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Transmedia Vampire: Essays on Technological Convergence and the Undead [Mīkstie vāki]

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  • Formāts: Paperback / softback, 232 pages, height x width x depth: 229x152x12 mm, weight: 313 g, 9 photos, notes, bibliographies, index
  • Izdošanas datums: 22-Oct-2021
  • Izdevniecība: McFarland & Co Inc
  • ISBN-10: 1476675740
  • ISBN-13: 9781476675749
  • Mīkstie vāki
  • Cena: 31,30 €
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  • Formāts: Paperback / softback, 232 pages, height x width x depth: 229x152x12 mm, weight: 313 g, 9 photos, notes, bibliographies, index
  • Izdošanas datums: 22-Oct-2021
  • Izdevniecība: McFarland & Co Inc
  • ISBN-10: 1476675740
  • ISBN-13: 9781476675749
"This book explores vampire narratives that have been expressed across multiple media and new technologies. Stories and characters such as Dracula, Carmilla and even Draculaura from Monster High have been made more "real" through their depictions in narratives produced in and across different platforms. This also allows the consumer to engage on multiple levels with the "vampire world," blurring the boundaries between real and imaginary realms and allowing for different kinds of identity to be created while questioning terms such as "author," "reader," "player" and "consumer." These essays investigate the consequences of such immersion and why the undead world of the transmedia vampire is so well suited to life in the 21st century"--

Recenzijas

A solid collection of essays with a wide view of an expansive topicThere is much worth to be found within the volume and it is recommendedJournal of Vampire Studies

Acknowledgments vii
Foreword: We Are, All of Us, Kenfields 1(2)
John Edgar Browning
Introduction 3(17)
Simon Bacon
Part I Dracula: Adaptations and Re-Creations
We Are Dracula: Penny Dreadful and the Dracula Megatext
20(15)
Jeffrey Andrew Weinstock
"Better Parts": Redemptive Portrayals of Count Dracula as Vlad the Impaler in Selected Film Adaptions of Stoker's Dracula
35(12)
Wayne Derek Pigeon-Coote
"I've crossed oceans of versions to find you": Remediating Mina from Novel to Screen in Bram Stoker's Dracula (1992)
47(13)
Cathleen Allyn Conway
Part II Across Mediums, Platforms and Levels of Engagement
Byzantium Stage to Screen
60(16)
Gina Wisker
Pixel Parasites: The Virtual Vampire as Enemy, Ally and Self in Video Games
76(12)
Shawn Edrei
Vampire as Doll: Transformations of Meaning Through Play in the Vampirina and Draculaura {Monster High) Franchises
88(15)
Derek Newman-Stille
"Do Vampires Get Their Periods?": The Carmilla Web Series and the Politics of Bleeding Women
103(17)
Alexandra Heller-Nicholas
Part III Transnational Transmedia
Vampire Tourism: Transmedia Narratives, Cultural Histories and Locating the Undead
120(14)
Lorna Piatti-Farnell
Thinking in Connections: AA. Carr's Eye Killers and F.W. Murnau's Nosferatu
134(12)
Svetlana Seibel
From Revenants to Vampires: The Transmedia Evolution of the fiangshi
146(16)
Katarzyna Ancuta
Part IV Interventions, Fandom, Ownership
Transmedia Interventions and Palimpsestuous Relations: Carmilla Meets Carmen Maria Machado
162(12)
Natalie Wilson
The Originals and Family History Two-Fold: Caught Between Two Worlds
174(13)
Verena Bernardi
Transmedia Vampire Stories and Their Consumers in Anne Rice's The Vampire Chronicles
187(14)
Laura Davidel
First-Person Gothic: Anne Rice, Vampirism, Authorship and Identity
201(16)
Evan Hayles Gledhill
About the Contributors 217(4)
Index 221
Simon Bacon is an independent scholar based in Poznan, Poland. He has authored and edited many volumes on vampires, monstrosity, science fiction and media studies.