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Transnational Working-Class Literatures: Canons and Connections in the Nineteenth and Twentieth Centuries [Hardback]

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  • Formāts: Hardback, 470 pages, height x width: 210x148 mm, 2 Illustrations, black and white; XVI, 470 p. 2 illus., 1 Hardback
  • Izdošanas datums: 24-Sep-2025
  • Izdevniecība: Palgrave Macmillan
  • ISBN-10: 3031923057
  • ISBN-13: 9783031923050
  • Hardback
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  • Formāts: Hardback, 470 pages, height x width: 210x148 mm, 2 Illustrations, black and white; XVI, 470 p. 2 illus., 1 Hardback
  • Izdošanas datums: 24-Sep-2025
  • Izdevniecība: Palgrave Macmillan
  • ISBN-10: 3031923057
  • ISBN-13: 9783031923050

This book offers a pioneering study of the national, transnational, and international dimensions of working-class literature. It explores both the historically and geographically varied nature of the relationship between working-class literatures and national ‘canons’, and the importance of international and transnational exchanges in the development of working-class literature. Through a series of detailed case studies (its sixteen essays analyse working-class literatures from the early nineteenth century to the present day and cover thirteen countries across three continents) this collection not only analyses the factors which lead to the incorporation or exclusion of working-class literature from a given national ‘canon’, but also traces the various ways in which working-class literatures participate in international networks of exchange. With its wide historical range, extensive geographical coverage and broad definition of working-class literature, which includes samba poetry as well as socialist realism, this collection charts new territory for the study of working-class literature.

Chapter 1: Towards the Transnational Study of Working-Class Literature.-
Chapter 2: The Early German Socialist Novel: Johann-Baptist von Schweitzers
Lucinde and August Otto Walsters Am Webstuhl der Zeit.
Chapter 3: A Century
of Criticism: Canon Formation and the English Working-Class Movement from the
1830s 1930s.
Chapter 4: The Erasure of Class from Working-Class Fiction in
the Modern Greek Literary Canon (1922-1989).
Chapter 5: The Construction of
The Worker in Brazilian Poetry: Between Canonical Lyric and Popular Song.-
Chapter 6: Romanian Working-Class Literature between critical realism and
socialist realism.
Chapter 7: Proletarian Literature and the Problem of the
Communalisation of Culture in Interwar Poland.
Chapter 8: People's
Literature and the National Canon in Post-War Polish Literary Criticism.-
Minds among the Spindles and Chevilles:  Identity, Genre, and Literary
Representation among New England "Mill Girls" and Lyonnaise Canuses.
Chapter
10: Global Texts as Local Weapons: Towards the Transnational Network of
Proletarian Imagination in Early Twentieth-Century Finland.
Chapter 11:
Links Richten (1932-1933): Dutch contribution to transnational proletarian
literature.
Chapter 12: Patrķcia Galvćo: Militant for a Cause.
Chapter 13:
The international dimension of Henry Poulailles Proletarian literature.-
Chapter 14: Italian Working-Class Literatures Publishing Landscape, from Il
menabņ to Alegre.
Chapter 15: Ordinary People and Literary Pirouettes:
Working-Class Literature in the Swedish Municipal Workers Trade-Union
Magazine Until 1970.
Chapter 16: In the Shadow of the 20th Century:
Working-Class Literature in China and the Worker Poetry Journal.
Wiktor Marzec is Assistant Professor at the Robert Zajonc Institute for Social Studies, University of Warsaw, Poland. His publications include, Rising Subjects: The 1905 Revolution and the Origins of Modern Polish Politics (2020) and the co-authored From Cotton and Smoke. ód Industrial City and Discourses of Asynchronous Modernity, 18971994 (2019).



Magnus Nilsson is Professor of Comparative Literature at Malmö University, Sweden. Working-class literature is his main area of expertise. His publications include Literature and Class: Aesthetical-Political Strategies in Modern Swedish Working-Class Literature (2014) and Working-Class Literature(s): Historical and International Perspectives (two volumes, edited with John Lennon, 2017 and 2020).



Mike Sanders is Professor of Nineteenth-Century Literature and Culture at the University of Manchester, UK. Chartist literature and culture is his main area of expertise. His publications include, The Poetry of Chartism: Aesthetics, Politics, History (2009) and the co-edited collection, Subaltern Medievalisms: Medievalism from below in Nineteenth-Century Britain (2021).