with Harrison and involvement with his most recent drama, inspired by Euripides Iphigenia in Tauris, it also asserts that his greatest innovations in both form and style have been direct results of his intense engagements with individual works of ancient literature and his belief that the ancient Greek poetic imagination was inherently radical.

Tony Harrison's large body of work, for which he has won several major and international prizes, and which features on the UK National Curriculum, ranges widely across long and short poems, plays, translations and film poems. Having studied Classics at Grammar School and University and having translated ancient poets from Aeschylus to Martial and Palladas, Harrison has been immersed in the myths, history, literary forms and authorial voices of Mediterranean antiquity for his entire working life and his classical interests are reflected in every poetic genre he has essayed, from epigrams and sonnets to original stage plays, translations of Greek drama and Racine, to his experimental and harrowing film poems, where he has pioneered the welding of tightly cut video materials to tightly phrased verse forms. This volume explores the full breadth of his oeuvre, offering an insightful new perspective on a writer who has played an important part in shaping our contemporary literary landscape.

Recenzijas

[ Halls] shared interests and wide-ranging knowledge of the classical world and its reception, besides her sympathetic understanding of Harrisons outlook, make this a most engaging study. * The Classical Review * Halls book is ... engaging and erudite. * The Scottish Left Review * Tony Harrison is a persuasive, timely, important study which goes right to the top of any reading list of Harrison scholarship and joins the canon of class-based classical reception studies. * Translation and Literature *

Papildus informācija

Long-listed for Runciman Award 2022 (UK).An investigation of the aesthetic and political roles played by Greek and Latin literature in the poems, plays, translations and films of Tony Harrison.

Acknowledgements
Timeline of Tony Harrison's Classics-Informed Works

1 'Models of eloquence': Radical Classicism
2 'Stone bodies': Statuary in The Loiners (1970) and Palladas (1975)
3 'Frontiers of Appetite': Phaedra Britannica (1975)
4 'Shaggermemnon': Aeschylus' Oresteia and Continuous (1981)
5 'All the versuses of life': 'v.' and Medea: A Sex-War Opera (1985)
6 'Bookworm excreta': The Trackers of Oxyrhynchus (1988) and Other Plays and Poems
7 'End to end in technicolour': Prometheus (1998) and Other Films
8 'Witnessed horror': Fram (2008) and Harrison's Euripides
9 'Surviving the slopes of Parnassus': 'Polygons' (2015) and Other Poems

Notes
Bibliography
Index

Edith Hall is Professor of Classics at the University of Durham and Consultant Director of the Archive of Performances of Greek and Roman Drama in Oxford, UK. She has published more than thirty volumes on ancient Greek and Roman literature and their reception and has been a judge of the Stephen Spender prize for literary translation and the Society for Theatre Research Book of the Year.

Edith Hall is Professor of Classics at the University of Durham and Consultant Director of the Archive of Performances of Greek and Roman Drama in Oxford, UK. Her books on ancient Greek culture and its reception include The Return of Ulysses (2008), Greek Tragedy (2010), Adventures with Iphigenia in Tauris (2013) and Introducing the Ancient Greeks (2015).