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Unseen Anzac: How an Enigmatic Explorer Created Australiaas World War I Photographs [Mīkstie vāki]

  • Formāts: Paperback / softback, 304 pages, height x width x depth: 208x135x25 mm, weight: 340 g, Illustrations, black and white
  • Izdošanas datums: 24-Apr-2018
  • Izdevniecība: Scribe Us
  • ISBN-10: 1947534173
  • ISBN-13: 9781947534179
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  • Cena: 21,55 €
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  • Formāts: Paperback / softback, 304 pages, height x width x depth: 208x135x25 mm, weight: 340 g, Illustrations, black and white
  • Izdošanas datums: 24-Apr-2018
  • Izdevniecība: Scribe Us
  • ISBN-10: 1947534173
  • ISBN-13: 9781947534179
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‘He was a highly accomplished and absolutely fearless combat photographer. Wounded many times and even buried by shellfire, he always came through. At times he brought in the wounded, at other times he supplied vital intelligence of enemy activity. At one point he even rallied troops as a combat officer. His war record was unique.’— General Sir John Monash, commander, Australian Army Corps

Cameras were banned at the Western Front when the Anzacs arrived in 1916, prompting correspondent Charles Bean to argue continually for Australia to have a dedicated photographer. He was eventually assigned an enigmatic polar explorer?—?George Hubert Wilkins.

Within weeks of arriving at the front, Wilkins’ exploits were legendary. He went ‘over the top’ with the troops and ran forward to photograph the actual fighting. He led soldiers into battle, captured German prisoners, was wounded repeatedly, and was twice awarded the Military Cross?—?all while he refused to carry a gun and armed himself only with a bulky glass-plate camera.

Wilkins ultimately produced the most detailed and accurate collection of World War I photographs in the world, which is now held at the Australian War Memorial. After the war, Wilkins returned to exploring and, during the next 40 years, his life became shrouded in secrecy. His work at the Western Front was forgotten, and others claimed credit for his photographs.

In The Unseen Anzac, Jeff Maynard follows a trail of myth and misinformation to locate Wilkins’ lost records and reveal the remarkable, true story of Australia’s greatest war photographer.

Author's Note ix
Foreword xi
Dr Brendan Nelson
Australian War Memorial
Introduction: The Soul of Our Nation xv
Maps
xxv
PART I October 1888--August 1917
1 The Flickering Film
3(12)
2 You and Your Camera are Cursed
15(8)
3 One Gigantic Holiday
23(10)
4 A Little World of Our Own
33(8)
5 The Nearness of the Creator
41(12)
6 The World s Affairs
53(18)
PART II August 1917--June 1919
7 An Historical Point of View
71(16)
8 Charley Bean and I
87(16)
9 Dash In, Get Photographs
103(14)
10 I Do Not Carry Arms for Fighting
117(14)
11 The Perfume of Apple and Cherry Blossoms
131(16)
12 A Garden of Eden
147(14)
13 The Enemies of All Mankind
161(18)
14 The Next Steps Towards Civilisation
179(12)
PART III June 1919--The Present
15 The Value of Getting the History
191(14)
16 Some Day Australia Will Understand
205(18)
17 The Body the World Knows as Wilkins
223(8)
Afterword: We Wielders of the Mechanism 231(2)
Appendix: A Letter From the Front 233(4)
Military Formations and Acronyms 237(2)
Bibliography 239(4)
Notes 243(12)
Acknowledgements 255(4)
Index 259