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Turkish Long-Necked Lute Saz or Balama [Mīkstie vāki]

  • Formāts: Paperback / softback, 138 pages, height x width x depth: 245x174x6 mm, weight: 370 g, 70 figures, colour throughout
  • Izdošanas datums: 24-Sep-2020
  • Izdevniecība: Archaeopress
  • ISBN-10: 1789694329
  • ISBN-13: 9781789694321
  • Mīkstie vāki
  • Cena: 36,51 €
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  • Daudzums:
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  • Formāts: Paperback / softback, 138 pages, height x width x depth: 245x174x6 mm, weight: 370 g, 70 figures, colour throughout
  • Izdošanas datums: 24-Sep-2020
  • Izdevniecība: Archaeopress
  • ISBN-10: 1789694329
  • ISBN-13: 9781789694321
The saz or bağlama, a generic name for long-necked lutes in Turkey, plays an important role in the Turkish musical culture. It forms the core of all folk musical ensembles and orchestras and is a popular instrument in the arabesque, entertainment, and pop music. It is the instrument par excellence in Turkish music education and in the religious rituals of the Âlevi and Bektaşi. The saz or bağlama can also be heard as a solo instrument on international concert stages. Acknowledging the instrument&;s unique place in Turkey, The Turkish Long-Necked Lute Saz or Bağlama, an updated and revised edition of the Dutch book Turkse Langhalsluit of bağlama, mainly focusses on its cultural and historical background while briefly discussing various saz or bağlama types and their construction, tuning, and playing techniques.

The saz or baglama, a generic name for long-necked lutes in Turkey, plays an important role in Turkish musical culture. This volume focusses on the instrument's cultural-historical background while briefly discussing various saz or baglama types and their construction, tuning, and playing techniques.
Preface and Acknowledgements ;



General Introduction ;



Chapter-1 Historical Background ;


Tanbūr, Saz, Balama ;


Early and Late Antiquity ;


The Spike Lute ;


The Necked Lute ;


The Sāsānian Tunbūr ;


The Umayyad and Abbāsid Tanbūrs ;


The Rum-Seljuks ;


The Anatolian Long-Necked Lutes ;


The Ottoman Empire ;


Court and City ;


The Saz in the Work of European Artists and Travellers ;


The Saz in Anatolian Folk Music ;


The Saz in the Āk, Alevī, and Bektaī Tradition ;


The Diffusion of the Saz ;


The Republic of Turkey ;


The Saz and the Establishment of a National Musical Culture ;


The Development of the Contemporary Balama ;


Towards a New Generation of Balamas ;


Trends in Balama Performance ;


Migration and the Balama in Western Europe ;


The Balama in the 21st Century ;



Chapter-2 Variation versus Standardization ;


The Balama Family ;


The Cura ;


The Balama ;


The Tambura ;


The Divan Saz ;


The Meydan Saz ;


Variation versus Standardization ;



Chapter-3 Construction ;


The Choice of Wood ;


The Drying of Wood ;


Construction Process ;


Bowl ;


Soundboard ;


Frets, Bridge, and Strings ;


Ornamentation ;



Chapter-4 Tuning ;


String Tuning ;


Fret Tuning ;


Countryside ;


City ;



Chapter-5 Playing Technique ;


Playing Position ;


Finger Positions ;


Plectrum Techniques ;


Finger Techniques ;


Execution Melody ;


Horizontal Techniques ;


Vertical Techniques ;



Glossary of Musical Instruments and Terms ;



Discography ;



Bibliography ;



Illustration Credits ;



A Note on Turkish ;



Index
Hans de Zeeuw began to take balama lessons and became interested in its long and fascinating history while working at the Free University in Amsterdam and studying at the Open University. This led him to decide to break of his studies and focus, for many years, on research into the Turkish saz or balama under the supervision of Dr Leo Plenckers of the Department of Musicology of the University of Amsterdam and Dr Okan Murat Öztürk of the Devlet Konservatuvar of the Bakent Üniversitesi in Ankara.