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E-grāmata: Tribal and the Cultural Legacy of Streetwear

Edited by (Point Loma Nazarene University)
  • Formāts: EPUB+DRM
  • Izdošanas datums: 12-Mar-2024
  • Izdevniecība: Intellect Books
  • Valoda: eng
  • ISBN-13: 9781789388107
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  • Formāts: EPUB+DRM
  • Izdošanas datums: 12-Mar-2024
  • Izdevniecība: Intellect Books
  • Valoda: eng
  • ISBN-13: 9781789388107

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Tribal Streetwear is lifestyle streetwear brand that seeks to represent a variety of southern California sub-cultures that includes graffiti, street art, skateboarding, surfing, tattoos, hip hop, breakdancing, punk, lowriders, and custom culture. Based in San Diego, California, Tribal has strong Chicano roots in its aesthetic and spans the globe with retail stores on several continents.





The text presents a series of articles, essays, and personal reflections that explore the various dimensions of Tribal Streetwear, and how the impact of their designs continues to balance the precarious act of being relevant and responsible with their resources.





The book is divided into four sections.





Section 1 features essays that set a context for the text. This includes a history of Tribal and where it fits within the history of streetwear, a personal narrative of the founding of Tribal, and lastly an essay on the uniqueness of southern California aesthetics and the fascination with this southern California inspired fashion.





Section 2 is a series of interviews with notable artists, musicians, and cultural tastemakers that have contributed toward street culture and Tribal. These include Mr. Cartoon (tattoo artist), RISK (graffiti artist), PERSUE (street artists), Mike Giant (tattoo artist), Dyse One (graffiti artist), Craig Craig Stecyk III (skateboard culture), Bob Hurley (surf culture), and the Beastie Boys (hip hop).





Section 3 includes a series of invited and peer-reviewed academic articles on distinct subjects within the street culture genre that further dive into the inputs and influences of Tribal Streetwear. They include breakdancing, surfing, skateboarding, graffiti, street art, tattooing, music (hip-hop/punk), lowriders, custom culture, and Chicano Studies.





Section 4 is a series of photo essays that capture the three decades of Tribal Streetwear and serves as a visual history of the brand and the evolution of its graphics. 





 
Acknowledgments



Preface



Section 1: Introduction to Tribal Streetwear





The Legacy of Tribal Streetwear

James Daichendt


Section 2: Streetwear and its Histories





Whats in a Name: Baseball Caps and Identity in American Culture

Clayton Funk




La Voz de la Calle (The Voice of the Street)

Marvin R. Milian




How Graffiti and Street Art Styles, Images, and Iconography Impacted the
Designs that Tribal Streetwear Uses on Their Clothing and Accessories

Jeffrey Ian Ross


Section 3: Tribal and Its Tattoo Roots





Representation of World: An Ontological Exploration of Tattoos and Self

Rachel Daichendt




A Brief Look at Southern California Tattoo Culture and History

Evan Senn


Section 4: Tribalism and Identity





Tribal Streetwear Will Be the First Aesthetic Ethnicity for the Digital
Metaverse

Chumahan Bowen




A Tribe Laud West: Hip Hop and Its Influence on Tribal Gear and a New Chicano
Generation

Monique Charles


Section 5: Surf and Skate





Surfing Together, Surfing Alone: Surf Tribes and Tribalism in Southern
California during the Twentieth Century

Ben Cater




Street, Punk, Desert, Life: Four Stories of Tribal Streetwear and Skate
Culture

James Wicks


Section 6: Lowriders and Culture Making





La Locura Cura: Lowriders, Chicanismo, and Bobby Tribal

Denise M. Sandoval




Bouncing Across Borders: The Globalization of Lowriding

John Ulloa


Section 7: Personal Histories





Everyone Belongs to a Tribe

Luis Saldańa




A Personal Account of Tribal and Tattooing

Michael Tank Gonzales




Tribal Streetwear: A Personal History

Bobby Ruiz


Notes on Contributors



 
G. James Daichendt is an art critic, curator, and art historian that serves as Vice-Provost, Dean of the Colleges, and Professor of Art History at Point Loma Nazarene University in San Diego, CA. Jim is the founding editor of the academic journal, Visual Inquiry: Learning and Teaching Art and author of several books He most recently co-curated Street Legacy: SoCal Style Masters at the California Center for Arts Museum (2022) and Sidewalk Activism at the Oceanside Museum of Art (2020). Jim is the recipient of a 2021 Lifetime Achievement award from the Office of the President of the United States for his service to the arts community and holds two masters degrees and a doctorate from Harvard, Boston, and Columbia universities.