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E-grāmata: Ulysses and Faust: Tradition and Modernism from Homer till the Present

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Ulysses and Faust: Tradition and Modernism from Homer till the Present examines the most important authors of Western literature: Homer, Virgil, Dante, Shakespeare, Cervantes, Marlowe, Goethe, Joyce, Eliot, Mann, Bulgakov and Pasternak, who based their works on one or other of the two key myths of the West, Ulysses and Faust. This volume provides a synoptic view of Western literature, as a foundation text for literary studies at all levels and as a way of encouraging people to once more engage with the major authors of our literary heritage. Ulysses and Faust considers the artistic revolution known as Modernism at the start of the twentieth century and the subsequent events in Europe, such as the World Wars and the totalitarian regimes, which led to a major break in Western civilization reflected in its literature. Consequently, these detailed critical studies illuminate their authors’ Weltanschauung, their view of life as it was lived in their time.

PART I Tradition
1(116)
1 The Hellenic and Hebraic Traditions
3(20)
Section I The Historical Background of Ulysses and Faust
3(9)
Section II Ulysses and Faust after Modernism
12(11)
2 Ulysses in Homer, Virgil and Dante
23(27)
Section I Odysseus and Women
23(9)
Section II Aeneas and Rome
32(9)
Section III Ulysses and Death
41(9)
3 Ulysses in Shakespeare and Cervantes
50(32)
Section I The Turmoils and Troubles of the Late Renaissance
50(6)
Section II Troilus and Cressida as a Problem Play
56(8)
Section III Don Quixote as the First Novel
64(9)
Section IV The Novel in Print
73(9)
4 Faust in Marlowe and Goethe
82(35)
Section I Faustus and Faust
82(5)
Section II Marlowe's Doctor Faustus
87(7)
Section III Faust and Paternity
94(10)
Section IV From Gretchen to the Eternal Feminine
104(13)
PART II Modernism
117(158)
5 Modernism and Modernist Traditionalism
119(25)
Section I The Rise of Modernism in the Twentieth Century
119(11)
Section II The Impact of Modernism on Five Major Authors
130(14)
6 Ulysses: Ulysses as Jew
144(35)
Section I Joyce and Modernism
144(7)
Section II Ulysses I and Autofiction
151(10)
Section III Symbolism and Naturalism
161(6)
Section IV Ulysses II on the Way Out of the Novel
167(12)
7 The Waste Land: The Missing Ulysses
179(26)
Section I A Buried Corpse
179(8)
Section II A Wife's Adultery
187(7)
Section III Horror and Religious Vision
194(11)
8 Doctor Faustus: The German Faust
205(38)
Section I Mann and Modernism
205(12)
Section II A Serial Composition
217(11)
Section III Breakthrough and Breakdown
228(5)
Section IV Mann and Adorno
233(10)
9 The Master and Margarita and Doctor Zhivago: The Russian Faust
243(32)
Section I Approach to and Departure from Modernism
243(10)
Section II Christ in History
253(7)
Section III The Work within the Work
260(15)
Bibliography 275(6)
Index 281
Dr. Harry Redner received his Ph.D. at Melbourne University, and later pursued further research at Oxford, teaching Political Philosophy, History and Sociology at Monash University. Harry Redner was Reader at Monash University and has been visiting professor at Yale University, University of California-Berkeley, and Harvard University. He was the recipient of the Senior Fulbright Fellow at the Universities of Yale, Boulder and Berkeley; later visiting professor at the École des Hautes Études in Paris and Haifa University. Dr. Redner held the endowed ALCATEL Chair at Darmstadt University (1998) and the Franz Rosenzweig Chair at Kassel University (2009). He has also published fourteen books across many fields
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