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Uncanny Histories in Film and Media [Mīkstie vāki]

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  • Formāts: Paperback / softback, 238 pages, height x width x depth: 235x156x18 mm, weight: 3 g, 14 b&w images
  • Sērija : Media Matters
  • Izdošanas datums: 17-Jun-2022
  • Izdevniecība: Rutgers University Press
  • ISBN-10: 1978829949
  • ISBN-13: 9781978829947
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  • Mīkstie vāki
  • Cena: 37,80 €
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  • Formāts: Paperback / softback, 238 pages, height x width x depth: 235x156x18 mm, weight: 3 g, 14 b&w images
  • Sērija : Media Matters
  • Izdošanas datums: 17-Jun-2022
  • Izdevniecība: Rutgers University Press
  • ISBN-10: 1978829949
  • ISBN-13: 9781978829947
Citas grāmatas par šo tēmu:
"Uncanny Histories in Film and Media brings together a stellar lineup of established and emergent scholars who explore the uncanny twists and turns that are often occluded in larger accounts of film and media. Prompted by fresh archival research and new conceptual approaches, the works included here probe the uncanny as a mode of historical analysis that reveals surprising connections and unsettling continuities. The uncanny stands for what often eludes us, for what remains unfamiliar or mysterious or strange. Whether writing about film movements, individual works, or the legacies of major or forgotten critics and theorists, the contributors remind us that at the heart of the uncanny, and indeed the writing of history, is a troubling of definitions, a challenge to our inherited narratives, and a disturbance of what was once familiar in the uncanny histories of our field"--

Uncanny Histories in Film and Media brings together a stellar lineup of established and emergent scholars who explore the uncanny twists and turns that are often occluded in larger accounts of film and media. Prompted by fresh archival research and new conceptual approaches, the works included here probe the uncanny as a mode of historical analysis that reveals surprising connections and unsettling continuities.  The uncanny stands for what often eludes us, for what remains unfamiliar or mysterious or strange.  Whether writing about film movements, individual works, or the legacies of major or forgotten critics and theorists, the contributors remind us that at the heart of the uncanny, and indeed the writing of history, is a troubling of definitions, a challenge to our inherited narratives, and a disturbance of what was once familiar in the uncanny histories of our field.


Uncanny Histories in Film and Media probes the uncanny as a mode of historical analysis. Whether writing about film movements, individual works, or the legacies of major or forgotten critics and theorists, the contributors challenge our inherited narratives to reveal a disturbance of what was once familiar in the histories of our field.

Recenzijas

"The exciting array of 'uncanny' histories gathered in this collection trouble familiar narratives in film and media studies. Centering marginalized spaces, figures, and texts, these essays show us how much of media history remains to be written."

Shelley Stamp, author of Lois Weber in Early Hollywood and Movie Struck Girls: Women and Motion Picture Culture aft "With consummate mastery, Petro has collected provocative and inspirational contributions to a range of subfields in media studiescolonialism and its aftermath, game studies, race and representation, transnationalism, global markets, and the trajectory of feminism." Mary Ann Doane, author of The Emergence of Cinematic Time: Modernity, Contingency, the Archive

Introduction: Uncanny Histories 1(12)
Patrice Petro
PART I THE DISCIPLINARY UNCANNY
1 Film and Media in the Double Take of History
13(19)
Priya Jaikumar
2 Haunted by the Body: Cleanliness in Colonial Manila's Film Culture
32(28)
Jasmine Trice
3 Reimagining the History of Media Studies through Games, Play and the Uncanny Valley
60(23)
Alenda Y. Chang
PART II UNCANNY FILMS
4 Flickering Lights and Mischievous Stars: The Uncanny Feminism of My Twentieth Century
83(14)
Hannah Goodwin
5 The Sublime Body under the Sign of Developmentalism: The Wolf of Wall Street (2013), Malaysian Politics, and Global Markets
97(20)
Peter J. Bloom
6 Uncanny Histories of Transnational Cinematic Reception: Eisenstein in Cuba
117(22)
Masha Salazkina
PART III UNCANNY FIGURES
7 Julio Garcia Espinosa and the Fight for a Critical Culture in Cuba
139(23)
Cristina Venegas
8 The Case for (Re) collecting Lotte Eisners Work
162(23)
Naomi Decelles
9 A Widow's Work: Archives and the Construction of Russian Film History
185(20)
Maria N. Corrigan
10 Fiendish Devices: The Uncanny History of Almena Davis
205(12)
Ellen C. Scott
Acknowledgments 217(2)
Notes on Contributors 219(4)
Index 223
PATRICE PETRO is a professor of film and media studies, Dick Wolf Director of the Carsey-Wolf Center, and Presidential Chair in Media Studies at the University of California, Santa Barbara. She is the author, editor, and co-editor of thirteen books, including The Routledge Companion to Cinema and Gender.