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E-grāmata: Toward an Inclusive Creative Writing: Threshold Concepts to Guide the Literary Writing Curriculum

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(Humboldt State University, USA)
  • Formāts: 208 pages
  • Izdošanas datums: 05-Oct-2017
  • Izdevniecība: Bloomsbury Academic
  • Valoda: eng
  • ISBN-13: 9781350023888
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  • Cena: 4,31 €*
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  • Formāts: 208 pages
  • Izdošanas datums: 05-Oct-2017
  • Izdevniecība: Bloomsbury Academic
  • Valoda: eng
  • ISBN-13: 9781350023888

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The creative writing workshop has existed since the early part of the 20th century, but does it adequately serve the students who come to it today? While the workshop is often thought of as a form of student-centered pedagogy, it turns out that workshop conversations serve to marginalize a range of aesthetic orientations and the cultural histories to which they belong. Given the shifting demographics of higher education, it is time to re-evaluate the creative writing curriculum and move literary writing pedagogy toward a more inclusive, equitable model.

Toward an Inclusive Creative Writing makes the argument that creative writing stands upon problematic assumptions about what counts as valid artistic production, and these implicit beliefs result in exclusionary pedagogical practices. To counter this tendency of creative writing, this book proposes a revised curriculum that rests upon 12 threshold concepts that can serve to transform the teaching of literary writing craft. The book also has a companion website www.criticalcreativewriting.org offering supplemental materials such as lesson plans and course materials.

The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollection.com. Open access was funded by Knowledge Unlatched.

Papildus informācija

Presents an alternative vision for creative writing pedagogy that goes beyond the workshop approach.
Acknowledgments ix
Introduction 1(12)
Discussions of diversity and inclusion in creative writing
3(6)
Threshold concepts to guide the literary writing curriculum
9(2)
Toward an inclusive creative writing pedagogy
11(2)
1 Privileged Assumptions and Assumptions of Privilege
13(36)
What the VIDA Count tells about teaching
15(2)
Exclusionary constructions of the writer's life
17(4)
Finding a voice
21(2)
The lonely writer
23(3)
Leisure and unalienated labor
26(4)
The writer as exceptional
30(1)
Mapping pedagogical constructions of the writer
31(1)
Progressive pedagogical approaches
32(2)
Humanist pedagogical approaches
34(2)
Professionalizing pedagogical approaches
36(2)
Auditioning pedagogical approaches
38(1)
Experimental pedagogical approaches
39(2)
Therapeutic pedagogical approaches
41(1)
Elitism in creative writing
42(5)
Exclusionary assumptions about writers and writing
47(2)
2 Marginalized Aesthetics
49(26)
Policing intention: Polemics against polemics
51(6)
Policing taste: Ideologies of craft
57(11)
Policing emotion: Scorn of excess
68(4)
The diversity of the textual landscape
72(3)
3 Threshold Concepts in Creative Writing
75(42)
Concept 1 Attention
83(5)
Concept 2 Creativity
88(3)
Concept 3 Authorship
91(3)
Concept 4 Language
94(2)
Concept 5 Genre
96(1)
Concept 6 Craft
97(1)
Concept 7 Community
98(3)
Concept 8 Evaluation
101(3)
Concept 9 Representation
104(3)
Concept 10 Resistance
107(1)
Concept 11 Theory
108(2)
Concept 12 Revision
110(2)
Threshold concepts and learning outcomes
112(5)
4 Toward an Inclusive Pedagogy
117(20)
Starting points
117(7)
Reading
124(2)
Workshop
126(8)
Evaluation and grading
134(3)
Coda: Reimagining Creative Writing's Institutional Practices 137(8)
Appendix A ---List of Craft Texts Surveyed in
Chapters 1 and 2
145(3)
Appendix B ---Sample Syllabus 148(15)
Notes 163(28)
Index 191
Janelle Adsit is Assistant Professor of Writing Practices at Humboldt State University, USA.