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E-grāmata: Transnational Imaginaries of M. G. Vassanji: Diaspora, Literature, and Culture

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This collection of scholarly articles engages with, analyzes, and appreciatively critiques the fiction and non-fiction writing of M. G. Vassanji, a multiple award-winning author.



This collection of scholarly articles engages with, analyzes, and appreciatively critiques the fiction and non-fiction writing of M. G. Vassanji, a multiple award-winning author. Vassanji’s works have a sense of multiple connections across four continents: Asia, Africa, Europe, and North America. He challenges the imperial centers of Western powers through the content of his work and his deeply-felt humanist engagements with the politics of displacement, settlement, partition and postcolonialism. Ranging across almost his entire oeuvre, the essays in this book argue that Vassanji’s work should be read as one emerging from a transnational space that connects people, places and issues across the world. Collectively, the essays in this book, using a range of theoretical frameworks, claim that Vassanji’s work fits into and also goes beyond the usual categorizations, structures and styles of analysis applied to writers from the colonies.

Recenzijas

«The Transnational Imaginaries of M. G. Vassanji» is a long overdue academic study of M. G. Vassanjis work. Vassanji is one of the most category-defying, unsettling, yet rewarding writers of the contemporary age. In writing that cannot but resonate for our divided Brexit/Trump world, Karim Murji and Asma Sayed and their contributors show that this multivalent, border-crossing author nonetheless produces imaginative work replete with a singularity of vision. Claire Chambers, University of York, UK The editors and contributors to this collection succeed in highlighting the multiple dimensions to Vassanjis work but do so in linking it to ever-present issues of humanity and being in the globalized world as crossing geographical, political, social, and cultural boundaries. This volume provides a much needed addition to scholarship on Vassanjis work in its consideration of the complexities of systems of identification and belonging that breakdown the notion of the political as personal and the personal as political within a transnational, diasporic and cross-cultural context. Cristina Santos, author of «Unbecoming Female Monsters: Witches, Vampires and Virgins» This is a rich and timely collection of essays. The excellent scholars contributing to this book do much more than celebrate M. G. Vassanjis critically acclaimed and popular writing. Attending to the singularity and multiplicity of his work, they bring important new insights to Vassanjis novels, short stories, and life writings. This book will feel particularly vital to anyone with an interest in story telling from and about East Africa, South Asia and North America; and not least because it is energised by a shared and urgent commitment to a transnational understanding of geography and history. This is an important book for any reader with an interest in stories about location and dislocation, and about what transnational storytelling might mean for being postcolonial, diasporic, or worldly in any way. Most importantly, perhaps, the book is vibrantly attuned to Vassanjis deeply humanistic outlook. Through the rigorous exercise of close literary, historical, geographical and political analyses, the authors of «The Transnational Imaginaries of M. G. Vassanji» pursue an acute engagement with what literary culture means for being human today. Stephanie Jones, University of Southampton

Preface vii
Introduction: Locating M. G. Vassanji in a Transnational Context 1(16)
Asma Sayed
Karim Murji
1 "An Open Wound": The Memory and Legacy of Partition in Vassanji's Writings on India
17(16)
John Clement Ball
2 Thinking through India, Transnationally: Still Writing from a Hard Place?
33(18)
Delphine Munos
3 Agents of Impermanence: The Visitor Figure in A Place Within
51(16)
Vera Alexander
4 Travel as a Way Inward: Vassanji's A Place Within
67(18)
Jonathan Locke Hart
5 `Ye Zindagi Usiki Hai': Illicit Desire and (Post)colonial Romance in The Book of Secrets
85(18)
Gaurav Desai
6 The Sacred as a Theme in The Assassin's Song and The Magic of Saida
103(16)
Neelima Kanwar
7 Roots/Routes and Rhizomes: Diasporic Tourism and the Return of the Native Stranger in The Magic of Saida
119(16)
Jonathan Rollins
8 Narrating Violence as a Metaphor of Colonial Enterprise in The Book of Secrets
135(16)
Remmy Shiundu Barasa
9 Riding the Third Rail: Perpetual Movement and Imagined Return in The In-Between World of Vikram Lall
151(18)
Aaron Louis Rosenberg
10 "This Was My Country--How Could It Not Be?": On the Significance of Travel in The In-Between World of Vikram Lall
169(20)
Shizen Ozawa
11 Journeys and Re-membered Communities in Amriika
189(14)
Godwin Siundu
12 Reading Vassanji's Women: Reconstructing an Alternate Historiography
203(18)
Mala Pandurang
Contributors 221(6)
Index 227
Karim Murji is a professor in the Graduate School at the University of West London and was previously based at the Open University, UK. His recent books include Racism, Policy and Politics (2017) and, edited with John Solomos, Theories of Race and Ethnicity: Contemporary Debates and Perspectives (2015). With Sarah Neal, he is the Editor of Current Sociology.









Asma Sayed is a professor in the Department of English at Kwantlen Polytechnic University, Canada. Her interdisciplinary research focuses on Indian Ocean studies, postcolonial literature, and South Asian diaspora in Canada. Her work has appeared in leading academic journals, including the Canadian Review of Comparative Literature, Canadian Literature, South Asian Review, Transnational Literature, and the Journal of South Asian Diaspora. Her recent books include M. G. Vassanji: Essays on His Work (2014), Writing Diaspora: Transnational Memories, Identities and Cultures (2014), and Screening Motherhood in Contemporary World Cinema (2016).