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E-grāmata: Travel & See: Black Diaspora Art Practices since the 1980s

  • Formāts: PDF+DRM
  • Izdošanas datums: 04-Feb-2016
  • Izdevniecība: Duke University Press
  • Valoda: eng
  • ISBN-13: 9780822374510
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  • Formāts: PDF+DRM
  • Izdošanas datums: 04-Feb-2016
  • Izdevniecība: Duke University Press
  • Valoda: eng
  • ISBN-13: 9780822374510

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Over the years, Kobena Mercer has critically illuminated the visual innovations of African American and black British artists. In Travel & See he presents a diasporic model of criticism that gives close attention to aesthetic strategies while tracing the shifting political and cultural contexts in which black visual art circulates. In eighteen essays, which cover the period from 1992 to 2012 and discuss such leading artists as Isaac Julien, RenÉe Green, Kerry James Marshall, and Yinka Shonibare, Mercer provides nothing less than a counternarrative of global contemporary art that reveals how the dialogical principle of cross-cultural interaction not only has transformed commonplace perceptions of blackness today but challenges us to rethink the entangled history of modernism as well.  

Recenzijas

"Travel & See benefits from a retrospective gaze; Mercers 30-year career gives him a judicious distance on some highly charged aesthetic movements and issues.... Mercers volume ... does not simply collect his past writings; it forces us to see international modernism in a way that has implications for future scholarship both within and beyond the field of black diasporic art. Travel & See posits Mercer as a chronicler not only of the field of contemporary art of the Afro-modern world, but of the inextricable ties of black diasporic and modernism itself." - Sarah Lewis (Art in America) "Travel & See is an essential addition to any art historians library.... With Travel & See, Mercer further establishes himself as a leading figure in the field while also modeling the type of work that still needs to be done. The volume shows how Mercers writing redefined contemporary art history just as much as it shows how black diaspora artists changed contemporary art." - Uchenna Itam (Shift) "Mercer's optimistic spirit encourages the reader to dare to travel in space and time in order to see better." - Maureen Murphy (Critique d'art) "Subtleties of thought and elegance of expression are characteristic of Mercer's writings, read avidly by those art historians who have sought insight into Black British Cultural Studies, increasingly influential over the last thirty years. Mercer's essays offer a welcome contrast to arthistorical scholarship aimed at the specialist, and also to criticism on the contemporary arts of the African and Asian diasporas." - Amna Malik (Art History)

List of Illustrations
ix
Acknowledgments xiii
Introduction 1(36)
Part I ART'S CRITIQUE OF REPRESENTATION
37(50)
1 The Fragile Inheritors
39(11)
2 Busy in the Ruins of Wretched Phantasia
50(37)
Part II DIFFERENTIAL PROLIFERATIONS
87(68)
3 Marronage of the Wandering Eye: Keith Piper
89(8)
4 Mortal Coil: Eros and Diaspora in the Photographs of Rotimi Fani-Kayode
97(32)
5 Avid Iconographies: Isaac Julien
129(18)
6 Art That Is Ethnic in Inverted Commas: Yinka Shonibare
147(8)
Part III GLOBAL MODERNITIES
155(60)
7 Home from Home: Portraits from Places in Between
157(13)
8 African Photography in Contemporary Visual Culture
170(16)
9 Ethnicity and Internationally: New British Art and Diaspora-Based Blackness
186(21)
10 Documenta 11
207(8)
Part IV DETOURS AND RETURNS
215(62)
11 A Sociography of Diaspora
217(10)
12 Diaspora Aesthetics and Visual Culture
227(21)
13 Art History after Globalization: Formations of the Colonial Modern
248(14)
14 The Cross-Cultural and the Contemporary
262(15)
Part V JOURNEYING
277(70)
15 Postcolonial Trauerspiel: Black Audio Film Collective
279(15)
16 Archive and Depaysement in the Art of Renee Green
294(16)
17 Kerry James Marshall: The Painter of Afro-Modern Life
310(11)
18 Hew Locke's Postcolonial Baroque
321(26)
Bibliography 347(10)
Index 357
Kobena Mercer is Professor of History of Art and African American Studies at Yale University. He is author of Welcome to the Jungle: New Positions in Black Cultural Studies, editor of Cosmopolitan Modernisms, among other titles, and an inaugural recipient of the 2006 Clark Prize for Excellence in Arts Writing.