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E-grāmata: Trends in World Music Analysis: New Directions in World Music Analysis [Taylor & Francis e-book]

Edited by (Cornell University, USA), Edited by , Edited by
  • Formāts: 338 pages, 13 Tables, black and white; 85 Line drawings, black and white; 28 Halftones, black and white; 113 Illustrations, black and white
  • Izdošanas datums: 24-Feb-2022
  • Izdevniecība: Routledge
  • ISBN-13: 9781003033080
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  • Cena: 155,64 €*
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  • Standarta cena: 222,34 €
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Trends in World Music Analysis: New Directions in World Music AnalysisPalielināt
  • Formāts: 338 pages, 13 Tables, black and white; 85 Line drawings, black and white; 28 Halftones, black and white; 113 Illustrations, black and white
  • Izdošanas datums: 24-Feb-2022
  • Izdevniecība: Routledge
  • ISBN-13: 9781003033080
Citas grāmatas par šo tēmu:
Taylor & Francis e-booksMore info about Taylor & Francis e-books
Rokasgrāmatas mājas lapa: https://www.taylorfrancis.com/books/9781003033080
"This volume brings together a group of analytical essays exploring traditional genres and styles of world music, capturing a vibrant and expanding field of research. These contributors, drawn from the forefront of researchers in world music analysis, seek to break down barriers and build bridges between scholarly disciplines, musical repertoires, and cultural traditions. Covering a wide range of genres, styles, and performers, the chapters bring to bear a variety of methodologies, including indigenous theoretical perspectives, Western music theory, and interdisciplinary techniques rooted in the cognitive and computational sciences. With contributors addressing music traditions from Africa, Asia, Europe, and the Americas, this volume captures the many current directions in the analysis of world music, offering a state of the field and demonstrating the expansion of possibilities created by this area of research"--

This volume brings together a group of analytical essays exploring traditional genres and styles of world music, capturing a vibrant and expanding field of research.

List of figures and tables
ix
List of contributors
xiv
Introduction 1(8)
1 Phenomenology of segah mugham creativity on the tar
9(17)
Polina Dessiatnitchenko
2 Rhythm, form, and performance in Ladakhi traditional songs
26(16)
Noe Dinnerstein
3 Moving to the music: quantity of motion as a tool to study North Indian raga performance
42(23)
Laira Leante
4 From dusk till dawn: an analysis of Cretan music festivities
65(20)
Andre Hoizaimel
5 The continua of sound qualities for Tanya Tagaq's katajjaq sounds
85(15)
Kristi Hardman
6 Representing and experiencing rhythm in drumming from Santiago de Cuba
100(25)
Andy McGraw
Fernando Bexadon
7 Tapping to recordings of Bulgarian music: a cross-cultural study of meter and tempo
125(18)
Daniel Goldberg
8 Tempo, meter, and form: an analysis of "Dansa" from Mali
143(16)
Rainer Polak
Justin London
9 Mapping timbral surfaces in Alpine yodeling: new directions in the analysis of tone color for unaccompanied vocal music
159(37)
Lawrence Beaumont Shuster
Yannick Vvey
10 Creative processes in improvisingjzlara decima
196(17)
Jaime O. Bofill Calero
11 "Da mihi manum": an Irish arcanum
213(25)
Aine Heneghan
12 Toward a theory of ika: the rhythmic identity of melody in late eighteenth-century Turkish art music
238(22)
Nikolaus Grill
Stefan Pohlit
13 Applying the generative theory of tonal music to world music idioms: an analytical approach to the polyphonic singing of Epirus
260(23)
Costas Tsougras
14 Language models and world music analysis
283(49)
Somangshu Mukherji
Index 332
Lawrence Beaumont Shuster is Lecturer in Music Theory at Cornell University.

Somangshu Mukherji is Assistant Professor of Music Theory at the University of Michigan.

Noé Dinnerstein is Adjunct Assistant Professor at John Jay College of Criminal Justice, City University of New York.
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