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Unravelling Women's Art: Creators, Rebels, & Innovators in Textile Arts [Mīkstie vāki]

  • Formāts: Paperback / softback, 280 pages, height x width x depth: 244x168x20 mm, COLOUR PHOTOGRAPHS
  • Izdošanas datums: 15-Dec-2021
  • Izdevniecība: Supernova Books
  • ISBN-10: 1913641155
  • ISBN-13: 9781913641153
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  • Cena: 28,70 €
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  • Formāts: Paperback / softback, 280 pages, height x width x depth: 244x168x20 mm, COLOUR PHOTOGRAPHS
  • Izdošanas datums: 15-Dec-2021
  • Izdevniecība: Supernova Books
  • ISBN-10: 1913641155
  • ISBN-13: 9781913641153
Citas grāmatas par šo tēmu:
The author unpicks the threads that link female textile artists and the arts they produce, revealing a global and historic patchwork of assorted roles, identities and representations. Entertaining as well as informative, this book offers a unique overview of female-centric textile art production including embroidery, weaving, soft sculpture and more. Includes over 20 interviews with contemporary textile artists, providing fascinating insights into their practices, themes and personal motivation. Tells us: How knitting became a spying device in wartime Why dress design was so important for the Suffragettes Why spiders were emblems in ancient times and now How women's arts and crafts moved from the backroom to the gallery showroom.

Recenzijas

Unravelling Women's Art isn't only a compelling read, although it is indeed just that. Its focus on the creators, rebels and innovators who have added to the powerful canon of works - by women - in, of and about textiles is comprehensively referenced, elegantly constructed into meaningful and valuable sub-genres, and populated with illuminating examples of both known and lesser-known women practitioners. A timely and attractive publication, Unravelling Women's Art lives up to its title, un-peeling, un-doing and un-tangling a complex and expanded territory, making delightful work of revealing its joyous, eclectic and culturally vital secrets, polemics, and fine and delicious conversations!--Professor Catherine Harper "University for the Creative Arts, Farnham, UK."; Were in a time of #imitation of #influence in which people crave acceptance by others afraid to go against the herd. The Herd Rules. This great book is about the rebels, the pioneers, the loners. Bonnie Greer, writer;The book I had to dive straight into when I got it was Unravelling Womens Art by P.L. Henderson, and a fascinating read it i. Looking at the way craft and art was separated and how textile art has developed through the years with wonderful artist interviews. Indie Bookshops and Publishers, end of week roundup; Its a thrilling story exploring the global and historic patchwork of assorted female roles, identities and representations expressed through the needle arts so long overlooked, and covering female-centric textile art production including embroidery, weaving, soft sculpture and knit, not just in the western canon but in cultures around the world. Not merely a scholarly text, its ambitious scope makes for a compelling read, thanks to Hendersons exuberance in championing womens textile art. Pg 57 March/April 2022 | Embroidery (embroiderymagazine.co.uk)

Introduction 11(4)
Chapter 1 Representation and Textile Arts
15(26)
Interview: Sheena Liam/Times New Romance
33(1)
Interview: Michelle Kingdom
34(1)
Interview: Jenni Dutton
35(2)
Interview: Maryam Ashkanian
37(4)
Chapter 2 Textile Arts in Indigenous Cultures
41(26)
Interview: Melissa Peter Paul
60(1)
Interview: Britta Marakatt-Labba
61(1)
Interview: Gina Adams
62(5)
Chapter 3 Nature and Textile Arts
67(28)
Interview: Meredith Woolnough
86(2)
Interview: Rachel Wright
88(2)
Interview: Karin Celestine
90(5)
Chapter 4 Politics & Textile Arts
95(34)
Interview: Rachelle Romeo
120(2)
Interview: Sophie Neville
122(2)
Interview: Diana Weymar -- Tiny Pricks Project
124(1)
Interview: Betsy Greer
125(4)
Chapter 5 Textiles, Fashion & Wearable Art
129(24)
Interview: Mariko Kusumoto
151(2)
Chapter 6 Textile Art & Identity
153(24)
Interview: Alia Ali
174(3)
Chapter 7 Sculpture, Installation and Display
177(28)
Interview: Permindar Kaur
198(3)
Interview: Bryony Jennings
201(2)
Interview: Ana Teresa Barboza
203(2)
Chapter 8 Recycling, Upcycling and Environmental Art
205(26)
Interview: Vanessa Barragao
224(1)
Interview: Kaarina Kaikkonen
225(1)
Interview: Anne Kelly
226(5)
Chapter 9 The Weird and the Wonderful
231(24)
Interview: Susie Freeman
249(2)
Interview: Annie Taylor -- The Profanity Embroidery Group
251(4)
10 Reference & Bibliography
255
P.L. Henderson was born in the North of England and in her early career entered the field of environmental work. Her skills in music also led to involvement in the creation of music workshops aimed at empowering girls in economically deprived areas. A personal interest in drawing and also cultural histories, during the years bringing up her son, led to a period of part-time study culminating in gaining a BA in Art History through the Open University. Inspired by feminist art theorist pioneers, P.L. Henderson began an investigation of often invisible women artists, which resulted in the creation of the successful and necessary social media project @womensart1 to platform their work. Presently living in Lisbon, Portugal with her partner whilst working as a freelance writer, she regularly contributes to publications such as 'Resurgence & Ecologist' magazine, 'Art UK' and 'Culture Matters' on topics of art, ecology and social justice. Whilst having a case study published in the book 'Feminism and Museums, Intervention, Disruption and Change' (2017), she was also one of the writing team for Phaidon's book 'Great Women Artists' (2019). She is creator/curator of #WOMENSART, see https: //womensartblog.wordpress.com. Cheryl Robson has edited over 100 titles including, fiction, non-fiction and YA Fiction. Her edited titles were nominated five times for the Marsh Award for Children's Literature in translation in the UK. In 2019, she was nominated for the itv National Diversity award- Lifetime Achievement category.