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ix | |
Preface |
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xiii | |
Acknowledgments |
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xvii | |
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1 A New Tradition: Art In Engineering |
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1 | (26) |
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The Ideals Of Structural Art |
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The History Of Structural Art |
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Structures And Architecture |
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The Three Dimensions Of Structure |
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Structural Art And Society |
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2 Thomas Telford And The New Art Form |
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27 | (18) |
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Thomas Telford And Bridge Art |
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Telford And The Limits Of Structure |
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3 Brunei, Stephenson, And Railway Forms |
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45 | (15) |
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The Tension Between Structural Art And Business |
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4 Gustave Eiffel And The Crescent Bridge |
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60 | (12) |
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The Tower And The Industrial Fair |
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Structure And Architecture |
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The 1851 Crystal Palace And The 1867 Paris Exhibition |
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The First Crescent Bridge: Douro |
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The Second Crescent: Carabit |
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5 John Roebling And The Suspension Bridge |
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72 | (12) |
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Roebling At The Limit Of Structure |
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6 The Bridge And The Tower |
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84 | (15) |
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Structural Art And The Artist |
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Preliminary Ideas On Structural Art |
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PART II The New Age of Steel and Concrete |
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7 Jenney, Root, And The First Chicago School |
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99 | (13) |
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The Skyscraper And The Cathedral |
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8 Big Steel Bridges From Eads To Ammann |
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112 | (35) |
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Chicago Versus St. Louis: The Eads Bridge |
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The Transition: Gustav Lindenthal |
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Modern Steel Forms: Othmar Ammann |
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The George Washington Bridge |
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Two Visions: Ammann And Steinman |
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9 Robert Maillart And New Forms In Reinforced Concrete |
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147 | (24) |
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Prototypical Twentieth-Century Material |
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German Science Versus French Business |
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10 Roof Vaults And National Styles |
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171 | (23) |
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Engineering Imagination And Local Vision |
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Dischincer, Finsterwalder, And The Cerman School |
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Nervi And The Italian Tradition |
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The Spanish School: Gaud!, Torroja, And Candela |
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Candela And The Discipline Of Thinness |
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11 The Directing Idea Of Eugene Freyssinet |
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194 | (19) |
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The Wilderness Origins Of Prestressinc |
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Le Veurdre And Arch Aesthetics |
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Thin-Shell Vaulting: Orly And Bagneux |
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12 Discipline And Play: New Vaults In Concrete |
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213 | (20) |
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Candela, Maillart, And The Aversion To Ugliness The New Swiss Synthesis |
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Isler And Scientific Theory |
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13 New Towers, New Bridges |
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233 | (33) |
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Fazlur Khan And The Second Chicago School |
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Structural Expression In Tall Buildings |
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Epilogue: The Idea of Structure as Art |
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266 | (11) |
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Notes |
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277 | (18) |
Index |
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295 | |