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Ugliness: The Non-beautiful in Art and Theory [Hardback]

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  • Formāts: Hardback, 328 pages, height x width: 234x156 mm, weight: 665 g, 71 bw integrated
  • Izdošanas datums: 20-Dec-2013
  • Izdevniecība: I.B. Tauris
  • ISBN-10: 1780766459
  • ISBN-13: 9781780766454
Citas grāmatas par šo tēmu:
  • Formāts: Hardback, 328 pages, height x width: 234x156 mm, weight: 665 g, 71 bw integrated
  • Izdošanas datums: 20-Dec-2013
  • Izdevniecība: I.B. Tauris
  • ISBN-10: 1780766459
  • ISBN-13: 9781780766454
Citas grāmatas par šo tēmu:
Ugliness is very much alive in the history of art. From ritual invocations of mythic monsters to the scare tactics of the early twentieth-century avant-garde, the cabinet of curiosities to the identity politics of today, the ugly has been every bit as active as beauty, and often much more of a reality… why then has it been so neglected. This book seeks to remedy this oversight through both broad theoretical reflection and concrete case studies of ugliness in various historical and cultural contexts. The protagonists range from cooks to psychoanalysts, the object, from war prostheses to plates of asparagus, on a world stage stretching from ancient Athens to Singapore today. Drawing across disciplinary and cultural boundaries, the writers illuminated why ugliness, associated over the millennia with negative categories ranging from sin and stupidity to triviality and boredom, remains central to art and cultural practice.

Recenzijas

'Though ugliness as a concept has been discussed since antiquity and again in the eighteenth century, and was the subject of a notable book by Karl Rosenkranz in 1853, this volume is the first in modern times to focus on the subject. It is notable for an outstanding introduction and a wide-ranging group of essays by well-established and emerging scholars on different aspects of the subject. This volume is a major contribution to the study of aesthetics, and I am certain it will have an important effect on the whole field.' David Bindman, Durning-Lawrence Professor Emeritus of the History of Art, University College London, UK, and Visiting Fellow, Du Bois Institute, Harvard University, USA 'Ugliness offers an enticing prospect - ' Mary Midgley, moral philosopher, UK

Papildus informācija

Ugliness is very much alive in the history of art. Drawing across disciplinary and cultural boundaries, the writers of this volume illuminate why ugliness, associated over the millennia with negative categories ranging from sin and stupidity to triviality and boredom, remains central to art and cultural practice.
List of Illustrations
ix
List of Contributors
xv
Introduction: Rethinking Ugliness 1(16)
Andrei Pop
Mechtild Widrich
The Politics of Ugliness
1 The Ugly Face Club: A Case Study in the Tangled Politics and Aesthetics of Deformity
17(17)
Gretchen F. Henderson
2 The Face of War
34(15)
Suzannah Biernoff
3 Picasso and the Psychoanalysts
49(20)
Brandon Taylor
4 The `Ugliness' of the Avant-Garde
69(16)
Mechtild Widrich
The Experience of Ugliness
5 Ribera's Grotesque Heads: Between Anatomical Study and Cultural Curiosity
85(19)
Edward Payne
6 The Studio and the Kitchen: Culinary Ugliness as Pictorial Stigmatisation in Nineteenth-Century France
104(18)
Fredeique Desbuissons
7 I'm Ugly Because You Hate Me: Ugliness and Negative Empathy in Oskar Kokoschka's Early Self-Portraiture
122(19)
Kathryn Simpson
8 From Political Travesties to Aesthetic Justice: The Ugly in Teo Eng Seng's D Cells
141(24)
Adele Tan
The Theory of Ugliness
9 Can Beauty and Ugliness Coexist?
165(15)
Andrei Pop
10 Putrefied, Deliquescent, Amorphous: The `Liquefying' Rhetoric of Ugliness
180(10)
Kassandra Nakas
11 Orderly Ugliness, Anamorphosis and Visionary Worlds: Jurgis Baltrusaitis Contribution to Art History
190(26)
Odeta Zukauskiene
Conclusion: Three Definitions of Ugliness 216(5)
Notes 221(54)
Annotated Bibliography 275(26)
Index 301
Andrei Pop is Postdoctoral Fellow at the University of Basel, Switzerland. Mechtild Widrich is Postdoctoral Fellow in the department of architecture, ETH Zurich, Switzerland.