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E-grāmata: Unthinking Eurocentrism: Multiculturalism and the Media

4.21/5 (167 ratings by Goodreads)
(New York University, USA), (New York University, USA)
  • Formāts: 508 pages
  • Sērija : Sightlines
  • Izdošanas datums: 05-Jun-2014
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781317675402
  • Formāts - EPUB+DRM
  • Cena: 50,08 €*
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  • Formāts: 508 pages
  • Sērija : Sightlines
  • Izdošanas datums: 05-Jun-2014
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781317675402

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Unthinking Eurocentrism, a seminal and award-winning work in postcolonial studies first published in 1994, explored Eurocentrism as an interlocking network of buried premises, embedded narratives, and submerged tropes that constituted a broadly shared epistemology. Within a transdisciplinary study, the authors argued that the debates about Eurocentrism and post/coloniality must be considered within a broad historical sweep that goes at least as far back as the various 1492s – the Inquisition, the Expulsion of Jews and Muslims, the Conquest of the Americas, and the Transatlantic slave trade – a process which culminates in the post-War attempts to radically decolonize global culture. Ranging over multiple geographies, the book deprovincialized media/cultural studies through a "polycentric" approach, while analysing in depth such issues as postcolonial hybridity, antinomies of Enlightenment, the tropes of empire, gender and rescue fantasies, the racial politics of casting, and the limitations of "positive image" analysis.

The substantial new afterword in this 20th anniversary new edition brings these issues into the present by charting recent transformations of the intellectual debates, as terms such as the "transnational," the "commons," "indigeneity," and the "Red Atlantic" have come to the fore. The afterword also explores some cinematic trends such as "indigenous media" and "postcolonial adaptations" that have gained strength over the past two decades, along with others, such as Nollywood, that have emerged with startling force. Winner of the Katherine Kovacs Singer Best Film Book Award, the book has been translated in full or in its entirety into diverse languages from Spanish to Farsi. This expanded edition of a ground-breaking text proposes analytical grids relevant to a wide variety of fields including postcolonial studies, literary studies, anthropology, media studies, cultural studies, and critical race studies.

Recenzijas

"Unthinking Eurocentrism was so refreshing because of the confidence of its eclecticism, the forcefulness of its arguments, the range of its geographical and linguistic materials, and the way it brought indigenous issues to the centre of political and intellectual debate. The obligation to unthink Eurocentrism has not diminished in the last twenty years, so the 2014 edition is welcome, with the new Afterword amply demonstrating that Shohat and Stam have lost none of their stamina or their lucidity. Readers horizons will again be broadened."

Peter Hulme, Department of Literature, Film, and Theatre Studies, University of Essex

"Unthinking Eurocentrism was a hugely influential book, and remains so twenty years later. It informed my approach to the study of film from early on, in conveying how film and media countersign ideology and the subtle workings of social consciousness. It taught me to approach film not solely as text, but first and foremost as context; to focus on film culture and mediated discourse. Unthinking Eurocentrisms utter exuberance of referencing was particularly inspirational. Confidently flowing and cutting across cultures and discourses whilst revealing patterns of othering and orientalisation that work throughout the world, both outside and within Europe, it motivates and excites. This is how I want all writing on film to be: rich and intense. It is a book that shaped, and continues shaping, all my work."

Dina Iordanova, Professor of Global Cinema and Creative Cultures and Director of the Centre for Film Studies, University of St. Andrews

List of plates xv
Acknowledgments xvii
Introduction 1(12)
1 From Eurocentrism To Polycentrism 13(42)
The myth of the West
13(2)
The legacy of colonialism
15(3)
Race and racism
18(7)
The Third World
25(2)
Third World cinema
27(5)
Fourth World and indigenous media
32(5)
The postcolonial and the hybrid
37(9)
Polycentric multiculturalism
46(9)
2 Formations Of Colonialist Discourse 55(45)
"Greece: where it all began"
55(3)
From reconquista to conquista
58(3)
The Columbus debate
61(10)
Revisionist film and the quincentennial
71(6)
Slavery and resistance
77(5)
Renegade voices
82(3)
Antinomies of Enlightenment and progress
85(15)
3 The Imperial Imaginary 100(37)
The shaping of national identity
101(3)
Cinema as science and spectacle
104(5)
Projecting the empire
109(5)
The western as paradigm
114(7)
The late imperial film
121(4)
Postmodern war
125(12)
4 Tropes Of Empire 137(41)
Adams in the virgin land
141(4)
Mapping terra incognita
145(3)
Excavating the dark Continent
148(3)
Mummies and Egyptology
151(5)
Rape and the rescue fantasy
156(5)
The imaginary of the harem
161(5)
The desert odyssey
166(12)
5 Stereotype, Realism And The Struggle Over Representation 178(42)
The question of realism
178(4)
The burden of representation
182(7)
The racial politics of casting
189(2)
The linguistics of domination
191(3)
Writing Hollywood and race
194(4)
The limits of the stereotype
198(7)
Perspective, address, focalization
205(3)
Cinematic and cultural mediations
208(6)
The orchestration of discourses
214(6)
6 Ethnicities-In-Relation 220(28)
Submerged ethnicities
220(3)
Dialectics of presence/absence
223(7)
Erotic allegories
230(2)
Good neighbors and border crossers
232(3)
Staging American syncretism
235(6)
The mutual illumination of cultures
241(7)
7 The Third Worldist Film 248(44)
Rewriting colonial history
249(7)
The esthetic of hunger
256(4)
Third Cinema and militant documentaries
260(11)
Allegories of impotence
271(8)
Third Worldist reflexivity
279(6)
Beyond the national
285(7)
8 Esthetics Of Resistance 292(46)
The archaic sources of alternative esthetics
295(7)
Carnivalesque subversions
302(5)
Modernist anthropophagy
307(6)
Syncretism as artistic strategy
313(5)
The poetics of disembodiment
318(4)
Paradigms of looks
322(6)
Media jujitsu
328(10)
9 The Politics Of Multiculturalism In The Postmodern Age 338(25)
Popular culture and political correctness
340(2)
Self-representation and the politics of identity
342(5)
Negotiating spectatorship
347(16)
Afterword: Thinking About Unthinking: Twenty Years After 363(74)
Select bibliography 437(18)
Index 455
Robert Stam is University Professor at New York University. He is the author or co-author of more than 15 books, which have been translated, in their entirety or in part, into 17 languages. He has lived and taught in France, Brazil, Germany, Tunisia, and the U.A.E. (Abu Dhabi), and has received Rockefeller, Fulbright, Guggenheim, and Princetons Davis Center for Historical Studies Awards.



Ella Shohat is Professor of Cultural Studies at New York University. Translated into diverse languages, her books include: Taboo Memories, Diasporic Voices; Israeli Cinema; Talking Visions; and with Robert Stam, Multiculturalism, Postcoloniality and Transnational Media; Flagging Patriotism; and Race in Translation.Her awards include Fulbright, Rockefeller, and the Society for the Humanities at Cornell University, where she also taught at The School of Criticism & Theory.